Editing Flashcards

1
Q

Editing is the process of..

A

joining together two or more shots

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2
Q

Editing is the manipulation of what 3 things?

A
  • graphic.. qualities of two or more shots
  • tempo… at which these shots change
  • timing… of each shot in relationship to other elements of film
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3
Q

Shot Transition

A

The use of editing techniques to indicate the end of one scene and the beginning of another

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4
Q

Shot Transition “Straight Cut”

A

Splicing of one shot to another without using any particular device
- abrupt inexplicable shift in time and space of an action

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5
Q

Shot Transition “Fade In”

A
  • gradual lightening of the image from black to normal
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6
Q

Shot Transition “Fade Out”

A
  • gradual darkening of the image until it becomes black
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7
Q

Shot Transition “Dissolve” aka overlapping / lap dissolve

A
  • preceding shot gradually disappears as new scene gradually takes preceding scene’s place.
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8
Q

Shot Transition “Iris In”

A
  • Starts in darkness

- Expanding circle of light

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9
Q

Shot Transition “Iris Out”

A
  • Starts in scene

- Shrinking circle of light

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10
Q

Shot Transition “Wipe”

A
  • Scene A gradually replaces Scene B by moving them of frame. This occurs in an infinite range of shapes
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11
Q

Continuity Editing

A

1900-1910

  • ensures narrative continuity
  • creates smooth flow (invisible editing)
  • Main Aim - Create an illusion of continuous space and time
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12
Q

180 degree rule - what is it and what kind of consistency does it establish?

A

Filming must remain on same side of action for the rest of scene
- consistency in eye lines, screen direction, space of scene

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13
Q

Editing Matches in Continuity Editing: Eye-line match

A

Uses a character’s line of sight to motivate the cut

- clarifies spatial relationships

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14
Q

Editing Matches in Continuity Editing: Direction Match

A
  • person or object is moves in one continuous motion across scenes
  • person a exits frame left, must enter new scene from right
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15
Q

Editing Matches in Continuity Editing: Movement Match

A

action begun in one shot is continued or completed in next shot

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16
Q

Editing Matches in Continuity Editing: Graphic Match

A
  • Any juxtaposition of graphically similar images – composition/ structure/ similar shapes
17
Q

Editing Matches in Continuity Editing: Rhythmic Match

A
  • any juxtaposition of images with actions moving at similar rates of speed
18
Q

Standard Shot Pattern

A
  1. Establishing Shot
  2. Master Shot
  3. Shot / Reverse Shot
19
Q

Establishing Shot

A
  • typically long or extreme long shot
  • near beginning of film/sequence/scene
  • broad view (mimics perception)
20
Q

Master Shot

A
  • single shot that contains the whole scene
21
Q

Cross Cut

A

editing that alternates shots of two or more lines of action occurring simultaneously in two different places

22
Q

Parallel Cut

A

editing of two or more lines of action with no temporal connection between them.
- used for associated/ symbolic purposes

23
Q

Shot/ Reverse Shot

A
  • typically in conversation
  • 180 degree rule used
  • two shots linked
24
Q

Tempo is affected by two factors..

A
  • the length of each shot

- type of shot transition

25
Q

Narrative Sequencing

A

the arrangement of images to depict a unified story time

26
Q

Cutaway

A

a shot that focuses audience attention on precise details that may or may not be the focus of characters

27
Q

30 Degree Rule

A
  • dictates that the camera should move at least 30 degrees any time there is a cut within a scene
  • gives dramatic purpose