EX-London Flashcards
The opening image of wandering “thro’ each charter’d street,” the focus on sound and the image of stains recalls the first stanza of the introduction to Songs of Innocence and now focuses on the city not the pastoral bard ; which quotes demonstrates this.
“valleys wild “
“ songs of pleasant glee”
“On a cloud I saw a child.”
The poem’s title denotes a specific geographical space, not the archetypal locales in which many of other Songs are set. What is the effect of this?
The urban space-even the natural River Thames- submits to being “charter’d” a term which combines mapping and legalism and reflects the restriction of society.
What is the effect of Blake’s reputation of the word “charter’d”?
this reinforces the sense of stricture the speaker feels upon the city where even language itself, the poet’s medium, experiences a confinement
All the speakers subjects ____ ______ ____________ ______ _____ are known only through the traces they leave behind; the ubiquitous cries, the blood on the palace walls.
men, infants, chimney sweepers, soldier, harlot
In the third stanza the cry of the chimney-sweep and the sigh of the soldier metamorphose (almost mystically) into what? use the poem
into soot on “church appals” and “blood down palace walls”—but we never see the chimney-sweep or the soldier themselves, only what is left when they are gone and used.
While the cry of the chimney-sweep and the sigh of the soldier metamorphose (almost mystically) into soot on “church appals” and “blood down palace walls”, how is the government rendered?
they are rendered by synecdoche, by mention of the places in which they reside such as the “Palace walls”
Indeed, it is crucial to Blake’s commentary that neither the city’s victims nor their oppressors ever appear in body: Blake does not simply blame a set of institutions or system of enslavement for the cities woes but what?
he blames the victims whom help to make their own “mind-frog’d manacles” more powerful than material chains could ever be.
How does the poem end?
with the cycle of misery; in the form of a “new-born Infants tear” whom is born into poverty, to a cursing “marriage hearse”. (prozzy)
Sexual and martial union- the place of possible regeneration and rebirth are tainted by the fact that a “new born Infants tear” ends the poem in poverty to what?
the cursing of a “Marriage Hearse”
The world of innocent is frequently a rural world, whereas the world of experience is composed by the realm of fragmentary sights “blights” and sounds in the “charter’d” streets of where?
London
What is the structural effect of the repetition of words such as “mark” and “every”?
this unites the poem while at the same time suggesting that there is a repetitive quality of life in the city
London is likely the most concisely violent assault on the establishment thinking English poetry has yet produced; however the understanding of the power of this attack can only be securely based on an appreciation of the remarkable rhetorical qualities of the poem. For example, explain the effect of the most basic of all rhetorical devices, repetition.
repetition of “every” hammers through the poem like the dull boot of totalitarianism which for blake characterises the world in which he finds himself
This is a poem remarked for its auditory and visual power. We hear cries, voices and “bans” Which is the double meaning of “bans”
“bans” literally in the sense of words read out in Church, but bans also in the sense which adds to the sentiment of prohibition which patterns with “charter’d” to the semantic field of confinement
The poet uncovers the truth with which society is complacent to in the fate of “soliders” and “harlots” whom are victim to the city and cut away from natural life. What is the suggestion from this?
that rich and powerful men do not fight their own battles, reflecting that it is the poor or suffer at the tyranny of those they delegate power
What could Blake be protesting against with the notion that “the Chimney-Sweepers cry/ Every blackening Church appalls”
In the context of the 18th century, that which is “appalled” is covered in a dark shroud which we can then use to hypothesise that Blake thought of the pretensions to purity which the church vaunted are themselves sullied, reduced to blackness by the brutality of which it chooses to remain unaware