Intro to digital audio Flashcards

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1
Q

How does digital audio differ to analogue?

A

Represents sound as a sequence of discrete numbers, rather than a continuous variation of pressure / voltage

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2
Q

Why is digital audio easier to transmit, store and copy reliably?

A

Has a fixed temporal (and thus frequency) resolution
 and fixed amplitude resolution. Whereas analogue has a theoretically infinite temporal and amplitude resolution.

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3
Q

When was the first computer based digital recording system made?

A

1957 by Max Matthews

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4
Q

When was the first CD player made?

A

1982 - Sony CDP-101

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5
Q

When was the ADAT made?

A

1991 - used video tape to store 8 tracks of audio.

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6
Q

What do more bits mean?

A

More bits mean more values representable. Adding a bit doubles the range of possible values.

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7
Q

What is increasing bit depth used for?

A
  • To record audio samples with greater precision / resolution.
  • Because each bit doubles the range of amplitudes,
it adds 6dB to the signal-to-noise ratio (SNR): 

e.g. 16-bit = 16 x 6 = 96dB
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8
Q

What are individual bits transmitted as?

A
  • fixed high and low voltage levels (e.g. S/PDIF +/- 0.3V)

- on/off flashes of light (optical)

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9
Q

What is the sampling theorem?

A
  • Provided certain limitations are observed, any arbitrary wave form can be recorded by taking individual samples of amplitude at fixed intervals.
  • The wave form is played back by outputting the same samples at the same fixed intervals.
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10
Q

What is the sampling frequency?

A

The number of samples taken over the course of one second:

  • measured in Hz
  • known as the sample rate
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11
Q

What are different sample rates used for?

A

Different purposes based on different needs (quality, bandwidth).

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12
Q

What is the sample rate of telephony?

A

8kHz

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13
Q

What is the sample rate of broadcast (eg. radio)?

A

32kHz

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14
Q

What is the sample rate of a CD?

A

44.1kHz

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15
Q

What is the sample rate of audio for video?

A

48kHz

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16
Q

What is the sample rate of a professional recording?

A

96kHz

17
Q

When does aliasing occur?

A

When the input frequency is greater than half the sampling frequency. This point is called the Nyquist limit.

18
Q

Describe the frequencies above and below the Nyquist limit (fN).

A

Frequency components above fN are mapped
 to (and heard as) frequencies below fN. Thus, all frequencies in the input signal 
must be less than half the sampling rate

19
Q

What happens to frequencies above the Nyquist limit?

A

Frequencies above the Nyquist limit are mirrored around it: At a 48kHz sample rate: an ordinarily inaudible frequency of 10kHz above Nyquist (34kHz) will be audible as 10kHz below Nyquist (14kHz).

20
Q

How are frequencies above the Nyquist removed?

A

This is done with a low-pass filter known as an analogue antialiasing filter.

21
Q

What is oversampling used for?

A

To avoid the use of analogue brick-wall filters (which exhibit phase problems). Instead, an analogue gentle-slope filter and a digital brick-wall filter are combined

22
Q

What are the advantages and disadvantages of a brick wall filter when oversampling?

A
  • Good frequency response

- Poor phase response

23
Q

What are the advantages and disadvantages of a gentle filter when oversampling?

A
  • Poor frequency response (higher frequencies attenuated)

- Good phase response

24
Q

How do you avoid the gentle slope filter from affecting audible frequencies?

A

Oversample the audio at a much higher rate than required (e.g. from 4x to 128x).

25
Q

How can a digital filter help with phase shifting?

A

Digital filters can have linear phase response, so the subsequent brick wall filter does not cause a phase shift.

26
Q

What happens to the oversampled audio?

A

The oversampled audio is digitally down-sampled to the required sample rate.

27
Q

What are band limited synthesisers used for?

A

In digital synthesisers, band-limited versions 
are used to ensure the harmonics do not
 exceed the Nyquist frequency.

28
Q

What happens to the amplitudes after sampling?

A

After sampling, the amplitudes are stored as 16-bit (CD) or 24-bit (DVD) integer values.

29
Q

When is the best SNR (signal to noise ratio) achieved?

A

The best SNR is achieved when signal spans the full range of levels.
- CD: 16-bit (96dB), DVD: 24-bit (144dB).
Weaker signals use fewer levels (bits) and so have a worse SNR.

30
Q

What does dithering do?

A

Adds a small amount of random noise to de-emphasise the steps
- Digital ‘blurring’
to hide the lines

31
Q

What does dithering improve?

A

Improves playback
 sound perceptually

Ensures noise is
 broadband, which 
is harder to notice (
not correlated 
with the audio)

32
Q

What else will distort audio?

A

Uneven / irregular clock pulses will also distort the audio.

  • Leads to phase issues, spectral distortion, poor stereo imaging.
  • Fundamentally a hardware limitation 
(not easily solved in software)