DADA Flashcards

1
Q

Background

A
  • They were refugees, anarchists, middleclass, and exiles
  • Used illogicality and bufoonery to shock
  • Questioned morals of the world
  • Regarded as an intellectual rebellion
  • Word means rocking horse and sounds like baby
  • Direct connection to the war
  • Leader was Hugo Ball
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2
Q

Influence of Dada

A
  • Started other movements like Surrealism
  • Continuation of Cubism and Expressionism
  • Introduced ready-made
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3
Q

Characteristics of dada

A
  • Revolt against logic and reason
  • Wanted to destroy all traditions in art
  • Protest against the moral views of the middle class
  • Mocked everything in order to free themselves from authority, theories, and standards
  • Started exploring the subconcious mind
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4
Q

Concept of chance

A
  • Colour, shape and composition were arranged/decided based off of chance rather than intention or choice
  • Hans Arp cut up rectangles and drop the from a height to arrange them by chance - Rectangles arranged according to the laws of chance
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5
Q

Recycling/use of trash

A
  • Kurt Schwitters proved that art can be created from junk
  • Called all his works Merz, from KomMERZbank
  • Whole point was that everything can create art
  • Kurt Schwitters still used some formal art elements like colour and shape
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6
Q

Photomontage

A
  • Photographs or phorographic reproductions are taken from the press and used to create a collage
  • Indivuidual photos are combined together to create a new subject
  • Hannah Hoch- Cut with the kitchen knife in the beer-belly of the Weimar Republic
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7
Q

Ready made

A
  • Mass produced objects chosen at random, signed and placed as pieces of art
  • Meant to mock art galleries
  • States that anything can be art meaning nothing is art
  • The Bottle rack, The Fountain
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8
Q

Found objects vs ready-made

A
  • Found objects- Man-made or natural objects displayed as art or just as is unaltered
  • Ready-made- Mass-produced objects chosen randomly and elevated to art
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9
Q

Marcel duchamp

A
  • Witty, tongue-in-cheek, and sexual innuendos
  • Opposed “retinal pleasure” or visual viewing for intellectual and concept driven approach to art
  • Was committed to the study of optics and perspective
  • Experimented with motion and machines
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10
Q
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