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HOATOA Correl > HOAA 4 > Flashcards

HOAA 4 Flashcards

1
Q

Isneg House

A

Binuron

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2
Q

Bontoc House

A

Fayu

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3
Q

Ifugao House

A

Bale

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4
Q

usual area of Binuron (Isneg House)

A

32 sqm

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5
Q

usual area of Fayu (Bontoc House)

A

15 sqm

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6
Q

usual area of Bale (Ifugao House)

A

16 sqm

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7
Q

Design influence of Binuron

A

Boat

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8
Q

house annex as wide as the house and extending 1.50 m. With floor higher than the main house and roof lower sloping downwards from the base of the gable.

A

Tarakip

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9
Q

post, girder, joists and walls in Binuron are made of ____.

A

Wood

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10
Q

located near the house or outside the clearing. Small temporary huts are constructed near their worksite since Isneg were swidden farmers.

A

Granaries

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11
Q

True or False: Isneg Houses are scattered few kilometres apart

A

True

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12
Q

design influence of Bale (Ifugao House)

A

Tudung/Basket Like

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13
Q

Usual occupants of a typical Bale (Cordillera Architecture)

A

Husband, Wife and Youngest Child

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14
Q

where other siblings of the family live in an Ifugao House

A

Agamang

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15
Q

granary area for Bontoc House (Fale)

A

Falig

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16
Q

True or False: Fayu is covered with Thatch

A

True

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17
Q

Wards along the Rice Terraces where Bontoc Houses are divided (Cordillera Architecture)

A

Ato

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18
Q

Bontoc House for older men gather (Cordillera Architecture)

A

Fawi

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19
Q

a dormitory for young boys in their adolescence (Cordillera Architecture)

A

Pabafunan

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20
Q

common dormitory for girls where young men visit during courtship and trial (Cordillera Architecture)

A

Olog

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21
Q

Kalinga House

A

Finaryon

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22
Q

Roof Material of Finaryon (Kalinga House)

A

Thached

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23
Q

The Floor is ___ above the ground of a Kalinga House

A

1.2m

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24
Q

usual area of a Kalinga House (Finaryon)

A

31.2 sqm

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25
Q

Wall material of Finaryon (kalinga House)

A

Sawali

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26
Q

True or False: Kalinga house is divided into 4 sections

A

False (3 sections)

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27
Q

Wide middle section of the Kalinga House which is made of bamboo strips of mat running crosswise (Cordillera Architecture)

A

Dattagon

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28
Q

Two narrowly elevated side sections of the Kalinga House each 1.20 wide made of bamboo mat with rattan strips

A

Sipi

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29
Q

Storage for Rice and Water Jars at the opposite site in the Kalinga House

A

Sipi

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30
Q

Two usual Architypes of materials of Ivatan Heritage Houses

A

Wood-and-Thatch and Limestone-Wood-and-Thatch

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31
Q

is a makeshift type of shelter resembling an ethnic lean-to. It is commonly used as a temporary shed in farmlands. It is a small structure just over 4 square meters in floor area. It has a two-slope roof with one slope long enough to touch the ground and the other being a lot shorter almost resembling a roof eave.

A

Lagatiti

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32
Q

This developed from the primitive kamadid or camarin, a basic shelter consisting of a two slope (A- frame) roof resting on the ground. Timber logs were used as posts to elevate the A-frame and thus emerged this shelter.

A

Rahaung

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33
Q

it is an improvement of the Rahaung. It follows the same framework minus the low platforms. These are primarily used as a seasonal shelter in fishing villages such as Diura Village in Batan Island. These houses provide refuge and sometimes serve as storage where smoked fish are cured during fishing season. They are left unoccupied when the tenants return to the mainland until the next fishing season starts.

A

Jinjin

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34
Q

As mentioned earlier, this house type is found only in the Island of Itbayat. It is a slightly varied version of the Jinjin. It primarily functions as a house than a temporary shelter. As such, it is built using more durable materials. The walls are made of wood planks and clad with cogon at the exterior. This provides added protection from weathering for the exterior wood partition.

A

Nirihindin

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35
Q

This house type is the next step in the improvement of the Jinjin and the Niriñdiñ with Stone Bases.

A

Mayhurahed

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36
Q

This type of Ivatan house has walls made of stones and lime mortar. It still followed the basic form and roof construction of the Wood-and-Thatch houses but the use of masonry allowed it to go wider and higher. The usual Sinadumparan have two separate structures which is Rakuh and Kusina.

A

Sinadumparan

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37
Q

It means living quarters of Sinadumparan but usually larger and taller which is a separate structure from the main Sinadumparan.

A

Rakuh

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38
Q

a smaller version of Rakuh with a few alterations which is mainly used for cooking.

A

Kusina

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39
Q

This variation has modifications to the triangular wall. The three corners of the triangle are extended to create wall protrusions with the one at the apex being rectangular in shape resembling a crown. These serve as flashings meant to protect the cogon roof ridge and the eaves, which are prone to shredding caused by strong winds and rain.

A

Sinadumparan with Crown

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40
Q

a variation of Sinadumparan that is exclusively found in Itbayat.

A

Sinadumparan-a-Binedberan

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41
Q

This house type is comparable in form with the Sinadumparan minus the lower level and the wooden floor. The most obvious change is the use of clay tile roofing in place of cogon. It was a product of the Spanish regime to introduce clay tiles as a substitute for cogon grass.

A

Beaterio

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42
Q

This house type evolved from the Sinadumparan (2-slope roof structure) as a result of a disastrous earthquake of 1918 wherein the weak triangular portion of the walls collapsed for some houses. Instead of rebuilding the damaged walls, the 4-slope roof was introduced.

A

Maytuab

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43
Q

Forces of darkness represented by this dragon. (Panay Architecture)

A

Bakunawa

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44
Q

Building Materials of Panay House

A
  1. Bamboo
  2. Cogon
  3. Coconut
  4. Nipa
  5. Rattan
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45
Q

This house has walls are held together by a frame construction that sways during earthquakes. It also has a pitched roof to wash off rain and to induce the hot air at the top of the roof.

A

Bahay Kubo

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46
Q

Modified Version of Bahay Kubo during Spanish Colonial period.

A

Bahay na Bato

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47
Q

This is a method of transferring one Bahay Kubo from one place to another with the spirit of Bayanihan.

A

Dagyaw

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48
Q

A bamboo platform where visitors can leave their slippers and packages.

A

Papagan

49
Q

This part of Bahay Kubo where this room is dropped down half a story lower than the house proper.

A

Balkon

50
Q

A multipurpose room in the bahay kubo everything about family activity.

A

Sala

51
Q

Part of the kitchen in Bahay Kubo where its purpose is to provide light and ventilation in the kitchen. It also serves as the kitchen racks.

A

Banggerahan

52
Q

Bathing and Washing Area of the Bahay Kubo.

A

Batalan

53
Q

Land People term in Tausug.

A

Pariahan

54
Q

Hill People term in Tausug

A

Guimbahanon

55
Q

Term of organised independent communities in Tausug before the Sultanate Establishment

A

Banwa

56
Q

Term called for the district mayor in Tausug.

A

Panglima

57
Q

One-room no-partition house of the Tausug.

A

Bay Sug

58
Q

Roof structure of a Tausug House, which is ventilated by a hole formed by having only two slopes meeting at the apex.

A

Sungan

59
Q

This is a group of Malay people living around Singapore, peninsular Malaysia and Rian Islands.

A

Orang Laut

60
Q

Half-breed Architecture used wood in the upper floor and stone in the ground floor to make it earthquake-resistant. This structure relied on interlocking beams and house posts to support the house efficiently.

A

Arquitectura Meztiza

61
Q

it means “within the walls”

A

Intramuros

62
Q

pertained to villages outside the walls which became Pueblos

A

Extramuros

63
Q

Settlement for Chinese Expats

A

parian

64
Q

Settlement for Japanese Expats

A

Dilao

65
Q

Settlement at north of Pasig River alotted by the Spanish Government to some Chinese esp Christians who had Filipino wives

A

Isla de Binondoc/Binondo

66
Q

This structure was built on the sharpest angle between the river and the bay.

A

Fort Santiago

67
Q

Part of the Fortress where walls are 3-10 metres thick.

A

Cortinas

68
Q

Part of the Fortress where stone embrasures on top of the walls where the artillery weapons are propped up.

A

Casamatas

69
Q

Part of the Fortress where four-sided skirting on boat ends.

A

Baluartes/Bastiones

70
Q

Part of the Fortress where deep and wide ditch filled with water. This structure also surrounded the whole fortification as a form of defense.

A

Foso/Moat

71
Q

A massive structure on one side of the entrance. Small artwork in fortifications shaped like an arrowhead that points outward in front of a larger defense work that was constructed.

A

Revellin

72
Q

Part of a Bahay na Bato where it serves as a vestibule that is reserved for storage.

A

Zaguan

73
Q

A mezzanine area used as offices or servants or quarters.

A

Estresuelo

74
Q

a Wooden Staircase with two landings on second floor.

A

Escalera

75
Q

a Living room where dances and balls were held during fiestas and other occassions.

A

Sala

76
Q

A dining room, furnished with silverware displayed in plateras or glass cabinets

A

Comedor

77
Q

A kitchen in bahay na bato

A

Cocina

78
Q

A separate hallway towards the kitchen

A

Bangera

79
Q

Bathroom in Bahay na Bato

A

Baño

80
Q

Toilet (Bahay na Bato)

A

latrina

81
Q

sleeping quarters room with living area

A

cuarto

82
Q

Outdoor terrace in Bahay na Bato

A

Azotea

83
Q

Two categories of Bahay na Bato

A
  1. Geometric Style

2. Floral Style

84
Q

A cheap housing for the working class where the entire structure is seperated by different units called viviendas and service facilities are centralised.

A

Accessorias

85
Q

It meditates the power of the colonial authorities through the occidental rationality of the space.

A

“Enframing” of Space

86
Q

Suburban district of Filipinos

A

Arabells

87
Q

The architect who planned Manila and Baguio and a follower of Monumental Architecture.

A

Daniel Burnham

88
Q

A “city beautiful” planning centralised on public buildings s focal points of wide avenues.

A

Monumental Architecture

89
Q

He is the “Father of Baguio” and the one pushed for the place as summer and health resort.

A

Brahmin William Cameron Forbes

90
Q

The architect who implemented Regionalism Architecture in the Philippines

A

William E Parsons

91
Q

First Filipino employed in 1901 by Governor Taft as one of the architectural advisor

A

Arcadio Arellano

92
Q

First to be employed in the newly established Division of Architecture and the First Filipino Architect with an academic title from an American institute of learning

A

Carlos A. Baretto

93
Q

Finished in Cornell University and designed Palma and Rizal Hall in Malacanang and Manila City hall

A

Antonio Toledo

94
Q

The First PH Architect and the one who designed the central Manila Post Office and St. La Salle Hall

A

Tomas Mapua

95
Q

Arcadio’s younger brother and the one who followed Reglionalism Architecture

A

Juan Arellano

96
Q

Filipino Architect who introduced Art Nouveau style and built Perez-Samanillo Building

A

Andres Luna de San Pedro

97
Q

The architect who designed the FEU Building

A

Pablo Antonio

98
Q

The architect who designed the Capitol Theatre and Rizal Theatre

A

Juan Nakpil

99
Q

The architect who designed the Manila Cathedral.

A

Fernando Ocampo

100
Q

It idealises an environment where man can develop his full potential by living fully and happily with dignity.

A

City of Man

101
Q

It provides low-middle income residents inexpensive yet comprehensive housing services.

A

BLISS Architecture

102
Q

This project is for muslims who are displaced from the conflict in Mindanao.

A

Maharlika village

103
Q

It was planned to reposition Manila farther inland on Sierra Madre foothills.

A

Lungsod Silangan

104
Q

This project is to upgrade slums and depressed communities by development and reclamation.

A

Tondo Foreshore and Dagat-Dagatan

105
Q

An East-West Highway Project linking Manila and Infanta, Quezon.

A

Bagong Nayon

106
Q

It is the rediscovery of traditional shapes, building materials, methods of construction and usage of space.

A

Filipino Architecture

107
Q

It focuses on the imperative of self-identity which highlights National Symbols over styles.

A

Romantic Nationalist Architecture

108
Q

This house is built got the Sultan and Datu of Maranao.

A

Torogan

109
Q

It is constructed on top of Torogan to hide the sultan’s daughter during conferences.

A

Lamin

110
Q

Posts (Maranao)

A

Bunga

111
Q

Flooring (Maranao)

A

Baringbingan

112
Q

Walls (Maranao)

A

Gisuk

113
Q

Centre Post (Maranao)

A

Tapuwilih

114
Q

Centre Beam (Maranao)

A

Tinai-a-Walai

115
Q

Bedroom for one remaining daughter of the datu (Maranao)

A

Gibon

116
Q

Geometric and flowing designs (Maranao)

A

Okir

117
Q

Small House (Maranao)

A

Lawig

118
Q

Large House (Maranao)

A

Mala-a-Walai

119
Q

End beams of Torogan

A

Panolong

HOATOA Correl (19 decks)

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