IN-The Shepherd Flashcards

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1
Q

background of the shepherd?

A

he is in touch with natural, instinctive love, and has an idyllic life

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2
Q

How does the poet view the shepherds “sweet lot” in life?

A

he romanticizes it

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3
Q

How many quatrains does the Shepherd have?

A

2

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4
Q

How does the tone of the poem move?

A

from an energetic joy to one of somber peacefulness

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5
Q

While the Lamb used in this poem is a common noun and not overtly meant to be a representation of Jesus Christ, does this connection remain?

A

yes

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6
Q

How is Blake’s disenchantment with the city implied in this poem?

A

from his paean (praise) to the shepherd’s rural life; in contrast to the the busy life of the urban dweller, the shepherd needs only to follow his sheep

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7
Q

In contrast to the the busy life of the urban dweller, the shepherd needs only to follow his sheep and their “innocent call” what does this imply for the whole collection?

A

that the poems of Songs of Innocence should be seen as the Shepherd’s pastorally-inspired. spontaneous songs

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8
Q

What does the capitalisation of “Shepherd” throughout the poem suggest?

A

the Divine shepherd, Jesus Christ who watches over his church “from the morn to the evening” just as the poetic shepherd does in Blake’s present work

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9
Q

What is the shepherd an emblem of?

A

perfect natural freedom

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10
Q

How is the shepherd an emblem of perfect, natural freedom?

A

as he can, according to this poem, roam where he pleases and free from the trammels (restrictions) of organised city life

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11
Q

Perhaps, what could be the purpose of all the poems in “songs of innocence” in which Blake speaks to children?

A

in order to remind them, in didactic (teach them) fashion, of their ‘duty’ and how in need of protection they are from the trammels of organised city life

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12
Q

What indicates a natural end to the paradisal state of this poem in which the peace is temporal and transcends into the world of experience?

A

the question of what will happen when the Shepherd is not “nigh”

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13
Q

What could be suggested from the second line in which “From the morn to the evening he strays”?

A

Although this might indeed serve to connote the pleasure of freedom, it might also conjure up the possibility of being lost and thus failing to offer protection- or indeed to be protected.

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14
Q

In what other poems across the Songs of Innocence does Blake present us with a powerful array of images of loss and straying?

A

The little boy lost
The little boy found
the little girl lost
the little girl found

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15
Q

What have some critics said about these poems involving the idea of lost?

A

they have said that they are oddly placed in the realm of innocence since the dangers they touch upon seem very much to interlock with the world of experience

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