FINAL Flashcards

1
Q

The total appearance, organization, or inventive arrangement of all the visual elements according to the principles of organization:

A

Form

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2
Q

What are the Principles of Organization?

A
Harmony and Variety
Proportion
Balance
Dominance
Movement
Economy
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3
Q

When a work of art successfully utilizes the principles of organization, the result is

A

Space and Visual Unity

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4
Q

Name 4 of the methods for creating harmony in a work of art:

A

Repetition, rhythm, pattern, Closure, and Visual Unity

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5
Q

What are the three components of a work of art?

A

Subject, Form, and Concept

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6
Q

An approach to art where no personal interpretation is introduced by the artist:

A

Naturalism

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7
Q

What are the Elements of Art?

A

Line, Color, Texture, Shape, and Value

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8
Q

A work of art that is completely imaginative:

A

Nonobjective

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9
Q

The actual flat surface on which the artist executes a pictorial image:

A

Picture plane

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10
Q

The knowledge of materials and the skillful handling of them:

A

Craftsmanship

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11
Q

The line that defines the outermost limits of an object or a drawn or painted shape:

A

Contour

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12
Q

A line that dims, fades, stops, and/or disappears, but is visually completed by the viewer:

A

Implied

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13
Q

__________ lines are lines that are drawn freely, quickly, and seemingly without inhibition in order to capture the intrinsic spirit and animation seen in the subject.

A

Gestural

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14
Q

A line that moves across a shape or object to define the surface undulations between the outermost edges:

A

Cross-contour

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15
Q

Repeated stories of an art tool, producing clustered (usually parallel) lines that create values:

A

Hatching

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16
Q

A line that indicates space that is flat:

A

decorative

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17
Q

_________ refers to the length and width of a line.

A

Measure

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18
Q

A shape that does not physically exist but is suggested through the psychological connection of dots, line areas ore their edges:

A

Implied

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19
Q

A 3D shape possesses the illusion of having

A

Height, width, and depth

20
Q

A shape whose boundaries consist of straight lines:

A

rectilinear

21
Q

An irregular shape that resembles the freely developed curves found in living organisms:

A

Biomorphic

22
Q

A 2D shape possesses the dimensions of

A

Height and Width

23
Q

the opposite of a shape whose boundaries consist of straight lines

A

Curvilinear

24
Q

A shape that is derived from the mind, instead of physical reality:

A

subjective

25
Q

What is High Key?

A

mostly light grays

26
Q

differences of lightness or darkness without regard to hue or intensity:

A

achromatic

27
Q

the relative degree of lightness or darkness:

A

value

28
Q

What is Low Key?

A

mostly dark grays

29
Q

the relative degree flightless or darkness demonstrated by given color:

A

chromatic

30
Q

the relative degree flightless or darkness demonstrated by given color:

A

chromatic

31
Q

A technique devised by Leonardo da Vinci of softly blending areas from light to dark, creating subtle transitions:

A

Sfumato

32
Q

A technique of painting that exaggerates or emphasizes the effects of chiaroscuro

A

Tenebrism

33
Q

the arrangement or organization of values that control compositional movement and create unifying effect throughout a work of art:

A

Value Pattern

34
Q

The relative lightness or darkness of a surface, seen in the objective world, that is independent of any effect created by the degree of light falling on it:

A

Local value

35
Q

The saturation, strength, or purity of a hue

A

Chroma

36
Q

Two colors directly opposite each other on the color wheel:

A

Complimentary

37
Q

Having only one hue; may include the complete range of value

A

Monochromatic

38
Q

A color produced by mixing white with a hue:

A

tint

39
Q

A color substance that gives its color property to another by being mixed wit it or covering it:

A

pigment

40
Q

a color and the two colors on either side of its complement:

A

Split-complement

41
Q

a color produced by a mixture of a primary and a secondary color:

A

intermediate

42
Q

The illusion of depth produced in graphic works by lightening values, softening details and textures, reducing contrasts, and neutralizing colors in objects as the recede:

A

Atmospheric Perspective

43
Q

The relative degree of lightness or darkness:

A

Value

44
Q

A copying of nature with such exactitude as to be mistaken for the real thing:

A

Trompe O’leil

45
Q

A convincing copy or translation of an object’s texture:

A

Simulated Texture

46
Q

A surface that can be experienced through the sense of touch:

A

Actual Texture

47
Q

A created texture whose only source is the artist’s imagination:

A

Invented texture