Direct To Tale Mono Recording (1950-1963) Flashcards
Early recordings from the ? were basis, requiring artists to perform in one take, assembling in a live room connecting them to a small ? desk.
50s.
Mixing.
Signals would be mixed live, have processing added to them and recorded to tape with little ?-? available.
Post-production.
Tape machines were commonly ? machines, but final mixes were finished as ? productions.
Stereo.
Mono.
Stereo machines would be used to capture the lead vocal on one ? and everything else onto the other channel.
Channel.
When studios didn’t have enough mics, they’d capture the ? sound, balance the mics carefully to capture the correct ?
Ambient.
Balance.
This method of recording encouraged performers to be accurate when playing and multiple ? were common.
Takes.
Basic ? was possible, and the ? of tape could combine different elements of a recording.
Editing.
Splicing.