Exam 3 Flashcards

1
Q

acoustic correlates of vowels

A
  • lower F1, higher jaw height
  • higher F2, more fronted vowel
  • F1 correlates with jaw height–>inverse relationship
  • F2 correlates with tongue frontness/backness
  • lip rounding lowers formant frequencies
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2
Q

vowel space chart

A
  • F1 is on ordinate (y-axis)
  • F2 is on abscissa (x-axis)
  • both scales in reverse order to represent the tongue positions more intuitively (scale is high-to-low)
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3
Q

the “schwa trick”

A
  • to determine formant frequency ranges for any given speaker, map that person’s mid-central vowel and use it as a frame of reference for the rest of the words
  • an avg adults schwa will have F1=500Hz, F2=1500Hz, and F3=2500 Hz
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4
Q

wideband spectrogram

A

provides info about articulation

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5
Q

narrowband spectrogram

A

gives info on phonation

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6
Q

acoustic correlates of consonants

A

oral stops, fricatives, affricates, nasal stops, approximates

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7
Q

manner of voiced stops

A
  • evidence of onset closure: abrupt drop in amplitude on waveform; sudden loss of sound tracings in frequencies above F0 on spectrogram
  • presence of complex periodic sound during stop gap on waveform and of voicing bar in spectrogram
  • abrupt release of closure with soft-to-moderate burst (may be visible in waveform and spectrogram)
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8
Q

place of voiced stops

A
  • formant transitions (especially F2 & F3) provide clues for place of articulation
  • F2 dips down from vowel for labial closure [b]
  • F2 is level for tongue-front closures [d]
  • F2 rises and F3 dips down (velar pinch) for dorsal closure [g]
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9
Q

manner of unvoiced, aspirated stops

A
  • evidence of onset closure: abrupt drop in amplitude on waveform; sudden loss of all sound tracings on spectrogram
  • no sound during stop gap on waveform and spectrogram
  • abrupt release of closure with moderate-to-loud burst (usually visible in waveform and spectrogram)
  • presence of aspiration noise on waveform and spectrogram following burst (+VOT)
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10
Q

place of unvoiced, aspirated stops

A
  • formant transitions (F2 and F3) provide clues
  • notice that formant transitions vary depending on which vowels and consonants are adjacent
  • aspiration may obscure formant transitions at onset of vowel
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11
Q

manner of voiced & unvoiced fricatives

A
  • more amplitude than stops
  • waveform, if expanded, will show complex aperiodic sound; spectrogram will show scratchy noise tracings
  • voiced fricatives will show periodicity on waveform, and both voicing bar and glottal pulses on spectrogram
  • durations may vary considerably; voiced fricatives tend to be longer
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12
Q

place of voiced and unvoiced fricatives

A
  • most of the energy in fricatives is in the higher freq ranges; without a sufficiently large frequency scale, the place differences are hard to interpret
  • the alveolar [s z] and alveopalatal [ʃ ʒ] fricatives tend to have louder frication, they are called sibilant
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13
Q

sibilant

A

the alveolar [s z] and alveopalatal [ʃ ʒ] fricatives that tend to have louder frication

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14
Q

voiced and unvoiced affricates

A
  • stop gap (with or without voicing) like an alveolar stop
  • alveopalatal fricative offset (with or without voicing)
  • looks similar to [dʰ] [tʰ] except that the frication tends to be longer and is almost always more sibilant in affricates [dʒ] [tʃ]
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15
Q

nasal stop

A
  • abrupt onset and offset like oral stops, but without a burst
  • voicing bar + first nasal formant (N1) = nasal murmur
  • more formants than oral sounds–often low-intensity and not visible
  • antiformants: space between formants
  • place clues from adjacent vowel transitions
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16
Q

approximates (liquids & glides)

A
  • formant structure like vowels but with lower amplitude; greater amplitude than other consonants
  • larger transitions than vowels
  • [w] has F1 & F2 similar to [ʊ]
  • [r] has significant drop in F3 (can dip below 2000 Hz)
  • [l] may show F1 “step” transition
  • [j] has F1 & F2 similar to [ɪ]
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17
Q

spectrogram reading steps

A
  1. segmentation
  2. acoustic description
  3. articulatory description
  4. transcription
  5. stress analysis
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18
Q

segmentation

A

look for boundaries between sounds

19
Q

acoustic description

A

describe the acoustic feature of each segment (voicing bar, glottal pulses, acoustic energy)

20
Q

articulatory description

A

what can you infer about articulation from the acoustic characteristics? (vowel, non-high, high, non-front)

21
Q

transcription

A

for each segment, can you narrow the transcription symbols down to a few possible candidates?

22
Q

stress analysis

A

pitch contour (look for prosodic clues using the pitch and energy contours to determine the stress patterns)

23
Q

phonetics

A

the study of speech sounds, their production, perception, and physical properties

24
Q

phonology

A

the study of the distinctive sounds and characteristic patterns of a spoken language

25
Q

types of transcription

A
  • broad vs narrow
  • impressionistic vs systemic
  • phonetic vs phonemic
26
Q

broad transcription

A

doesn’t show a great detail of phonetic detail–usually just main symbols
ex: phonemic transcription

27
Q

narrow transcription

A

captures pronunciation in great detail using diacritics

28
Q

impressionistic transcription

A

transcription of speech that is unknown to you

you don’t know the language or phonological rules

29
Q

systemic transcription

A

transcription that knowingly represents the regularities of a language’s unique phonology
ex: dogs –> [dogz]

30
Q

phonetic transcription

A

transcription of the actual pronunciation of a word
may be broad or narrow, systemic or impressionistic
indicated by [ ]

31
Q

phonemic transcription

A

a broad transcription of the underlying phonemes of a word (as it might be said in exaggerated citation-form speech, with no syllable carrying more stress than any other
indicated by / /

32
Q

minimal pairs

A

two words, with different meanings, that sound identical except for one sound
ex: [kæt] vs [pæt], [k] & [p] are phonemes
words (minimal sets) often help determine the phonemes of a language)

33
Q

phonological patterns at segmental level

A
  • VOT
  • glottal substitution: [garʔn] instead of [garden]
  • nasal & lateral position: [sænd] vs [sæ.dn̩]
  • flapping: neutralization of [d]/[t] (quarɾer]
  • velarization of nasals
  • nasalization of vowels in nasal contexts: [mæ̃n]
  • rhotacization of neutral vowels: [ɚ]
  • vowel lengthening: lid vs lit
  • vowel reduction
34
Q

nasal & lateral plosion (closure)

A

nasals and laterals following a homorganic stop may become a plosive
ex: [m̩ n̩ ŋ̩ l̩]

35
Q

velarization of nasals

A

nasals that precede (come before) velars become nasals
ex: [ræn] [ræn̬] [ræn̬k]
velar pinch on spectrogram

36
Q

homorganic sound

A

sounds made in the same place of articulation
[p] [b] [m]
[s] [t] [r] [l] [n] [d]

37
Q

rhoicization of neutral vowels

A

when “r-coloring” occurs with a neutral vowel, the entire vowel becomes rhoticiized
ex: [bɪrd] (beard) – [bɚd] (bird)

38
Q

r-coloring

A

occurs when the /r/ is pronounced after vowels in the same syllable
ar, er, ir, or sounds in words

39
Q

vowel reduction

A

vowels in unstressed syllables immediately adjacent to stressed syllables may be reduced
ex: demonstrate

40
Q

suprasegmental patterns

A
  • intonation contours
  • stress pattern
  • tonic syllables
41
Q

intonation contours

A

english has a rising intonation pattern on yes/no interrogative questions and a falling intonation on most other phrases

42
Q

stress patterns

A

english marks the stressed syllable lengthening, syllable loudness, and/or rising pitch (F0)

43
Q

tonic syllables

A

when stress is marked with rising pitch, especially at the level of the phrase–>that syllable is called the “tonic syllable”

  • english is a non-tonal language
  • variations of “ma” in mandarin