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final test reviewers > CONART > Flashcards

CONART Flashcards

1
Q

Mean belonging to or connected with a
particular place or area that you are taking
about or with the place where you live.

A

Local

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2
Q

Refers to physical or solid substance that
things can be made from

A

Material

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3
Q

The resources that can be found readily in large quantity at a particular location or area at a certain time.

Materials that can be used to fabricate a finished element. It could be abundant in some area but are not available in another.

A

LOCAL Material

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4
Q

is in fact a type of fast growing and giant grass.
Bamboo is unique, it has wood-like trunk, grow much faster, and are much more sustainable than hardwood trees.

is used as row material in creating many products. It is used in construction, textile, musical instruments, weapons, and many more.

Aside from being used in different pieces of furniture, it is also sturdy and can give a home laid-back tropical vibe, as a bonus, it can last a
lifetime too.

A

Bamboo

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4
Q

or window pane oyster is a highly asymmetrical bivalve with a characteristically thin, translucent shell often used in handicraft. This can be used also as wall art, décor, and even lighting fixtures.

have been used for thousands of years as a glass substitute because of their durability
and translucence

A

Capiz Shell

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4
Q

belongs to
the banana family.
Its fiber has a natural
luster with colors
ranging from pure
white to ivory and
dark brown.

initially used
as material for rope.
Furniture makers and designers choose this material for their
works because of its
durability and
availability.

A

Abacca

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4
Q

also called as
coconut fibre, is
a natural fibre
extracted from
the outer husk of
coconut.

It is considered
as a natural waste
product of the
coconut growing
industry and is
perhaps the most
versatile of all
organic mediums.

A

Coconut coir

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4
Q

is a fine
Philippine fibre from
the stalks of the
unopened leaves of
the Talipot Palm and
is commonly used in
making hats

is a
cylindrically shaped
fibers. The supple
ivory white strands
are quite durable,
and have good
dyeing qualities.

extracted
from matured
leaves of buri
plant. The fiber is
durable and
resistant to
moisture

A

Buri

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5
Q

are the
hard outer layer of
husk of a mature
coconut fruit. They
are typically brown
and have woody
texture.

became canvasses
for the majestic
depiction of
Philippine culture
particularly its
indigenous people.

A

COCONUT
SHELL

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5
Q

is a large
deciduous reddish
hardwood tree that is native to most Asian countries particularly in
the Philippines. Its strong hardwood is used to make furniture, flooring,
and decorative items.

A

Narra Wood

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6
Q

is a
plant belonging to
fern family that
grows abundantly
in some parts of
the country

is commonly
found in open
areas, disturbed
secondary forest
at low to medium
elevation.

A

Nito

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7
Q

is a naturally
renewable vine-like
palm that grows in the
tropical regions or
forests particularly in
the Philippines. It is
commonly used
for weaving

A

Rattan

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7
Q

is a
tropical plant
recognized by the
distinctive scent of its
leaves. It has a slender
stem with long thin
leaves and have small
spines along the
edges and under the
mid-rib.

They grow in
thickets along
seashores throughout
the country, as well
as in various habitats,
from sandy beaches,
mangroves, and
primary forests.

A

Pandan

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7
Q

is
mostly known for its
fruit that is popularly
consumed and used
as an ingredient

A

Santol Wood

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8
Q

is a large
and aquatic or
marshy herb plant. It
is found in Central
Luzon to Mindanao. It
abounds in fresh
water swamp, and in
newly opened rice
land at low tides.

A

Tikiw

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8
Q

is made of long
leaves that can
attain 60 feet,
each palm branch
is made of nearly
100 leaflets.

A

Raffia Palm

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8
Q

is a
special reed grass
which grows in
swampy areas
along rice fields and
has solid, jointless,
and usually
triangular stems.

It belongs to
sea grasses. It is
a native reed
plant used as
raw material for
mat weaving.

A

Tikog

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9
Q

it means to
IMPROVE, UPGRADE, or ENHANCE an
acquired skill.

A

Enhancement

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10
Q

Its goal is to increase
performance and efficiency, in other words,
it is to master a Skill or Technique in Arts.

A

Skill Enhancement

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10
Q

it means to
ACQUIRE, LEARN, or GAIN a new skill or
technique in Art.

Similar to sports, skills are acquired by studying and practicing (training) theories, skills, and techniques until the artist learns.

A

Acquisition

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10
Q

Includes knowledge and skills in the use of the basic vocabularies, materials, tools, techniques, and intellectual methods of that art discipline.

A

TO BE ABLE TO COMMUNICATE AT A BASIC LEVEL IN ANY OF THE ARTISTIC DISCIPLINES

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11
Q

Includes the ability to define and solve artistic
problems with insight, reason, and technical
proficiency.

A

TO BE ABLE TO COMMUNICATE
PROFICIENTLY IN AT LEAST ONE ART FORM.

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11
Q

Includes the ability to understand and evaluate
work in the various art disciplines

A

DEVELOP AND PRESENT BASIC ANALYSES OF THE WORK OF ART

11
Q

Includes basic understanding of historical
development in the arts disciplines, across the arts
as a whole, and within cultures

A

TO HAVE AN INFORMED ACQUAINTANCE
WITH EXEMPLARY WORKS OF ART

11
Q

Includes mixing and matching competencies and
understandings in art-making, history and culture,
and analysis in any arts-related project.

A

RELATE VARIOUS TYPES OF ARTS KNOWLEDGE AND SKILLS WITHIN AND
ACROSS THE ARTS DISCIPLINES.

12
Q

A good artist continuously develops
this ability to further his natural,
creative skills. “Openness” to new
trends and techniques in artistic
expressions.

A

ARTISTIC ABILITY

12
Q

A good artist knows how to make the
most use out of his imagination. Come
up with original ideas and have the
courage to be different in his artistic
expressions.

A

CREATIVITY

13
Q

A good artist always allots time for
practicing his skills. Artists’ techniques
differ in the manner in which he
makes coordinated hand and finger
movements

A

MANUAL DEXTERITY

13
Q

A good artist keeps up with
technology and exerts effort to gain
computer literacy. Equip himself with
the ability to handle computer
graphics ad other multimedia files.

A

COMPUTER EDITING

14
Q

A good artist should be able to
convey information to people clearly
and simply. Ability to transmit and
receive messages clearly aids him in
being able to read and understand his
audience.

A

COMMUNICATION SKILLS

14
Q

A good artist should learn how to
publicly relate oneself to people for
the purpose of selling his products and
services. Being an artist is a career
that sustains one’s lifestyle

A

SELF PROMOTION OR
MARKETING SKILLS

14
Q

The background of the artist may
affect the artwork that he creates. The
culture, traditions, economic status,
gender, age, and other external
factors may inspire the artist when it
comes to artistic production.

A

THE ARTIST

14
Q

While one’s environment (be in the
quiet nature or the busy city streets)
can be a great source of inspiration in
creating an artwork, it may also be the
very reason why the artwork is
created in the first place.

A

THE ENVIRONMENT

15
Q

Culture and tradition of the community
may affect the work of art. Further, the
value and possible functions of the
artwork may be the reason why it was
created.

A

THE WAY OF LIFE

15
Q

The current situation in the society
may take part on why an artwork is
created. It may depict the current
scenarios and even significant
historical affairs.

A

THE SOCIETY

15
Q

The perception of an artwork may also
vary according to the outlook of the
audience. This may come from the
image of the artwork and their
depiction of the used technique and
medium.

A

THE AUDIENCE

16
Q

The process of making works of art through
drawing, painting, printmaking, and,
sculpting. Generally, means the creation of
products from an artistic effort.

It is the work of art based on the artist’s
understanding of how a concept or an
expression is going to be represented. It is
the artist’s internal representation being
manifested externally through the use of any
act of materialization.

A

ART PRODUCTION

16
Q

The artist always begins with an idea that
he wants to express or communicate with
his audience. It may not necessarily be fully
formulated, and so some form of exposure,
research, and other approaches may be
explored to get the idea long before
actually making the artwork

The artist begins with an idea that he wants
to express or communicate to the audience:

 Where do the artists get idea?
 Exposure/Experience
 Research
 Communication
 Inspiration

A

PRE-PRODUCTION

16
Q

Artists however, birth their ideas when
material manipulation is already underway.
The execution of the art may take a variety
of forms such as painting, sculpture,
tapestry, photograph, a routine (dance), or
a track or composition (music).

A

PRODUCTION

16
Q

Once an artwork is finished, it will then be
decided on how it will be circulated not only
in the art world, but the many publics.

Since the creation of the artwork requires to
be seen, touched, and/or experience in a
variety of ways.

Sometimes inside the domain of museums,
galleries, performance halls, and art spaces
where interaction can take place

A

POST-PRODUCTION

16
Q

It is the technique of an art production
used in the visual arts where the
artwork is made from on assemblage
of different forms, thus creating a new
whole.

may sometimes include
magazines and newspaper clippings,
ribbons, paints, bits of colored or
handmade papers, portions of other
artwork or texts photographs, and
other found objects, glued to a piece
of paper or canvas.

A

COLLAGE

16
Q

opposite of collage; instead of
an image is being built up all or parts
of existing images, it is created by
cutting, treating away or otherwise
removing pieces of an original image.

A

DECOLLAGE

16
Q

The French word “Decollage” in English
means _____

A

take-off or to become unglued
or to become unstuck

16
Q

Are writing or drawings that have been
scribed, scratched, or painted illicitly
on a wall or other surface, often in a
public space.

may express underlying social
and political messages, and a whole
genre of artistic expression is based
spray paint graffiti styles

A

GRAFFITI

17
Q

Earth works, or earth arts is an art movement
in which landscape and the work of art are
inextricably linked. It is also an art form that
is created in nature, using natural materials
such as soil, rock, organic media (logs,
branches, leaves), and water which
introduced materials such as concrete,
metal asphalt, or mineral pigments.

A

LAND ARTS

17
Q

It is an artistic work or practice that
uses digital technology as an essential
part of the creative or presentation
process. Digital art is work made with
digital technology or presented on
digital technology.

This includes images done completely on
computer or hand-drawn images scanned
into a computer and finished using a
software program.

can also
involve animation and 3D virtual sculpture
renderings as well as projects that combine
several technologies.

A

DIGITAL ARTS

18
Q

It refers to a work of visual art that
combines various traditionally distinct
visual art. For example, work on
canvas that combines paint, ink and
collage.

A

MIXED MEDIA

18
Q

It is the process of making artworks by
painting, normally in the paper. Prints
are created by transforming ink from a
matrix ink from a matrix or through a
prepared screen to a sheet of paper
or other material.

A

PRINTMAKING

19
Q

It is the technique of rubbing with
crayon on a piece of paper which has
been placed over an object or an
image. The impression of the image
can be created using leaves, woods,
wire screen, or metal with embossed
image or words

A

FROTTAGE

19
Q

It is the process of applying gouache
to paper or glass then transferring a
reversal of the image onto canvas or
other flat materials.

A

DECALCOMANIA

20
Q

It is done by adhering cut-outs of
paper and then coating these with
one or transparent coating of varnish.

A

DECOUPAGE

21
Q

It is an artistic technique that uses tiny
parts of eggshell to create a whole
image or object. Mosaics are usually
assembled using small tiles that are
square, but they can also be round or
randomly shaped.

A

EGG SHELL MOSAIC

22
Q

will determine the standard
procedure of a production. This is the stepby-step procedure of the production. This
provides the structure or framework which
will be its foundation. We also call it the
production plan.

A

METHODS

23
Q

This refers to the artwork to be produced and
presented to the audience such as the script,
playwright, music, and choreography. A
material must have a concept. A concept is
the main idea, message, context, or story that
needs to be conveyed.

A

MATERIALS

24
Q

These are the tools, machines, or
equipment to be used in the production.
These may refer to the physical materials in
a production design such as the stage,
lighting, sound systems, or any
technological medium.

A

MACHINES

25
Q

Refers to the production team. Each will be
assigned to specific activities in the plan.

A

MANPOWER

final test reviewers (7 decks)

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