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restorative art 2 > Final Exam > Flashcards

Final Exam Flashcards

1
Q

the standard expectancy

A

norm

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2
Q

this frontal head view is the most common and has classic egg shape form, cranium is slightly wider than the jaws

A

oval

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3
Q

this most common facial profile has the forehead receding from the eyebrows to the hairline and the chin recedes from the projection of the upper lips

A

convex

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4
Q

when you break down the facial proportions into thirds, the top 1/3 measurement will start at the hairline/parietal eminences and end at what

A

eyebrows

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5
Q

if you draw an imaginary line down from the medial corners of the eyes, it would make contact with the

A

wings of the nose

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6
Q

the face is how many eyes wide

A

5

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7
Q

which facial profile is this: forehead recedes and the chin protrudes

A

convex-concave

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8
Q

this geometric head view is wide in the forehead and narrow in the jaws, consists of large, rounded cranium

A

inverted triangle

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9
Q

withdrawn from a position

A

recession

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10
Q

the study of form without regard to function

A

morphology

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11
Q

this geometric head form is long and narrow, may be accompanied by hollow cheeks, nose is generally long and prominent at tip

A

oblong

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12
Q

this facial profile is the least common - it has the protrusion of the forehead from the eyebrows to the hairline and the chin protruding farther than the upper lip

A

concave

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13
Q

when breaking the face into halves, you would measure from the top of the head to the

A

line of eye closure

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14
Q

forehead recedes, chin and lip on vertical line

A

convex-vertical

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15
Q

this geometric head form is the least common and is wider between the angles of the jaw than it is across the forehead and the mouth tends to be the widest

A

triangular

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16
Q

this physiognomy description is a feature that extends outward

A

projection

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17
Q

this facial profile has a vertical forehead and the chin recedes

A

vertical-convex

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18
Q

when the face is divided into thirds, this third would be from the base of the nose to

A

base of the chin

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19
Q

the nose is how many eyes wide

A

1

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20
Q

the ear is equal to ?? of the face

A

1/3

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21
Q

the lower part of the face can be broken down into 1/3. if you measure one of the thirds, it would be from the line of the lip closure to the

A

top of the chin

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22
Q

this geometric head form is wide across the cheekbones and narrows in width in forehead and jaws. the eyes are likely to be well separated, nose short and thin, mouth relatively narrow

A

diamond

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23
Q

the deviation from the norm

A

anomaly

24
Q

this geometric head view is usually broad and has very little curvature. the forehead is wide and the angles of the jaw are usually low and wide

A

square

25
Q

this is equal to the hairline to base of nose

A

eyebrows to base of nose

26
Q

base color for cosmetics - blankets skin and evens out skin tone

A

foundation

27
Q

yellow pigment of the skin like that of adipose tissue

A

carotene

28
Q

this emollient is used to add color to lips in a - cream - most common

A

lipstick

29
Q

this type of cream cosmetic appears dense in the container and can hide faint blemishes

A

semi opaque

30
Q

this is a loose or compact powder - applied lightly over liquid and creme cosmetics to set them - brush or blower - too heavy will cause cracking in the cosmetic - allows for a base for pigmented powders

A

setting powder

31
Q

these colors blue and pink are considered this type of undertone

A

cool

32
Q

this type of cosmetology is a treatment of creating illusionary alterations to the face - look fatter/smaller - the use of cosmetics to enhance those that wore cosmetics

A

ornamental

33
Q

this type of cosmetics aids in cosmetic adherence - prevents cosmetic absorption - increases the longevity of cosmetics

A

primer

34
Q

this type of cosmetic neutralizes discoloration and pigmented blemishes - opposing colors on the color wheel - palette, fluid, creme, or stick - use under foundations or concealers - generally choose the complementary color of the discoloration

A

color correctors

35
Q

this type of moisturizer seals moisture and creates a barrier - ingredients: paraffins, petrolatum, lanolin - for dry, mature skin - typically too heavy for the face, good for hands - best in dry environment - prevents make up from adhering to skin

A

occlusive

36
Q

this type of moisturizer has these ingredients: glycerin, sorbitol, lactic acid, alpha hydroxy acids - light and suitable for layering cosmetics - lacks heavy oils - best in a humid environment - has “hydrating” or “plumping” in the title

A

humectant

37
Q

this type of moisturizer fills gaps between skin cells - ex: massage cream - key ingredients: lanolin, mineral oils, collagen - best for aged and dry skin - can prevent adherence of cosmetics - dehydrated bodies

A

emollient

38
Q

this type of cosmetics is an opaque cream cosmetics for concealing blemishes - best for small discolorations - use one shade lighter than skin tone

A

concealer

39
Q

in contouring, these areas: top of the nose/dorsum - just above the cheekbone under the lower eyelid - forehead - chin - higher points on the ear - are areas of

A

natural highlights

40
Q

this type of cosmetics tints, thickens, lengthens, and texturizes eyelashes - liquid - wand application - cream - cake

A

mascara

41
Q

this type of powder is white, loose or compact powder - free of pigment - used for liquid or creme cosmetics - can make dark complexions look ashy

A

translucent

42
Q

this type of cosmetics classification is used to conceal discolorations

A

opaque

43
Q

in cosmetology, you use this to achieve a natural, non cosmetic effect that appears - the best way to learn what is “natural” is to study those you come in contact with

A

natural

44
Q

in pigments of the skin, all races have this ranging from tan to brown and black to brown - each of us has more or less in our skin - a lot of it in the skin would make it dark and a small amount of it would make it light

A

melanin

45
Q

clear or (cloudy) cosmetics in liquid or cream

A

transparent

46
Q

this type of foundation varies in opaqueness by style and brand - thinner foundations can be layered more easily - best for skin ranging from normal to blemished - good for complexion variances - most commonly used

A

liquid

47
Q

this color would be used as a color corrector if you have red tones - acne - rosacea - red, broken capillaries

A

green

48
Q

when applying powder, this way of application has the most control of powder - adjust the distance from the face and squeeze bulb - use a clean powder brush to blend - clean excess powder from facial hair

A

blower/atomizer

49
Q

this type of powder is pigmented pressed powder and used to accentuate the warm areas of the face

A

blush

50
Q

in contouring, these areas: eye socket - sides of the nose - under the tip of the nose - under the cheekbone - under the jaw line - are areas of

A

natural shadows

51
Q

this color would be used as a color corrector if you have dark spots - mild redness

A

yellow

52
Q

this type of head shape is equal in width and length - widest point is at the cheekbones - highlights and shadows pull the focus closer to the center of the face and you would shadow: temples in a “c shape” facing the hairline - sides of the nose - below the cheekbones, and highlight: center of the forehead - down the center of the nose - cheekbones closer to the center of the face

A

round

53
Q

this type of head shape is equal in distance from temple to temple and corner of the jaw to corner of the jaw - shadow: corners of the jaw - edges of the forehead with an open c shape facing the hairline - sides of the nose - just below the cheekbones - highlight: center of the forehead - center of the nose - cheekbones - chin

A

square

54
Q

this type of head has a jaw that is wider than the forehead - shadows: corners of the jaw to make them seem more narrow - beneath the cheekbones - sides of the nose - highlights: sides of the forehead - cheekbones - center of the nose

A

triangle

55
Q

for this type of head shape, contouring generally is not necessary - add highlights and shadows in the natural areas

A

oval

restorative art 2 (7 decks)

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