D. Renaissance, Baroque, Classicism, Rococo Flashcards

1
Q
  1. explain the concept of Renaissance art.
A

To revive classical Antiquity

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2
Q
  1. situate Renaissance art in the frame of reference.
A

1400-1600
Europe

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3
Q
  1. explain why conditions in Italy were ideal for Renaissance art to flourish.
A
  • Because of all these ancient ruins ( remains of Antiquity )
  • Economy was booming : north of Italy -> patron of the art -> prestige, religious art:
    to buy religious art to get to heaven.
  • urban climate
  • humanists: critical thinking
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4
Q
  1. explain the concept and the origin of patronage (sponsorship) of artists.
A

the support that princes, popes, and other wealthy and influential people have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a regular customer, and the guardianship of saints.

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5
Q
  1. give two motives for the patronage of artists.
A
  • wealthy people used patronage of the arts to endorse their political ambitions, social positions, and prestige.
  • When patrons commissioned a major work of public art, it was seen as a gift to the people.
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6
Q
  1. discuss six general features of Renaissance art.
A
  • Buildings and statues from Greek and roman antiquity acted as models + ornaments
    form that period, such as columns, frontons, coffers, domes were copied.
  • Biblical scenes remain popular, but also ancient mythology and history become
    important themes/subjects.
  • Pursuit of beauty: Renaissance artist wanted to provide pleasure, arouse admiration
    for the beauty and greatness of his work.
  • Sense of size: the right proportions, symmetry and balance, harmony are very
    important, as are horizontal accents.
  • Focus on man: the beauty of the human body, which is often depicted naked, based
    on anatomical knowledge and therefore realistic, but also idealized.
  • Focus on nature: earthly things, and the appreciation of their beauty. In order to
    portray earthly reality as realistically as possible, the painters used perspective
    techniques, but again with an idealizing trend.
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7
Q
  1. give at least six examples of artists and one of their works from the early Renaissance period (15th c.).
A
  • Filippo Brunelleschi  Pazzi Chapel in Florence
  • Leone Battista Alberti  renovation of the façade of the Bisilica St Maria Novella in
    Florence
  • Donato De Donatello  David
  • Masccio  Expulsión from Paradise
  • Sandro Botticelli  Birth Of Venus
  • Leonardo Da Vinci  Last Supper
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8
Q
  1. give at least four examples of artists and one of their works from the late Renaissance period (16th c.).
A
  • Donato Bramante  Saint Peter’s Basilica in Rome
  • Antonio Sangallo  Palazzo Farnese
  • Michelangelo Buonarotti  David
  • Raphael Sanzio  The school of Athens
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9
Q
  1. discuss at least three typical features when examples of Renaissance art are given.
A
  • Theme/story
  • Symmetry/balance
  • Types of elements
  • Art movement
  • Setting
  • Characteristics/specialties
  • Composition
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10
Q
  1. clarify the statement “Pieter Bruegel the Elder followed the Renaissance in spirit, but not in form” using one of his works.
A

Moved to Italy, learned a lot, but remained himself: focus on the common man, the cheerful, foolish, tragic in man. Studied man in his familiar Flemish landscape (the earthly)
The Children’s Games  No famous people on the painting, ordinary people playing games  very important

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11
Q
  1. prove that the city hall of Antwerp is clearly inspired by the Italian Renaissance.
A

Stress on horizontal lines, classical elements (Roman arches, pillars, frees, pediments,…), Mary with Jesus, Justice and Prudence

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12
Q
  1. discuss examples that show that Renaissance art was spreading all over Europe.
A
  • Germany  Albrecht Dürer  self-portrait
  • Spain  Filips II’s sober palace  El Escorial
  • Burgundian Netherlands  Origins of polyphony
  • Italy  Music with an earthly destination and earthly themes
  • England  William Shakespeare  Hamlet
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13
Q
  1. discuss the evolution within Renaissance music.
A
  • Polyphony  musical texture with at least two simultaneous lines of independent
    melody
  • No longer inspired by divine origin and destination of music, but also music with an
    earthly destination and earthly themes.
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14
Q
  1. discuss the innovation in literature in the 15th-16th century.
A
  • Humanist Latin  purified medieval Latin ≠ classical Latin
  • Italy  divine comedy written in Latin, poem in three parts (hell, purgatory and
    paradise)
  • Spain  first written novel in the modern European language
  • England  William Shakespeare  Hamlet
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15
Q
  1. give three examples of authors (+ work) who used the vernacular during the Renaissance period.
A
  • Dante
  • Petrarch
  • Machiavelli
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16
Q
  1. tell the storyline of a work by Shakespeare in short.
A

Hamlet/Romeo and Juliet

17
Q
  1. explain the concept of Baroque art.
A

Term ‘baroque’ dates back to the 18th century; initially pejorative meaning: comes from Portuguese ‘barroco’, meaning ‘irregularly shaped, whimsical pearl’. The Italians took over the term ‘barocco’.

18
Q
  1. situate Baroque art in the frame of reference.
A
  • Determine the art movement -> use characteristics -> outside, themes
  • Discuss a work of art ( theme, composition, setting )
  • Compare two pictures
  • Linking e.g. name of painter + painting, sculptor + sculpture
19
Q
  1. discuss four general features of Baroque art.
A

majestic, monumental (large spaces, large sizes). The baroque wants to impress, to
surprise, to be stunning.
- Emphasis on the emotions (not on rationality). Intense expression of deep feelings.
Imaginative.
- Focus on the dynamic, motion, the event. In painting: emphasis on colour and on
the contrast of light and dark (chiaroscuro).
- Expression of the triumph and power of the Church of the ContraReformation and
of absolute power. Art in service of the prestige (of those in power: emperor, king,
nobility, clergy). Propagandistic: the Baroque wants to convince.

20
Q
  1. mention by whom the baroque was used as a form of propaganda and with what intentions.
A

Expression of the triumph and power of the Church of the ContraReformation and of absolute power. Art in service of the prestige (of those in power: emperor, king, nobility, clergy). Propagandistic: the Baroque wants to convince.

21
Q
  1. give at least two examples of artists and one of their works from the Baroque period.
A
  • Rubens  The Descent from the Cross
  • Antonio Vivaldi  The Four Seasons
22
Q
  1. recognize at least three characteristics in examples of baroque art.
A
  • Verticalism
  • Biblical themed
  • Sharp shadows,, dramatic light, deep colors, dark background
23
Q
  1. give two examples of 17th – 18th century composers.
A
  • Johan Sebastian Bach
  • Antonio Vivaldi
24
Q
  1. compare Baroque literature to Renaissance literature.
A
  • Less anthropocentric than Renaissance literature, more inspired by religion
  • The optimistic tone of the Renaissance is lost in Baroque literature
25
Q
  1. give three examples of writers (+ work) of Baroque literature.
A
  • John Milton  Paradise Lost
  • Joost van den Vondel  Lucifer
  • Molière  L’Avare
26
Q
  1. discuss the difference between the Catholic high baroque style and the classicist Baroque.
A
  • More sober (less decorated)
  • More classic (horizontal lines)
27
Q
  1. recognize at least two characteristics in examples of Classicist art.
A
  • More sober (less decorated)
  • More classic (horizontal lines)
28
Q
  1. explain why artists from the United Provinces focused on portraits, still lifes, landscapes,…
A

Baroque was regarded as Catholic, a weapon of the counter reformation. They created their own artform, Ducht Realism

29
Q
  1. give two examples of ‘Dutch Realism’.
A
  • Vermeer  The Milk Maid
  • Rembrandt  The Night Watch
30
Q
  1. explain the concept of Rococo art.
A
  • part of a new attitude towards life: ‘Life is beautiful and you have to enjoy it as
    much as possible’: results in a very refined, highly (overly?) decorated, playful art
    that is pure worldly.
31
Q
  1. prove that Rococo was a very worldly art using Boucher’s painting ‘Spring’.
A

The painting doesn’t represent anything spiritual or divine. Its ‘just’ two people sitting in nature. Nothing ‘non-existing’ is depicted in the painting.

32
Q
  1. indicate the different art movements on a timeline.
A
  • Renaissance (1400-1600)
  • Baroque (1600-1750)
  • Classical (1750-1827)
  • Romantic (1827-1900)
  • Modern (1900-1970)
  • Contemporary (1950-)