Group 3 Flashcards

1
Q

contemporary art is a _________. it
encompasses works produced from the
late 20th century to today. it
challenges traditional boundaries
and reflects current social and
political issues

A

dynamic field

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2
Q

“ART MADE AND PRODUCED BY ARTIST_______

A

LIVING TODAY

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3
Q

was all about trying
new styles, like
abstract art, instead of
painting things exactly
as they are.

A

MODERN ART

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4
Q

it uses not just painting
and sculpture but also
things like video art,
performance art, and
even virtual art.

A

CONTEMPORARY ART

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5
Q

CHARACTERISTICS OF CONTEMPORARY ART:

A

1.RESPOND TO GLOBAL ENVIRONMENT
2.CULTURALLY DIVERSE
3.TECHNOLOGICALLY ADVANCING
4.MULTIFACETED

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6
Q

ELEMENTS & PRINCIPLES OF CONTEMPORARY ART

A

Appropriation
Performance
Space
Hybridity
Technology

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7
Q

– Taking existing
artwork and turning it into something
new.

A

Appropriation

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8
Q

– Artists act out human
activities, like daily routines or rituals,
through art.

A

Performance

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9
Q

– Art is placed in specific
locations, especially in public areas.

A

Space

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10
Q

– Combining different
materials to create unique art.

A

Hybridity

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11
Q

– Using things like video and the internet to spread art.

A

Technology

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12
Q

EXPLORING KEY MOVEMENTS
AND STYLES

A

POP ART
MINIMALISM
CONCEPTUAL ART

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13
Q

Inspired by popular culture
and mass media. Andy Warhol
and Roy Lichtenstein are
notable figures.

A

POP ART

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14
Q

Inspired by popular culture
and mass media. Andy Warhol
and Roy Lichtenstein are
notable figures.

A

POP ART

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15
Q

Focuses on simplicity and
geometric forms using industrial
materials. Donald Judd and Sol
LeWitt pioneered it.

A

MINIMALISM

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16
Q

Emphasizes the idea behind
the artwork, not just
aesthetics. Joseph Kosuth is a
leading figure.

A

CONCEPTUAL ART

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17
Q

– Modern styles,
including abstraction and realism, are still
present.

A

Painting & Sculpture

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18
Q

– Uses computers, AI, and
virtual reality.

A

Digital Art

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19
Q

Large-scale artworks
that interact with the space.

A

Installation Art –

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20
Q

Artists use their
bodies, movements, and audience
interaction

A

Performance Art –

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21
Q

– Public art that
challenges traditional exhibition spaces.

A

Street Art & Graffiti

22
Q

Notable Filipino Contemporary Artists

A

Rodel Tapaya
BJ Pascual
Leeroy New

23
Q

Rodel Tapaya

A

Visual Arts & Mixed Media

24
Q

BJ Pascual

A

Photography & Digital Art

25
Q

Leeroy New

A

Installation &
Performance Art

26
Q

Known for large-scale paintings
inspired by Philippine folklore
and social issues.

A

Rodel Tapaya

27
Q

A renowned fashion
photographer reshaping
modern Filipino visual identity

A

BJ Pascual

28
Q

Creates futuristic sculptures
and wearable art (e.g., Aliens of
Manila series).

A

Leeroy New

29
Q

Many indigenous designs and techniques
are copied by commercial brands
without proper credit or compensation,
leading to cultural appropriation and
exploitation.

A

UNAUTHORIZED USE OF INDIGENOUS DESIGNS

30
Q

Indigenous artisans struggle to
compete with cheaper, factory-made
alternatives, affecting their economic
sustainability

A

LACK OF SUSTAINABLE
LIVELIHOODS
Competition with Mass Production:

31
Q

Materials like rattan and certain dyes
are becoming scarce due to
environmental degradation, impacting
the availability of essential resources
for traditional crafts.

A

ENVIRONMENTAL AND
MATERIAL SCARCITY
Depletion of Natural Resources:

32
Q

There is a need for more robust
policies to protect traditional cultural
expressions and provide adequate
support to indigenous artisans

A

Limited Government Support and Policy Gaps
Insufficient Protection of Indigenous Art:

33
Q

Many indigenous artisans have limited
access to online platforms, hindering
their ability to reach a global audience
and expand their market base

A

Market Access and Digital Divide
Challenges in Reaching Broader
Markets:

34
Q

With fewer practitioners,
some traditional
techniques are at risk of
being forgotten, leading to
a loss of cultural heritage.

A

Loss of Traditional Knowledge
Erosion of Cultural
Heritage:

35
Q

Reliance on tourism makes
sales unstable, especially
during off-seasons or global
events like pandemics that
disrupt travel.

A

Tourism Dependency and Seasonal Demand
Vulnerability to Market
Fluctuations:

36
Q

Potential Solutions

A

Strengthening Intellectual Property Rights
Educational Programs for Youth
Sustainable Resource Management
Digital Training and E-Commerce Support

37
Q

Implementing and enforcing laws to protect indigenous designs can help
prevent unauthorized use and exploitation.

A

Strengthening Intellectual Property Rights

38
Q

Encouraging younger generations through targeted educational initiatives can
foster interest and participation in traditional crafts.

A

Educational Programs for Youth

39
Q

Promoting sustainable harvesting and material sourcing ensures the
availability of essential resources for future generations.

A

Sustainable Resource Management

40
Q

Providing digital literacy training and e-commerce opportunities can help
artisans access broader markets and increase their economic resilience.

A

Digital Training and E-Commerce Support

41
Q

Usually performed by a group of consisting of members of
a community.

A

Folk dance

42
Q

is a form of cultural expression that is passed down
through generations and is often tied to a specific
community or region. It can be used to celebrate, heal,
and learn about history.

A

Indigenous dance

43
Q

Originating from the province of
Laguna, Maglalatik is a dance that
depicts a mock battle between the
Moros and Christians over the
prized coconut (latik).

A

MAGLALATIK

44
Q

is considered the national
folkdance with a pair of dancers hopping
between two bamboo poles held just above
the ground and struck together in time to
music

45
Q

This is a traditional dance from the
Ilocos region, performed on a
narrow bench. Dancers,
usually a pair, showcase their
agility and balance as they perform
intricate steps while maintaining
their poise on the bench

A

SAYAW SA BANGKO

46
Q

is a timeless Philippine
folk dance, allegedly originating from
Mindoro. This dance of lights simulates
fireflies in the night by balancing lighted
cups.

A

Pandanggo sa Ilaw

47
Q

This dance mimics the movements
of ducks as they waddle and
swim. It is believed to have
originated from the province of
Surigao del Norte.

48
Q

dance takes its name from the bells
worn on the ankies of the Muslim princess.

49
Q

This dance comes from the
Maranao people of Mindanao and
showcases the use of the malong, a
traditional tubular garment.

A

KAPA MALONG MALONG

50
Q

The _________ is a religious folk dance from the
batangas s that honors the Holy Cross.
It is a Catholic devotional practice that is
often performed in Batangas.

51
Q

is a Filipino folk dance where
performers balance wine glasses while
performing tricks. It originated in
Bayambang, Pangasinan.