Infra Flashcards
Choreographer
Wayne McGregor
Choreographic Stimulus
Infra means “below” in Latin
The Waste Land poem (by TS Elliot) “Under the brown fog of a winter dawn. / A crowd flowed over London Bridge, so many.”
The London bombings
Life beneath the surface of a city
This abstract ballet delves beneath the surface to present a moving meditation on human interactions.
Choreographic Approach
McGregor uses three methods to generate movement vocabulary for the piece:
- SHOW a phrase to the whole or part of the cast – dancers watch and either recreate the phrase exactly or create a version.
- MAKE a phrase on a target dancer or dancers – others watch and copy or develop.
- TASK –set a choreographic task for dancers to complete or pose a
Typically the task or problem involves imagery as a stimulus for creating movement. The movement vocabulary is then structured into longer “sentences” and “paragraphs”. Finally he works musically with the structure and pieces it all together like a jigsaw.
Choreographic Intent
Seeing below the surface of things
Human relationships
Allowing the audience to interpret for themselves
Number of dancers
12 dancers (6 male / 6 female) Brief appearance of a crowd who cross the stage.
what company performs it?
The Royal Ballet
structure of the dance
The ballet comprises solos, duets and ensembles with many arresting moments, for instance 6 couples dance duets in six squares of light and a crowd surges across the stage, unaware of one woman’s private grief.
aural setting
Music by Max Richter (performed by The Max Richter Quintet with Jonathan Haswell).
Sound design by Chris Ekers.
The score mixes melancholy string melodies with electronic sounds and everyday sounds such as train-whistles.
costume
Street clothes – for a moment to show a crowd
Tight and clean – to show clean lines and complex movements
Pointe shoes for females – allowed harder technique
Colour – black, white and grey
Gender – one man wears trousers one woman wears a wrap skirt
what is the performance environment?
Proscenium arch/theatrical setting
lighting
Relates closely to the structure and follow the movement
Focuses downstage leaving the upstage often in the dark
Orange colour for a male solo – fire and danger
Side light for the crowd scene
staging/set
An 18m LED screen is placed high on the black back wall. It runs the width of the stage, along which there is a mesmerizing flow of electronic walking figures.
dance style
Contemporary ballet
Also include gestures/pedestrian movement