DvT Method Flashcards
The key concepts in DvT methodology include ______, ______, _________, and _________
the playspace; embodiment; encounter; transformation
DvT is an ______, _______, ______, developmental process of transformation within a ______ in which a playor and player(s) ______ ________ in each other’s _______, _______ ______ using ____ or ______ media.
embodied; aesthetic; relational; playspace; play spontaneously; proximal, physical presence; arts; performance
offers an alternative set of norms of behavior that provide greater freedom and safety
playspace
mutual agreement among participants that everything that goes on between them is a representation or portrayal of real or imagined being
playspace
the playspace is possible because of ____
t’ space
elements of the playspace
restraint against harm; discrepancy; mutuality; reversability;
Restraint Against Harm: The playspace can only be maintained when all parties understand that their intention is only to ______ ______, but not to ______ ___ _____
represent harm; commit to it
Boundary between playspace and real world is portrayed along with the content of the representations
discrepancy
As practice progresses, participants require ____ discrepancy in their communications in order to maintain the playspace
less
Each party indicates that they recognize the discrepancy in other’s behavior; other’s behavior is a representation/portrayal
mutuality
Playobjects are equally available for each party
mutuality
reversibility
Divisions of power and role are reversed and transformed
Physical _______, _______, and _________ are part of embodiment
proximity, touch, movement
In encounter we use no ______ or _______
props; objects
The playor ___________in the playspace encounter.
participates
In the encounter, the playor’s ______ is emphasized
freedom
The playor may take a __________ role in the encounter
challenging
In the encounter, the playor ________.
supports
Images are allowed to _________ naturally.
transform
Roles and stories are _____ ________
not privileged
The playor uses no ______ _______, ____, ____, or ____
predetermined script, text, plan, guide
__________ is the main engine of transformation
Varielation
the repetitive oscillation of the sense organs against the sensory field; thought against the conceptual field; consciousness against imaginal field
natural varielation
movement back and forth across a divide of difference; dance between repetition and variation; movement back and forth with variation
varielation
Varielation is motivated by the perception of the _________________.
discrepancy between repeating and non-repeating elements
One of the most important stimuli to evoke static equilibrium is to increase one’s _________ to the player
proximity
3 choices for how the playor communicates back to the player
(1) degree to which the playor will depart from the static, repeated form
(2) play out the varied responses one at a time or sequentially
(3) represent varied and multiple feelings and images or role constellations simultaneously