Figures of Speech & Sound Devices Flashcards

1
Q

Often picturesque metaphorical compounds. Ex: in the Anglo-Saxon epic -Beowulf- examples are “sea-farer” for ship, “swan-road” & “whale-road” for sea, & “twilight-spoiler” for dragon. Also “widow-maker” for anything that kills men & W.H. Auden’s “undried sea” are houses for fish in “The Wonderer”.

A

Kenning

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2
Q

A trope in which a part signifies the whole (or the whole signifies the part). Ex: using “threads” to refer to clothes, “wheels” to a car, or “hands” for people who work @ manual labor. “The hand that rocks the cradle rules the world.” Here, “hand” refers to mothers.

A

Synecdoche

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3
Q

A form of understatement in which a thing is affirmed by stating the negative of the opposite. Ex: she was not unmindful (she paid careful attention); she’s not ugly (she’s beautiful).

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Litotes

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4
Q

A figure that endows animals, ideas, abstractions, & inanimate objects w/ human form.

A

Personification

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5
Q

The relationship between words in which the final consonants in the stressed syllable agree, but the vowels that proceed them differ, as “add-read”, “mill-ball”, & “torn-burn”. Most eye rhymes (such as “word” & “land”) are instances of - because of differences in ways that vowels are pronounced.

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Consonance

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6
Q

The treatment of abstractions as concrete things. Representation of ideas as though they had concrete form. Also, the reduction of people & ideas to marketable | |. Ex: Truth is a deep well; Thought sinks into a sea of forgetfulness.

A

Reification

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7
Q

The marked use of sibilant (hissing) sounds represented by s, z, sh, zh, etc.

A

Sigmatism

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8
Q

The description of 1 kind of sensation in terms of another; that is, the description of sounds in terms of colors, as a “blue note”, of colors in terms of sound, as “loud shirts” of sounds in terms of taste, as “how sweet the sound” of colors in terms of temperature, as a “cool green”. 1 of the most distinctive characteristics of the poetry of the symbolist movement.

A

Synesthesia

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9
Q

A use of words peculiar to a given language which cannot be translated literally. “To carry out” literally means to carry something out (of a room perhaps), but -atically it means to see that something is done, as “to carry out a command”. Ex: “to paint the town red” - to have a good time.

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Idiom

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10
Q

Something that is itself & also stands for something else. Ex: a flag standing for a country; The very title -The Scarlet Letter- points to a double symbol: a color - coded letter of the alphabet; the meanings of the letter A multiply as the story progresses.

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Symbol

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11
Q

An accidental interchange of sounds, usually the initial consonants in 2 or more words, such as “blushing crow” for “crushing blow” or “well-boiled icicle” for “well-oiled icicle”. Owes its name to Dr. W.A. -, of New College Oxford who was supposedly prone to such transpositions as “You | | hissed all your mystery lectures & tasted 2 whole worms.”

A

Spoonerism

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12
Q

A figure of speech involving a “turn” or change of sense - the use of a word in a sense other than the literal. In this sense figures of comparisons (metaphor, simile) as well as ironical expressions.

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Trope

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13
Q

A piling up of terms, as in the line, “Painted emulsion of snow, eggs, yarn, coal, manure” in Hart Crane’s “The Wine Menagerie@ or in the phrase “mactations, immolations, oblations, impitrations” in T.S. Eliot’s “Difficulties of a Statesman”.

A

Synathroesmus

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14
Q

A figure of speech in which normal sentence order is transposed or rearranged in a major way, as illustrated in these lines:
Which when Beelzebub perceived
Than whom
Satan except, none higher sat, w/ grave
Aspect he rose.

A

Hyperbaton

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15
Q

The adding of 1 trope or figue to another, along w/ such extreme compression that the literal sense of the statement is eclipsed or reduced to anomaly or nonsense.
Ex: 1 can say that Helen had much to do w/ causing the Trojan War & its aftermath - the many parts of their complex process are | | in the -, figure in Marlowe’s
-Doctor Foustus-. “Was this the ship that launched a thousand ships & burnt the topless”.

A

Metalepsis (Transumption)

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16
Q

Literally “a cutting”. A fairly rare verbal figure whereby a word is cut in 2 parts between which 1 word or more is inserted. Ex: “a whole nother thing” (the word “another” is split & “whole” is inserted between). Ezra Pound used “consti-damn-tution”. Split infinitives may be classed as -. “To slowly walk” - should be to walk slowly.

A

Tmesis

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17
Q

A figure of speech in which a similarity between 2 object is directly expressed & is usually introduced by “as” or “like”. The comparison of 2 essentially unlike things. Ex: not comparing 1 house to another but comparing it to something like life using “like” or “as”.

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Simile

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18
Q

A common figure of speech in which the literal sense of what is said falls detectably short of the magnitude of what is being talked about. Ex: saying “pretty fair” when meaning “splendid”.

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Understatement

19
Q

Intentional understatement for humorous or satiric effect. A common device in ironic expressions.

A

Meiosis

20
Q

A grammatically correct construction in which 1 word is placed in the same grammatical relationship to 2 words but in quite different senses, as stain is linked in different senses to honor & brocade in Pope’s line “Or stain her honor, or her new brocade.” - occurs when of the object taking words (| | preposition & transitive verb) takes 2 or more objects that are on different levels. A type of zuegma.

A

Syllepsis

21
Q

A figure of speech in which someone (usually someone absent or dead), some abstract quality, or a nonexistent personage is directly addressed as though present or living. Ex: “Age, thou art sham’d” Shakespeare
“Milton, thou should be living @ this hour.” -Wordsworth
“Roll on, though deep blue Ocean, roll.” -Byron

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Apostrophe

22
Q

A type of poetic metaphor. A fanciful notion, usually expressed through an elaborate analogy & pointing to a striking parallel between ostensibly dissimilar things.

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Conceit

23
Q

A word that resembles another & is used in its place for the sake of euphemism, insult, avoidance of libel, etc. Ex: using “gad”, “gosh”, & “golly” for “God”. Ex: Ezra Pounds invented poetaster “Alfred Ueneson” is obviously a - for “Alfred Tennyson”. “Nick Noxin” for “Dick Nixon” in John Seelye’s -Dirty Tricks-.

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Paragram

24
Q

A recurrent repetition of some word, phrase, situation or idea that tends to unify a work through its power to record earlier occurrences. Ex: “rain” in a -A Farewell to Arms- by Ernest Hemingway is a -.

A

Leitmotif (Leitmotiv, Leitmotive)

25
Q

A - refers to an elaborate analogy or complicated metaphor pointing to a striking parallel between dissimilar things. The - - is an ingenious kind of - used as the controlling image & often exploiting verbal logic to the point of the grotesque, sometimes w/ such extravagant turns of meaning that it becomes absurd.

A

Metaphysical Conceit

26
Q

In literature, recurring images, words, objects, phrases, or actions that tend to unify the work. Nobokov’s -Lolito-, for example, is saturated by a light-dark - as in patterns of day & night, blonde & brunette, summer & winter, white & black, etc.

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Motif

27
Q

Harsh & in harmonious sounds, a marked breaking of the music of poetry.

A

Dissonance

28
Q

The tendency to credit nature w/ human emotions in an exaggerated way. Any false emotionalism resulting in a too impassioned description of nature. The carrying over to inanimate objects the moods & passion of a human being. A frequently occurring expression of the imagination it becomes a fault when it is overdone to the point o absurdity.

A

Pathetic Fallacy

29
Q

The repetition of initial consonant sounds or any vowel sounds in successful or closely associated syllables, especially stressed syllables.
Ex: consonantal -: The (f)air ((b))reeze ((b))lew, the white (f)oam (f)lew. The (f)urrow (f)ollowed (f)ree.
Ex: vowel -: “(A)pt - (a)rtful (a)id is often an ((o))ccasional ((o))rnament.

A

Alliteration

30
Q

A self-contradictory combination of words. Comes from the Greek meaning sharp-dull, itself an -.
Ex: bittersweet, jumbo shrimp, guest host, chiaroscuro.

A

Oxymoron

31
Q

An analogy identifying 1 object w/ another & ascribing to the 1st object 1 or more qualities of the 2nd.

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Metaphor

32
Q

A rhetorical figure whereby a speaker retreats or corrects something said, as in W.B. Yeats’ “Easter 1916”: “What is it but nightfall? No,no, not night but death.

A

Metanoia

33
Q

A statement that although seemingly contradictory or absurd may actually be true. Many of St. Paul’s utterances in the Bible are
-ical as in 2nd Corinthians, “For when I am weak, then I am strong.” Also discoverable in such oxymorons as “soft hardness” & “happy sadness”. - is a common element in epigrammatic writing ( which consists o pithy, often antithetical sayings).

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Paradox

34
Q

The substitution of the name of an object closely associated w/ a word for the word itself. Ex: “the crown” for a monarch, “In the sweat of thy face shalt though eat bread.” The sweat refers to hard labor.

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Metonymy

35
Q

Words that by their sound suggest their meaning. Ex: hiss, buzz, whirr, sizzle.

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Onomatopoeia

36
Q

The collection of - in a literary work, often synonymous w/ trope or figure of speech. Sight, sound, touch, taste, smell.

A

Imagery

37
Q

An exaggeration; to lighter effect or for humor.

A

Hyperbole

38
Q

The ascription of human characteristics to nonhuman objects. In some mythologies gods are described as having human form & attributes.

A

Anthropomorphism

39
Q

Play on words based on the similarity of sound between 2 words w/ different meanings. - involving son & sun, & I & eye are staples of English literature. Ex: Thomas Hood’s “They went & told the sexton & the sexton tolled the bell.” Shakespeare work has many -.

A

Pun

40
Q

Another name for personification which the personified abstraction speaks as in the 1st chapter of Proverbs in the Bible:
“Wisdom cries aloud in the streets, in the markets she raises her voice.”

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Prosopopoeia

41
Q

Pleasing sounds. Opposite of cacophony. Difficult to establish that sounds as such can be either pleasing or unpleasing in isolation from meaning, but p, t, k, f, s are generally more cacophonic than | |.

A

Euphony

42
Q

A figure of speech used so long that it is taken in its denotative sense only, w/o the conscious comparison to a physical object it once conveyed. Ex: In “The keystone of his siptem is the belief in an omnipotent God,” “keystone” - literally a stone in an arch - functions as a - -.

A

Dead Metaphor

43
Q

A harsh, unpleasant combination of sounds. Opposite of euphony.

A

Cacophony

44
Q

Patterning of vowel sounds w/o regard to consonants. Sometimes refers to same or similar vowel sounds in stressed syllables that end in different consonant sounds. - differs from rhyme in that rhyme typically involves vowel & consonant sounds. Ex: lake & fake demonstrates full rhyme; lake & fate demonstrate -.

A

Assonance