Faustus Critics Quotes Flashcards

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1
Q

Quote about the actions of other characters?

A

Other characters ‘parody and thus deflate the actions of the tragic protagonist’ - Biester

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2
Q

Quote about the descent of Faustus’ magic?

A

‘Shadows the bathos in Faustus’ magic, the plummet from grand designs to silly tricks’ - Biester

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3
Q

Description of Marlowe?

A

‘the tripartite roles of wayward scholar, secret agent and innovative playwright’ - Riggs

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4
Q

Similarity in background between Marlowe and Faustus?

A

‘Marlowe surely noticed that Dr Faustus came from a humble background’ - Riggs

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5
Q

Reputation of Marlowe?

A

‘odious moral reputation’ - Riggs

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6
Q

What did Marlowe consume?

A

‘…a proselytizing atheist, a counterfeiter and a consumer of boys and tobacco.’ - Richard Baines

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7
Q

What has become public?

A

‘Marlowe bestrides the moment when English atheism comes out of the closet and acquires a public face.’ - Riggs

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8
Q

Quote about Marlowe as a secret agent?

A

‘The evidence for Marlowe’s involvement with espionage and crime is too substantial to be explained away.’ - Riggs

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9
Q

References to classics and mythology?

A

‘Marlowe veils the subversive element of his text in classical allusions’ - Riggs

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10
Q

Where Marlowe grew up?

A

‘16th century Canterbury where Marlowe grew up was a spiritual wasteland with more public executions for heresy than any place apart from London.’ - Riggs

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11
Q

How was his death viewed?

A

‘Protestant ministers saw Marlowe’s violent end at the age of 29 as an act of divine vengeance’ - Riggs

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12
Q

Who did Marlowe desire?

A

‘Unless Marlowe was celibate, the readiest outlet for his own sexual desires lay with other men’ - Riggs

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13
Q

What was intrinsic to education?

A

‘Love between men was intrinsic to the humanist educational programme’ - Riggs

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14
Q

What did Marlowe’s generation look into?

A

‘Instead of seeking God in the heavens, Marlowe’s generation charted the earthly course of imperial conquest’ - Riggs

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15
Q

What did early performances do?

A

‘Early performances of Dr Faustus were notoriously successful at blurring the distinction between performance and reality through elements of illusion and trickery’ - Riggs

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16
Q

What was Marlowe interested in?

A

‘fascination with astrology and social advancement’ - Riggs

17
Q

Offensive to religion?

A

‘Jesus Christ was a bastard, St Mary a whore…’ - Riggs

18
Q

What was acceptable to modern audiences?

A

‘Marlowe, whose blasphemies stood for an impulse that was acceptable to modern readers – free thought, anti-philistinism, the quest for transcendence’ - Riggs

19
Q

Where was Marlowe taught evil things?

A

‘the institutions – city, church, grammar school, university, secret service and public playhouse. . . taught young Marlowe what transgression was.’ - Riggs

20
Q

Quote about the Pope bashing?

A

‘they are asked to condemn Faustus for his pact with Lucifer at the same time that they are encouraged to applaud him for playing practical jokes on a national enemy’ Sales

21
Q

Learn thou of Faustus’ manly fortitude?

A

‘Irony in his arrogant recommendation of manliness to a supernatural being’ (J D Jump)