Exam 3 - Rome and Byzantium (Readings) Flashcards
“On Duty”
by: Cicero (Roman Repubic) De Officiis (On Duties or On Obligations) is a treatise by Marcus Tullius Cicero divided into three books, in which Cicero expounds his conception of the best way to live, behave, and observe moral obligations.
Poems
by: Catullus (Roman Republic) - Rome
The poetry of Gaius Valerius Catullus was written towards the end of the Roman Republic. It describes the lifestyle of the poet and his friends, as well as, most famously, his love for the woman he calls Lesbia.
“The Aeneid”
by: Vergil (Augustan Rome) - Rome
- The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem’s twelve books tell the story of Aeneas’s wanderings from Troy to Italy, and the poem’s second half tells of the Trojans’ ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.
- The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad. Virgil took the disconnected tales of Aeneas’s wanderings, his vague association with the foundation of Rome and a personage of no fixed characteristics other than a scrupulous pietas, and fashioned this into a compelling founding myth or national epic that at once tied Rome to the legends of Troy, explained the Punic Wars, glorified traditional Roman virtues, and legitimized the Julio-Claudian dynasty as descendants of the founders, heroes, and gods of Rome and Troy.
“Metamorphoses”
by: Ovid (Augustan Rome) - Rome
- The Metamorphoses (Latin: Metamorphōseōn librī: “Books of Transformations”) is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and over 250 myths, the poem chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework.
- Although meeting the criteria for an epic, the poem defies simple genre classification by its use of varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry, and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models.
“Satires”
by: Juvenal (Imperial Rome) - Rome
- The Satires are a collection of satirical poems by the Latin author Juvenal written in the late 1st and early 2nd centuries AD.
- Juvenal is credited with sixteen known poems divided among five books; all are in the Roman genre of satire, which, at its most basic in the time of the author, comprised a wide-ranging discussion of society and social mores in dactylic hexameter.[1] The poems are not individually titled, but translators have often added titles for the convenience of readers.
- Roman Satura was a formal literary genre rather than being simply clever, humorous critique in no particular format. Juvenal wrote in this tradition, which originated with Lucilius and included the Sermones of Horace and the Satires of Persius. In a tone and manner ranging from irony to apparent rage, Juvenal criticizes the actions and beliefs of many of his contemporaries, providing insight more into value systems and questions of morality and less into the realities of Roman life. The author employs outright obscenity less frequently than Martial or Catullus, but the scenes painted in his text are no less vivid or lurid for that discretion.
- The author makes constant allusion to history and myth as a source of object lessons or exemplars of particular vices and virtues. Coupled with his dense and elliptical Latin, these tangential references indicate that the intended reader of the Satires was highly educated. The Satires are concerned with perceived threats to the social continuity of the Roman citizens: social-climbing foreigners, unfaithfulness, and other more extreme excesses of their own class. The intended audience of the Satires constituted a subset of the Roman elite, primarily adult males of a more conservative social stance.
“Tranquility of Mind”
by: Seneca (Imperial Rome) - Rome
De Tranquillitate Animi (On the tranquility of the mind) is a Latin work by Seneca (4 BC–65 AD).[1] The dialogue concerns the state of mind of Seneca’s friend Annaeus Serenus, and how to cure Serenus of anxiety, worry and disgust with life.
“Mediations”
by: Marcus Aurelius (Imperial Rome) - Rome
- Meditations (Medieval Greek: Τὰ εἰς ἑαυτόνTa eis heauton, literally “[that which is] to himself”) is a series of personal writings by Marcus Aurelius, Roman Emperor from 161 to 180 AD, recording his private notes to himself and ideas on Stoic philosophy.
- Marcus Aurelius wrote the 12 books of the Meditations in Koine Greek as a source for his own guidance and self-improvement. It is possible that large portions of the work were written at Sirmium, where he spent much time planning military campaigns from 170 to 180. Some of it was written while he was positioned at Aquincum on campaign in Pannonia, because internal notes tell us that the first book was written when he was campaigning against the Quadi on the river Granova (modern-day Hron) and the second book was written at Carnuntum.
- It is unlikely that Marcus Aurelius ever intended the writings to be published and the work has no official title, so “Meditations” is one of several titles commonly assigned to the collection. These writings take the form of quotations varying in length from one sentence to long paragraphs.
“The Confessions”
by: St. Augustine (Early Christian) - North Africa
- Confessions (Latin: Confessiones) is the name of an autobiographical work, consisting of 13 books, by St. Augustine of Hippo, written in Latin between AD 397 and 400. Modern English translations of it are sometimes published under the title The Confessions of St. Augustine in order to distinguish the book from other books with similar titles. Its original title was Confessions in Thirteen Books, and it was composed to be read out loud with each book being a complete unit.
- The work outlines St. Augustine’s sinful youth and his conversion to Christianity. It is widely seen as the first Western autobiography ever written, and was an influential model for Christian writers throughout the following 1,000 years, through the Middle Ages. It is generally considered one of Augustine’s most important texts.
Aeneas
(The Aeneid) The protagonist of the Aeneid. Aeneas is a survivor of the siege of Troy, a city on the coast of Asia Minor. His defining characteristic is piety, a respect for the will of the gods. He is a fearsome warrior and a leader able to motivate his men in the face of adversity, but also a man capable of great compassion and sorrow. His destiny is to found the Roman race in Italy and he subordinates all other concerns to this mission. The Aeneid is about his journey from Troy to Italy, which enables him to fulfill his fate.
Dido
(The Aeneid) The queen of Carthage, a city in northern Africa, in what is now Tunisia, and lover of Aeneas. Dido left the land of Tyre when her husband was murdered by Pygmalion, her brother. She and her city are strong, but she becomes an unfortunate pawn of the gods in their struggle for Aeneas’s destiny. Her love for Aeneas proves to be her downfall. After he abandons her, she constructs a funeral pyre and stabs herself upon it with Aeneas’s sword.
Turnus
(The Aeneid) The ruler of the Rutulians in Italy. Turnus is Aeneas’s major antagonist among mortals. He is Lavinia’s leading suitor until Aeneas arrives. This rivalry incites him to wage war against the Trojans, despite Latinus’s willingness to allow the Trojans to settle in Latium and Turnus’s understanding that he cannot successfully defy fate. He is brash and fearless, a capable soldier who values his honor over his life.
Ascanius
(The Aeneid) Aeneas’s young son by his first wife, Creusa. Ascanius (also called Iulus) is most important as a symbol of Aeneas’s destiny—his future founding of the Roman race. Though still a child, Ascanius has several opportunities over the course of the epic to display his bravery and leadership. He leads a procession of boys on horseback during the games of Book V and he helps to defend the Trojan camp from Turnus’s attack while his father is away.
Anchises
(The Aeneid) Aeneas’s father, and a symbol of Aeneas’s Trojan heritage. Although Anchises dies during the journey from Troy to Italy, he continues in spirit to help his son fulfill fate’s decrees, especially by guiding Aeneas through the underworld and showing him what fate has in store for his descendants.
Creusa
(The Aeneid) Aeneas’s wife at Troy, and the mother of Ascanius. Creusa is lost and killed as her family attempts to flee the city, but tells Aeneas he will find a new wife at his new home.
Sinon
(The Aeneid) The Greek youth who pretends to have been left behind at the end of the Trojan War. Sinon persuades the Trojans to take in the wooden horse as an offering to Minerva, then lets out the warriors trapped inside the horse’s belly.
