Frontier Flashcards

1
Q
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John Gast - from StLouis (lived in NYC)

American progress 1872

  • Floating seamlessly into the west
  • the idealization of American west
  • to right Manhattan & brooklyn bridge a technical invention
  • telephone wires
  • wester exspansion. Bringing civilization.
  • groupings of types. farmers, terrified natives, mountain men with horse, running buffalos
  • she is carrying a schoolbook
  • brings education tot he west
  • “god wanted us here. he showed us the new world”
  • the idea that the west consisted of nothing. mountains, indians, buffalos
  • 1893 - the frontier is over. then about bringing it together.
  • the fantasy of freedom - idealization of expansion
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2
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George Catlin

Buffalo chase. 1832

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3
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Charles Deas

Long Jakes, 1844

  • typ: hunter trapper
  • rugged, wild hair, beard
  • you had to be a “real man” to survive
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4
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Charles Deas

The death struggle, 1845

  • wester story - escaping afight with the indain.
  • Everyone is terrified except the white man. stronger, calm, on a white horse
  • fiction, art, political action - imaginiative/fiction
  • both indians same features=no personallity. depicted as a group, not individuals
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5
Q
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Charles Deas

Voyageurs 1845

  • the noble savge. Living with nature.
  • Fascination in haw far from civilization they are.
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6
Q
A

William T Ranney

Trapper’s last shot, 1850

  • narrative, high drama.
  • the narrative is up to the viewer
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7
Q
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William T Ranney

Kit Karson, 1845

  • idealized image
  • only carrying a blanket and some liqure. Where is the lagguage?
  • images for the eastern market
  • if you are a white amn who lives like an indian. It is of chice=it is masculine and cool
  • City living = too cilvilized. wanted to be reminded of te wild life. To live life
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8
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George Caleb Bingham

Family life on the frontier, 1845

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9
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George Caleb Bingham 1811-1879

  • Born Virginia, moven to Missuri
  • trained with Chester Harding
  • 1838 introduced to genre paintings by Sidney Mount
  • American Art Union distrubuted his works/prints

Fur traders descending the Missouri, 1845

  • older gentleman and young boy (look care free, enjoying the ride) decending the moissuri river
  • in front, young bear that they have captured
  • foreground very detailed. Background lumenous and arieal perspective
  • great depiction of the water. reflective, still and calm
  • acclaimed one of his best
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10
Q
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George Caleb Bingham

Jolly Flatboatmen, 1846

  • Depicts the importance of the river in the west
  • working conditions at the time
  • idealized relaxed images for the easterners/north
  • horixontal lines and triangular composition to place focus on dnacing man
  • the innocence and wildness of the west, scenery and stillness of the river
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11
Q
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George Caleb Bingham

Jolley Flatboarmen in Part, 1857

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12
Q
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George Caleb Bingham

Daniel Boone Escorting Settlers Through the Cumberland Gap, 1851

  • The composition of the grouping reminds of Virgin Mary in the donkey
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13
Q
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A.F Tait

The life of a Hunter, 1858

  • Masculinity
  • what men dream about. To stare down the danger
  • the idea of conquering nature
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14
Q
A

George Catlin

Cler-Mont First chief i the tribe, 1834

  • one of the “inventors” of the indian stereotype
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15
Q
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Charles Bird King

Young Omahaw…, 1822

  • the is all about indians 1820-50s
  • the typical stereotype - one of his better paintings
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16
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Charles Bird King

Hayne 1822

17
Q
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Charles Bird King

Jack-o-pa, 1827