HOA Correl OT 1 Flashcards
1
Q
- a sepulchral monument to a person buried elsewhere.
J. pyramid K. mastaba
L. sarcophagus M. cenotaph
A
M. cenotaph
2
Q
pillared temple space in which the roof rests on columns; serving as template for Egyptian temple architecture
J cella K hypostyle hall L. ambulatory M. pylon
A
K hypostyle hall
3
Q
also applied to the projecting stepped or moulded base of any building J. base K. abacus
L. dado M. pedestal
A
L. dado
4
Q
the term applied to the triangular curved overhanging surface by means of which a circular dome is supported over a square or polygonal compartment
J. pendentive K. spandrel
L. drum M. vaultf
A
J. pendentive
5
Q
an urban apartment housing in ancient Rome
J. insula K. villa
L. domus M. cubicula
A
J. insula
6
Q
Correspond to Greek agora, originally an irregularly shaped open space serving as Roman general meeting place and setting for political discussions
J. basilica K. forum L. thermae M. circus
A
K. forum
7
Q
a long uncovered narrow passage leading to the underground tholos
forum K. dromos
stoa M. ambulatory
A
K. dromos
8
Q
the raised edges which separate the flutting of the Doric column
entasis
K. arris
L. annulet M. hypotrachelion
A
K. arris
9
Q
the decorative ornament found on the abacus of the Corinthian order.
J. calyx K. fleuron L. volute M. fluting
A
K. fleuron
10
Q
three to five horizontal fillets which stops the vertical lines of the arrises and flutes
J. entasis K. arris
annulet M. hypotrachelion
A
annulet
11
Q
the stalks between the leaves of the Corinthian capital J. fleuron K. caulicoli
L. calyx M. volute
A
K. caulicoli
12
Q
metope- space ornamented with relief sculptures found is found in J. pediment K. frieze
L. entablature M. cornice
A
K. frieze
13
Q
the inspiration in doing the shape of the echinus of the Doric order J. acanthus K. egg
L sea urchin M. bead
A
L sea urchin
14
Q
sunk panels, recesses formed in the ceiling or dome to reduce its weight
J. caisson K. clearstory L. coffer M. vault
A
L. coffer
15
Q
upper part of an Order with frieze, cornice and architrave and supported by columns.
J. Pediment K. tympanum L entablature M. acroterion
A
L entablature
16
Q
the domestic houses of the Aegean Period
J. megaron K. domus L insula M. villa
A
J. megaron
17
Q
great block boulders to fine ashlars of heavy blocks stacked with no mortar. Clay served as bedding (Aegean period)
J. mud brick walling K. cyclopean walling L. rectangular walling M. ashlar walling
A
M. ashlar walling
18
Q
a temple having a double range of columns on each side
J. peripteral K. prostyle
L. hexastyle M. dipteral
A
M. dipteral
19
Q
porticos located at the front and back part of the Greek temple J. peripteral K. amphiprostyle
L. hexastyle M. dipteral
A
K. amphiprostyle
20
Q
the term originally applied to painting on a wall while the plaster is wet J. relief K. fresco
L. mosaic M. terracotta
A
K. fresco
21
Q
a portico of twelve columns J. decastyle K. dozecastyle
L. dodecastyle M. eneastyle
A
L. dodecastyle
22
Q
the column use in the Temple of Parthenon
J.caryatid K. doric
L. atlantis M. corinthian
A
K. doric
23
Q
an important gateway or vestibule, in front of a sacred enclosure.
J. Greek tholos K. Greek Propylaea L. Greek dromos M. Greek Megaron
A
K. Greek Propylaea
24
Q
the characteristic hollow and roll moulding of an Egyptian as well as Persian cornice
J. gorge cornice K. egg and dart L. dart cornice M bead cornice
A
J. gorge cornice
25
the rain water harvesting system of the Romans where the rainwater is collected on the roof
J. aqueduct K. maxima cloaca
L. compluvium M. impluviuM
L. compluvium
26
the place where the rainwater is stored in Roman houses
J. aqueduct K. maxima cloaca
L. compluvium M. impluviuM
M. impluviuM
27
the drainage system used to drain water from Roman cities
J. aqueduct K. maxima cloaca
L. compluvium M. impluvium
K. maxima cloaca
28
sun shading device awning type installed in Roman amphitheater to protect spectators from the sun when watching
J. parasol K. canvass
L. velarium M. soliel
L. velarium
29
Roman houses courtyards and gardens are surrounded with columns known as
J. peristyle K. Octastyle
L. dipteral M. pseudo style
J. peristyle
30
private bath house of ancient Rome
| J. balneum K. tepidarium L. thermae M. sudatorium
J. balneum
31
Characterize the Mesopotamian architecture
| A. stone B. concrete C. timber D. brick
D. brick
32
the influence of river Euphrates in Mesopotamian structures
| A. source of building material B. orientation to appease gods C. source of light D. all
A. source of building material
33
which of the following were the vegetative inspiration of Ancient Egyptian
A. papyrus B. acanthus C. fleuron D. jasmin
A. papyrus
34
which of t he following is not a characteristic of Egyptian architecture
A marble stone B. use of logs and timber C use of bricks
A marble stone
35
Abundant material used for the pyramid
| A marble B. limestone C granite D. adobe
B. limestone
36
which of the following does not belong to the near east region
A Assyria B Mesopotamia C, Egypt
C, Egypt
37
which of the following is a characteristic of a ziggurat A great courts B Dim inner sanctuaries
C . Secret rooms D. altar at the summit
D. altar at the summit
38
the false burial place of the Ancient Egyptian
| A. cenotaph B sarcophagus C. pyramid
A. cenotaph
39
The pharaoh’s head on the sphinx at Gizeh also
the owner of the second largest true pyramid at Gizeh.
A. Khufu B. Mykerinos C. Cheops D. Chephren
D. Chephren
40
Temple of Hatshepsut was a fine example
| A rock-hewn tomb. B. mastaba C. Pyramid D. mortuary
D. mortuary
41
which of the following is NOT an Egyptian Capital
| A papyrus capital B. tulip capital C. palm capital D. ionic capital
D. ionic capital
42
he reason why the columns at the inner part of the hypostyle is higher than the outer part of the column
J. to serve as canvas for the reliefs and hieroglyphs
K. superstitious belief
L. to accommodate clearstory window to admit more light
M.to carry the weight of the roof
L. to accommodate clearstory window to admit more light
43
he reason why the Egyptian walls were “battered”
J. to prevent wall collapse due to soil shrinkage resulting from annual flooding of the Tigris River K. to prevent wall collapse due to soil shrinkage brought about the desert heat
L. to block desert heat to penetrate the temple interior
M. none
M. none
44
the reason why the corbel arch is not a ‘True “ arch
J. the corbel arch was developed during the Sumerian Period
K. the corbel arch was not a one –centered arch similar to the Roman Arch
L. the corbel arch had no keystones and voussoirs
M. all of the above
L. the corbel arch had no keystones and voussoirs
45
he reason why Mesopotamian cities were with plinth
J. annual inundation of Nile River
K. annual inundation of the Euphrates River
L. annual inundation of Tigris River
M. none
K. annual inundation of the Euphrates River
46
```
the reason why the Egyptian walls were windowless
J due to climate
K. due to religion
L. due to politics
M. All of the above
```
J due to climate
47
reason why monumental structures such as mastabas and pyramids were constructed in Egypt
J. Due to the social structure-farmers and slaves offered abundant labor force
K. due to the belief in life after death
L. due to the social structure –pharaoh, royal family and the rich can afford the construction of the structure M. all of the above
K. due to the belief in life after death
48
```
the reason why the construction of thermaes was possible in Rome
J. presence of aqueduct
K. presence of cloaca maxima
L. presence of fontana
M. none
```
J. presence of aqueduct
49
the reason for the excessive heights of ziggurats
J. reach sky god Anu
K. reach sky god Ishtar
L. to reach sky god Anubis M. none
J. reach sky god Anu
50
```
the ziggurats were called
J. brick architecture
K. Marble architecture
L. stone architecture
M. none
```
J. brick architecture
51
Greek architecture was also called carpentry in marble because
J. Doric order details in wood were later applied when marble was utilized
K. Ionic order details in wood were later applied when marble was utilized
J. Corinthian order details in wood were later applied when marble was utilized M. all of the above
J. Doric order details in wood were later applied when marble was utilized
52
architrave was
J. the beam of the Doric Order
K. the beam of the Doric Order
L. the beam of the Doric Order M. the beam of all orders
J. the beam of the Doric Order
53
```
The earliest structure that was reused by the Early Christians when Christianity was the official religion of Rome
J. catacomb
K. basilika
L. cathedral
M. all
```
K. basilika
54
```
the Roman structure where different plan shapes were incorporated resulting to new space-volume experience
J. villa
K. Pantheon
L. Forum
M. none
```
K. Pantheon
55
```
the planning of the exterior landscape to the interior of the structure was seen in this Roman Structure
J. villa
K. Pantheon
L. Forum
M. none
```
J. villa
56
the uniqueness of the Palace of King Minos
J. the plan was rectangular
K. the plan was a combination of circular and rectangular
L. the plan was asymmetrical and organic
L. the plan was asymmetrical and organic
57
```
16. eliminate the character not seen in Egyptian temple
J. the plan was rectangular
K. massive pylon
L. presence of hypostyle hall
M. none
```
M. none
58
```
eliminate the character not seen in Greek Temple
J. the plan was rectangular
K. marble
L. oversized columns
M. none
```
L. oversized columns
59
```
not a part of entablature
J. frieze
K. cornice
L. architrave
M. none
```
M. none
60
```
Which of the following was not a belief of the ancient Egyptian
J. Life after death
K. Polytheism
L. Mummified the death
M. None
```
M. None
61
Which of the following is not a characteristic of ancient Egyptian mastaba structure?
J. Battered wall
K. Wall are windowless suitable for wall surface writing and art in high relief and hieroglyphs
L. Rectangular plan with flat roof
M None
M None
62
Which of the following is not a characteristic of Egyptian column?
J. Large proportion showing vegetative influence
K. The construction of capital, shaft and base were all related to each other
L. Shaft to base were from bundle of plants
M. None
K. The construction of capital, shaft and base were all related to each other
63
```
Which of the following is not a characteristic of the Egyptian temples
J.Entrances of propylon
K. Flat roofs
L. Great hypostyle hall
M. Great courts
```
J.Entrances of propylon
64
Reason why Egyptian columns were gigantic and closely spaced
J. The roof was solid block of stone and was very heavy
K. Structural design was based on visual
L. Abundant labor and materials
M. Symbol of wealth
K. Structural design was based on visual
65
```
The main axis of the mastaba was oriented
J.North –south
K.East-west
L.East only
M. West only
```
J.North –south
66
Which of the following was not a Characteristic of Egyptian pyramids J.Primary building of a complex of buildings enclosed with walls
K.Had an entrance gateway known as pylons
L.Mortuary temple for the pharaoh usually at the north side
M. Valley Building –embalming and interment is carried out.
K.Had an entrance gateway known as pylons
67
Zoser, Imhotep, first large scale stone construction
J.Step pyramid
K.Bent pyramid
L.True pyramidM.Red pyramid
J.Step pyramid
68
```
Upper inclination of the pyramid is 54o15’ and lower inclination is 43o 36’ , Seneferu,
J. Step pyramid
K. Bent pyramid
L. True pyramid
M. Red pyramid
```
K. Bent pyramid
69
```
Which of the following is not a rock-hewn tomb
J. Queen Hatshepsut
K. Ramesses II
L. Temple of Khons
M. Tomb of Beni Hasan
```
L. Temple of Khons
70
```
Which of the following is not a cult temple
J Temple of Isis
K Temple of Hathor
L.Temple of Osiris
M.Temple of Ramesses II
```
M.Temple of Ramesses II
71
Which of the following is not a characteristic of Cleopatra’s Needle in Thames, London
J. Welcome arch dedicated to the famous Egyptian Pharaoh
K. Huge monolith, square on plan and tapering to an electrum-capped
L. A Cleopatra’s coat of arms
M. None
K. Huge monolith, square on plan and tapering to an electrum-capped
72
A term taken to comprehend the Romanesque and Gothic Periods of architectural development
R. renaissance S. revivals T. classicism U. medieval
U. medieval
73
The term applied to the reintroduction of Classical architecture all over Europe in the 15th and 16th century renaissance
R. renaissance S. revivals T. classicism U. medieval
R. renaissance
74
is the final phase of renaissance characterized by the return to ancient Greek and Roman , Gothic, and
medieval styles
R. antiquarian S. early renaissance T. high renaissance U. Baroque
R. antiquarian
75
a style of art in Italy in the late 15th and early 16th centuries. Chiefly characterized by an emphasis on draftsmanship, schematized, often centralized compositions and illusion of sculptural volume in painting.
R. antiquarian S. early renaissance T. high renaissance U. Baroque
U. Baroque
76
the style of architecture prevalent in western Europe from 9th to 12th centuries characterized by arcades
up to the roof.
R. gothic revival S. Romanesque T. gothic U. Romanesque revival
S. Romanesque
77
The name of period architecture characterized by pointed style prevalent in Western Europe from 13th to 15th century gothic
R. gothic revival S. romanesque T. gothic U. Romanesque revival
T. gothic
78
An architectural style of the 18 th century to 1820 in England based on the reuse of ancient Greek forms in
architecture. Public buildings in this style were usually symmetrical in plan and rectangular in shape.
R. Greek S. Greek Revival T. Byzantine U. Neo classical
S. Greek Revival
79
The style evolved at Constantinople in the 5th century and still the style of the Eastern or Greek Church
R. Greek S. Greek Revival T. Byzantine U. Neo classical
T. Byzantine
80
an architectural style that is minimalist in concept, devoid of regional characteristics, stresses functionalism, and rejects all nonessential decorative elements. It emphasizes the horizontal aspects of the building, developed during the 1920s and 1930s in western Europe principally in the Bauhaus School and also in the Americas.
R. Jugendstil S. Style Liberty T. International Style
T. International Style
81
Jugendstil in Germany is also known as
| R. arts and crafts movement S. art deco T. ecclecticism U. Art nouveau
U. Art nouveau
82
Style Liberty is also known as
| R. arts and crafts movement S. art deco T. ecclecticism U. Art nouveau
U. Art nouveau
83
A method of forming stonework with roughened surfaces and recessed joints, principally employed in Renaissance buildings
Q. quoin R. rustication S. ashlar T. Stucco
R. rustication
84
The tapering termination of a tower in Gothic or Renaissance architecture, which was the result of elongating an ordinary pyramidal or conical roof
Q. turret R. spire S. bartizan T. tower
R. spire
85
Small towers, often containing stairs, and forming special features in medieval buildings
Q. turret R. spire S. bartizan T. tower
Q. turret
86
The inner great tower or donjon of a castle
| Q. parapet R. embattlement S. moat T. keep
T. keep
87
the portion of the wall above the roof gutter, sometimes crenelated.
Q. moat R. embattlement S. fortress T. keep
R. embattlement
88
A heavy lattice grating of timber or iron, sliding in vertical grooves in the jambs of a portal of a defended building
Q. machicolation R. draw bridge S. fortress T. portcullis
T. portcullis
89
A projecting wall or parapet allowing floor openings, thru which molten lead,pitch, stones, etc. were drop on a enemy below
Q. machicolation R. draw bridge S. dungeon T. portcullis
Q. machicolation
90
A semi circular window or wall panel let into the inner base of a concave vault or dome
Q. clearstory R. lunette S. wheel window T. dormer
R. lunette
91
An Italian term for bell tower generally detached from the main building
Q. basilika R. tempietto S. campanile T. steeple
S. campanile
92
A term applied to a type of renaissance ornament in which rock-like forms, fantastic scrolls, and crimped shells are worked together in profusion and confusion of detail often without organic coherence
Q. scones R. baroque S. trompe-o-leil T. rococo
T. rococo
93
the roof line of the Italian renaissance palazzo is designed with flat balustrade termination due to what consideration
A. Climate B. budget C. aesthetics D. narrow width of the street
D. narrow width of the street
94
the compare/contrast of Romanesque churches with Gothic churches
A. Romanesque churches used buttress while Gothic cathedrals used buttress and flying buttresses
B. the walls of Romanesque churches were thick made of bricks or stones while the Gothic cathedral
walls were thinner
C. both used the rose/wheel windows
D. both structures appeared heavy, stout and short of height.
B. the walls of Romanesque churches were thick made of bricks or stones while the Gothic cathedral
walls were thinner
95
the presence of large deposits of metals in Spain brought about the development of
A. Chinoiserie B. Arabesque C. plateresque D. trompe-o’eil
C. plateresque
96
comparing art deco with art nouveau, art deco style is more elegant and stylized because
A. the style used the organic vegetation such as tendrils of plants B. the style used parabolic and circular curves
C. the style used clean lines and geometric shapes
d. the style used mosaic tiles forming pictures
C. the style used clean lines and geometric shapes
97
is not the reason why fenestrations of structures vary A. due to climate
B. due to aesthetics
C. due to superstitious beliefs
D. Due to position of occupants in the society
D. Due to position of occupants in the society
98
what is not similar between the Basilican church and the Romanesque church A. Both churches have clearstory windows
B. Both churches have the basic plan of nave, aisle
C. both churches have central domes
D.none
D.none
99
what is not characteristic of a Christian church with influence of Byzantine architecture A presence of geometric patterns
B. presence of arabesque
C. presence of mosaic patterns
D. presence of maze on the floor
D. presence of maze on the floor
100
What is the description of the architectural character of the dome of Florence Cathedral that it is not considered as part of renaissance
A. the construction of the double dome
b. the innovation of the brick layout of the dome
C. the perspective drawing of the building as prepared by Brunelleschi
D. the detail of the lower part of the Building as designed by Arnulfo di Cambio
D. the detail of the lower part of the Building as designed by Arnulfo di Cambio
101
contrasting details of post modern and international style
A. post modern uses technologies of the past while international style uses advance technology
B. post modern uses more solids than voids while international style uses curtain wall
C. post modern uses elements of the past so that there is something to talk about in the building while
international style devoid of historical details
D. post-modern is historical only while international style is historical and functional.
C. post modern uses elements of the past so that there is something to talk about in the building while
international style devoid of historical details
102
is an architectural device, typically carved in stone and employed to decoratively emphasize the apex of a gable, or any of various distinctive ornaments at the top, end, or corner of a building or structure.
A.gopuram B finial C mandapa D vihara
B finial
103
a monumental, usually ornate gateway tower to a Hindu temple enclosure especially found in southern India.
A.gopuram B finial C mandapa D vihara
A.gopuram
104
a large, porch like hall leading to a Hindu temple and used for religious dancing and music.
A.gopuram B finial C mandapa D vihara
C mandapa
105
the civilization that introduced Hinduism to India
| A. Aryans B Dradivians C Chopta D Brahman
B Dradivians
106
Technique in timber structure of ancient Chinese architecture (pillar-beam system)
A. chuandao B dougong C huabiao D tailiang
D tailiang
107
he construction of Great Wall of China was during the
| A. Han Dynasty B Ming dynasty C Tang dynasty D SHI WANG TI
D SHI WANG TI
108
The lifting of the corbelled brackets of the domestic buildings Chinese roof details determinE
A. wealthy residence B Buddhist residence C commoner’s residence D royal residence
A. wealthy residence
109
bilateral symmetry the characteristic of Chinese structures is seen in
A. vertical axis B. horizontal Axis C. X and y axis D. none
B. horizontal Axis
110
Covered all structures in China consisting of mausoleum, palaces
A. domestic architecture B. imperial architecture C. religious architecture D. ecclesiastical architecture
B. imperial architecture
111
he storage of important document in a imperial complex is
| A. pagoda B. pavilion C. courtyard D. palace
B. pavilion
112
A straw mat in Japan which has a standard size and used as a unit in measuring and planning the size of the room
A. Tatami B. Shoji C. roji D. mizuya
A. Tatami
113
The small garden of the Japanese tea House
| A. Tatami B. Shoji C. roji D. mizuya
C. roji
114
a sliding screen that divide the vestibule from the inside room of a Japanese house. A. Tatami B. Shoji C. roji D. tokonoma
B. Shoji
115
staggered shelves built on the wall of a Japanese domestic architecture.
A. Tatami B. Shoji C. roji D. Tokonoma
D. Tokonoma
116
Which of the following is a characteristic of Chinese roof A. Sweeping
B. Tiered-inclined
C. Straightinclined
D. Alloftheabove
D. Alloftheabove
117
```
The largest structure in the Forbidden City
A. Hall of Supreme Harmony
B. Hall Of Earthly Peace
C. Hall of Minor Harmony
D. Hall of Union and Peace
```
A. Hall of Supreme Harmony
118
```
Which of the following is not a characteristic of Japanese roof
A. Gable,Hipped
B. HippedandGable
C. Pyramidal,Octagonal
D. flat
```
D. flat
119
The standard style and method of temple building at the end Heian period. Temples were usually along the mountainside or hilltop near a village. Scenic views: mountains, waterfalls,
A. Muromachistyle B. Daibutsustyle C. Ishestyle
D. Wayostyle
D. Wayostyle
120
```
Which of the following is not a characteristic of Japanese Shinto shrine
A. pagodas
B. -special hall for worshippers
C. -connecting corridors
D. -vermilion colored woods
```
A. pagodas
121
```
Which of the following is not a characteristic of Ise Shrine
A. Katsuogi,chigi,andmunamo-bashira
B. Elevated floor and closed interior
C. Gabled curved rooflines
D. Raised floors and plank walls
```
B. Elevated floor and closed interior
122
```
Characterized by asymmetry, great use of natural materials, sympathetic adaptation of building to the natural surroundings are the characteristics of traditional
A. Chinesetemples
B. Japanesetemples
C. Koreantemples
D. Indiantemples
```
B. Japanesetemples
123
Which of the following is not a characteristic of a traditional Thai house
B. simple structure of timber and clay
124
which of the following is not a traditional decoration of a classical Thai roof
A. Ngao B. chofa C. Sala D. Kalae
C. Sala
125
```
Thai Royal houses and mansions are typically
A. a mixture of Thai wat,
B. traditional Thai house style
C. western architecture.
D. Buddhist architecture
```
D. Buddhist architecture
126
```
Which of the following is not the characteristic of Malaysian traditional house
A. built on stilts
B. Have stairs
C. Partitioned rooms
D. Adorned with decoration
```
D. Adorned with decoration
127
```
A pulpit at the head of a staircase where the Prophet and the first caliphs preached but many imams preach from one of the steps as a sign of respect.
A. qibla
B. mihrab
C. minbar
D. minaret
```
C. minbar
128
```
Empty niche in the Qibla wall indicating the direction of Mecca.
A. qibla
B. mihrab
C. minbar
D. minaret
```
B. mihrab
129
```
The wall that faces Mecca, the direction Muslims face to pray.
A. qibla
B. mihrab
C. minbar
D. minaret
```
A. qibla
130
```
Tower from which the call to prayer is made five times per day.
A. qibla
B. mihrab
C. minbar
D. minaret
```
D. minaret
131
```
The house is compared to a woman figure: the ladder is the stretched leg and the house is the belly. Womb- the house has no windows only front and back door . Dark due to the soots .Suggests womb-dark warm and enfolding
Q. Bontoc house
R. Ifugao House
S. Isneg house
T. Kankanai House
```
R. Ifugao House
132
The house was mentioned in the epic of Bugan and Wigan where their carnal relationship consummated in a house
Q. Bontoc house R. Ifugao House S. Isneg house T. Kankanai House
R. Ifugao House
133
House or the binuron is influenced by boat design. The roof suggested inverted hull, and floor joist resemble the profile of the boat.
Q. Bontoc R. Ifugao S. Isneg T. Kalinga
S. Isneg
134
The community have large compact settlements built along rice terraces and divided into wards called ato.
Q. Bontoc R. Ifugao S. Isneg T. Kalinga
Q. Bontoc
135
fale is the house of
| Q. Bontoc R. Ifugao S. Isneg T. Kalinga
R. Ifugao
136
Floor- not a perfect octagon since corners are not floored over. At one side of the entrance, the floor is eliminated to provide a working space that reaches the ground floor level. The design of octagonal floor and roof form a dome-like space which suggest expansion rather than enclosure.
Q. Bontoc R. Ifugao S. Isneg T. Kalinga
T. Kalinga
137
Four posts or tukud raised 1.50to 2.0 m above the ground made of hardwood
posts with rat guards halipan placed just below the girders
Q. Bontoc house R. Ifugao House S. Isneg house T. Kankanai House
R. Ifugao House
138
Granaries located outside the house or near the farm
| Q. Bontoc house R. Ifugao House S. Isneg house T. Kankanai House
S. Isneg house
139
his community are popularly known as the "Sea Gypsies" of the Sulu and Celebes seas-are generally boat dwellers whose religion is ancestor worship mixed with Islamic influences.
Q. Mangyan R. Ivatan S. Samal T. Badjao
S. Samal
140
The community with no permanent dwellings and live on their boats throughout the year.
Q. Mangyan R. Ivatan
S. Samal T. Badjao
T. Badjao
141
Use of soaring roof, ornate panolongs& massive log posts.
Q. Panay R. Badjao S. Samal T. Maranao
T. Maranao
142
The Maranao residence for datu
| Q. lamin P. torogan S. luma T. Ato
P. torogan
143
a tower above the royal Maranao house where the sultan daughter stays
Q. lamin P. torogan S. luma T. Ato
Q. lamin
144
Type of Badjao house on stilt located on the seashore
| Q. lamin P. torogan S. luma T. Ato
S. luma
145
The roof ornamentation of the Tausug house
| Q. torogan P. panolong S. tandjungpasung
S. tandjungpasung
146
Walls were made of limestones
| Q. Ivatan House P. Panay house S. BahaynaBato
Q. Ivatan House
147
orientation of the longest windowless side of Ivatan House
| Q. east-west P north south S. northeast-southwest
S. northeast-southwest
148
The strong net placed on the roof of an Ivatan house to protect the structure from strong
wind and rain
Q. rakuh P. panpet S. sinadumparan T. Bakul
P. panpet
149
The balcony of Panay house
| Q. papagan Psilong S. balconahe T. Balkon
T. Balkon
150
The lower portion of the Panay house on stilts so enclosed to accommodate other activities such as raising poultry.
Q. entresuelo P. silong S. Ilalim T. Kural
P. silong
151
the receiving of the guest area of Panay house
| Q. entresuelo P. caida S. sala T hapagbisita
S. sala
152
Wooden bamboo platform at the foot of the Panay house stairs where visitors can leave
their footwear.
Q. patungan P. linisan S. tapakan T. Papagan
T. Papagan
153
Part of Panay house located outside the structure used for washing and bathing purposes
Q. Banggerahan P. Batalan S. Banyo D. Labar
P. Batalan
154
The utensil rack of the Panay house usually located on the kitchen window
Q. Banggerahan P. Batalan S. Banyo D. labar.
Q. Banggerahan
155
A long box with a packed earth surface on which stones are clustered to carry pots and pans while cooking.
Q. lutuan P. dapogan S. patuluan D. Tindugan
P. dapogan
156
The architectural style of Banko Central ng Pilipinas
G. brutalism H. Art Nouveau M. Expressionism
O. Art Dec
G. brutalism
157
Far Eastern University
G. brutalism H. Art Nouveau M. Expressionism
O. Art Deco
O. Art Deco
158
```
The architect of RCBC Plaza
G. coscolluella
H. Villarosa
M. Locsin and Partners
D. Ecotektonica
```
G. coscolluella
159
```
The architect of De Lasalle Centennial Hallway
G. coscolluella
H. Villarosa
M. Locsin and Partners
D. Ecotektonica
```
M. Locsin and Partners
160
The architect of Globe tower
| G. SOM H.Aidea M. Arquitectonica D. Locsin and Partners
H.Aidea
161
he 2018 Philippine national artist in the field of architecture
G. Fransisco Mañosa H. Jose Ma!ñosa M. Leandro Locsin D. George Formoso
G. Fransisco Mañosa
162
The reason why the bahay na bato shifted from cogon (grass) roofing to clay tile. Q. laws of Indies R. Strong rain S. fire T. Earthquake
S. fire
163
The reason why the bahay na bato shifted from clay roofing to G I sheet roofing Q. laws of Indies R. Strong rain S. fire T. Earthquake
T. Earthquake
164
The part of the bahaynabato located on the ground floor which served as storage for the andas or the saint’s floats
Q. volada R. cuadra S. bodega T. Zaguan
T. Zaguan
165
The horse stable oft hebahay na bato
| Q. volada R. cuadra S. caida T. Zaguan
R. cuadra
166
A cantilevered gallery or patio enclosed by windows that was opened or closed at any time of the day
Q. volada R. cuadra S. caida T. Zaguan
Q. volada
167
The lower windows of the bahay na bato
| Q. ventana R. ventanilla S. calado T. Persiana
R. ventanilla
168
traceried immobile windows were installed in order to admit more light
Q. ventana R. ventanilla S. calado T. Persiana
S. calado
169
The service balcony located at the back of the bahaynabato Q. batalan R. bano S. cocina T. Azotea
T. Azotea
170
A second floor space right after the stairs and before entering the sala Q. zaguan R. cocina S. entresuelo T. Caida
T. Caida
171
the dining area of the bahay na bato
| Q. comedor R. cocina S. cuarto T. Caida
Q. comedor
172
```
Philippine General Hospital
G. William Parsons
H. Cameron Forbes
M. Juan Arellano
O. Leandro Locsin
```
G. William Parsons
173
```
Old Manila Hotel
G. William Parsons
H. Cameron Forbes
M. Juan Arellano
O. Leandro Locsin
```
G. William Parsons
174
```
Manila Post office
G. Arcadio Arellano
H. Juan Arellano
M. Juan Nakpil
O. Carlos Arguelles
```
H. Juan Arellano
175
```
Architectural style of Manila Post Office
G. Renaissance
H. Neo-classical
M. Romanesque Revival
O. Greco-Roman Revival
```
H. Neo-classical
176
The colossal order of Post Office
| G. doric H. corinthian M. ionic O. Tuscan
M. ionic
177
```
The architectural style adapted by Carlos Arguelles
G. neo-classical
H. International
M. Post modernism
O. Art Deco
```
H. International
178
The architectural style adapted by Tomas Mapua in the design of Mapua Main Building
G. neo-classical H. International M. Post modernism O. Art Deco
G. neo-classical
179
The architect of Metropolitan Theatre
| G. ArcadioArellano H.JuanArellano M. JuanNakpil O. CarlosArguelles
H.JuanArellano
180
The architectural style of Metropolitan Theatre
| G. brutalism H. Art Nouveau M. Expressionism O. Art Deco
O. Art Deco
181
The architectural style of Leandro Locsin as seen in the CCP and PICC where concrete and its texture is used into full advantage.
G. brutalism H. Art Nouveau M. Expressionism O. Art Deco
G. brutalism
