Haydn Symphony 104 exposition

Question 1

Which bars is the 2nd section of the 1st subject in?

Answer 1

32-49

Question 2

Which bars is the transition in?

Answer 2

50-64

Question 3

Which bars is the 2nd subject in?

Answer 3

65-79

Question 4

Which bars is the 2nd section of the 2nd subject in?

Answer 4

80-111

Question 5

Which bars is the codetta in?

Answer 5

112-123

Question 6

What texture is the orchestra playing in at the beginning?

Answer 6

Unison tutti orchestra

Question 7

What is the exposition preceded by?

Answer 7

A slow 16 bar introduction in D minor

Question 8

What is the harmony like at the beginning of the exposition?

Answer 8

Diatonic

Question 9

When do we first hear chromaticism in the exposition?

Answer 9

Bar 40, A# in the cello and bass part

Question 10

What kind of texture does the use of diatonic harmony create?

Answer 10

A light homophonic texture

Question 11

What kind of phrasing is used?

Answer 11

Periodic phrasing

Question 12

What is periodic phrasing?

Answer 12

An eight bar antecedent followed by an eight bar consequent

Question 13

What kind of cadence does the antecedent end with?

Answer 13

Imperfect, I, Ic, V (like a question)

Question 14

What kind of motif does the antecedent begin with?

Answer 14

Triadic motif

Question 15

What kind of pedal is in the cello and bass part at bars 32 - 39?

Answer 15

Tonic pedal (D)

Question 16

What rhythmic feature do we hear in the II violin part from bar 20-22

Answer 16

Syncopation

Question 17

What chord progression do we hear in bars 44 - 46?

Answer 17

II7, V7, I

Question 18

What follows the II7, V7, I progression at bars 44 - 46?

Answer 18

A Dmajor scale

Question 19

What cadence leads into the transition at bar 50?

Answer 19

Perfect, V, I

Question 20

What do we hear in the first bar of the transition?

Answer 20

Ideas from the first subject, repeated four notes

Question 21

What do you call it when both themes are the same?

Answer 21

Monothematic

Question 22

What key do we move through to get to the dominant?

Answer 22

The dominant of the dominant, Emajor

Question 23

What is the only difference between the first and second subject?

Answer 23

First subject is in Dmajor, second subject is in Amajor

Question 24

What cadence do we move through as we enter the 2nd subject (bar 63-65)?

Answer 24

emphatic perfect cadence in A, V,V,V,I

Question 25

What do we see between the first and second violins and the oboes at bars 73-74?

Answer 25

Imitation (melody point)

Question 26

Which bars is the first subject in?

Answer 26

17-31