ICDS KHAN Flashcards

1
Q

What alternative methods were used to create choreography in Zero Degrees?

A

Khan and Larbi used ‘playtime’ whilst choreographing Zero Degrees, a method which started with filming Khan telling a story to Larbi which actually became the starting point and focus of the work they created.

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2
Q

What new forms of staging has occurred for Khan?

A

non-conventional places - Glastonbury Festival, Khan’s Dust (2014) was performed shortly after its premiere.

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3
Q

How is audience diversity increased?

A

Embracing culture
- Khan’s dual national background is the foundation of Zero Degrees exploration of identity
- Kathak dance and traditions such as Sufi turns and bols
- Shines light on Bangladeshi culture and beliefs

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4
Q

When was Zero Degrees created?

A

2005

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5
Q

Who was involved in the project Zero Degrees?

A

Akram Khan, Sidi Larbi Cherkaoui, Anthony Gormley, Nitin Sawhney

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6
Q

What are the sections in Zero Degrees?

A
  1. Trench
  2. The Women
  3. The Duet
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7
Q

What was Khan rewarded with after the Olympic games?

A

He was given an OBE

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8
Q

How was Khan impactful on where Dance was performed?

A

Choreographer in residence at Royal Festival Hall - first non music performance there, paved the way for other mediums to perform there

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9
Q

What are the characteristics of Khan’s movement style

A
  • Choreographic devices; repetition, reordering, accumulation
  • Juxtaposes simplicity with complexity
  • Abstract themes with a focus on narrative
  • Kathak and contemporary fusion
  • Linear formations and patterns
  • Strong gestures in the torso and arms
  • Not gender specific material
  • Rhythm is emphasised, speed seen as a technique
  • Explored energy routes in the body
  • Thoughtful, provocative and ambitious dance productions for international stages
  • Fast turns using heel of the foot and flat foot (sufi turns)
  • Lots of floor work and quick transfer of weight
  • Collaboration with other artists
  • Strong body shapes, angular gestures and contraction of the torso
  • Percussive dynamics that are rhythmic and exhaustive
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10
Q

What are the influences on Khan?

A
  • Michael Jackson
  • Pratap Pawar
  • Bruce Lee
  • Theatre and Drama
  • Maths
  • Charlie Chaplin
  • Muhammed Ali
  • Fred Astaire
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10
Q

Who is Pratap Pawar and how has he influences Khan?

A
  • His Guru and Kathak teacher
  • Guru suggests God like status
  • Admires his “masculine yet graceful style”
  • Kathak; footwork, rhythm, mathematical precision, storytelling, fast turns, gestures
  • Influenced Khan’s use of challenging themes (masculinity), pedestrian gesture, embracing cultural differences (cultural heritage)
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10
Q

How did Bruce Lee influence influence Khan?

A
  • eclecticism (boxing/wrestling)
  • multidisciplinary (mix of traditions)
  • embracing cultural differences
  • he incorporates multiple styles (wing, chun, boxing, wrestling)
  • “Be like water” (khan likes to play with fluidity and energy patterns)
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11
Q

How does Theatre and Drama influence Khan?

A
  • performed in plays since a child
  • Peter Brooks, Jungle Book
  • used to performing a narrative, character, emotion and concepts to an audience
  • use of storytelling and multidisciplinary approaches
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12
Q

When was Sacred Monsters?

A

2006

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13
Q

What was costume like in Sacred Monsters?

A
  • She is wearing traditional Kathak bells on her wrists
  • Hair is out, he later plaits in contact work
  • Skin coloured shirt, wide legged cotton black trousers
  • He wears a black tshirt, green wide legged pants
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14
Q

What is the set of Sacred Monsters?

A

No wings, on stage at all times
Ripped paper, crumpled
White floor of stage
Musicians on stage, DSL+R
Set looks like an arctic cave

15
Q

What is the aural setting of Sacred Monsters?

A

Rhythmic quality of kathak and monologue
Violin, cello, percussion, vocals
Piece opens with vocals - question score

16
Q

What was collaborative in Sacred Monsters?

A

Sylvie Guillem
Collaboration of styles, Khan includes ballet within his kathak movements, sylvie uses kathak within her ballet training - very contemp.

17
Q

What is the context of Sacred Monsters?

A

Quran - Sacred Monsters in it - term became popular in France in 19th century, was a nickname for big artists - marks the birth of contemporary stardom - given divine status

  • French rev just happened - shift away from monarchy love
  • Flip side of stardom - she was with French Paris Opera, who gave her an ultimatum, if she goes to Khan’s work she has to leave the company - lack of autonomy
  • “Divine status becomes inhuman and monstrous [..] The stage a monster… My sacred monster.” - Sylvie Guillem
  • The piece starts with a question sung by one of the on stage musicians
18
Q

What is a movement example of Sacred Monsters?

A

SG locks her legs around AKs waist and leans backwards. Both raise arms in graceful shapes. Their upper bodies mirror each other in complex changing patterns.

  • Hinduism, Religion - Kathak contemp.
  • Bruce Lee Multidiscipline mix of traditions
  • Pratap Pawar
19
Q

What is a movement example of Sacred Monsters?

A

SG swings her leg in a fan kick around, the momentum causing her to quickly wrap around in a turn. She steps forward and develope’s her RL into a six o’clock extension, her head down over her left shoulder, her arms straight down with drenched fists.

  • Balletic
  • Slow controlled
  • contemp.
20
Q

What is the context of Giselle?

A
  • Tamara Rojo (AD of ENB) states that “revisit, reinterpreted, re-edited to make ballet relevant today”.
  • ENB dancers.
  • story of Giselle - love, betrayal, revenge and forgiveness - sense of urgency in telling this story
  • khan’s interest in stories - childhood - next went on to do Creature with ENB
  • ballet shoes - courus -
  • crossing over into different countries - Migrant crisis - response to Brexit - Me Too - movements is quite folky; playing with cultural traditions