CONART Flashcards

1
Q

Mean belonging to or connected with a
particular place or area that you are taking
about or with the place where you live.

A

Local

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2
Q

Refers to physical or solid substance that
things can be made from

A

Material

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3
Q

The resources that can be found readily in large quantity at a particular location or area at a certain time.

Materials that can be used to fabricate a finished element. It could be abundant in some area but are not available in another.

A

LOCAL Material

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4
Q

is in fact a type of fast growing and giant grass.
Bamboo is unique, it has wood-like trunk, grow much faster, and are much more sustainable than hardwood trees.

is used as row material in creating many products. It is used in construction, textile, musical instruments, weapons, and many more.

Aside from being used in different pieces of furniture, it is also sturdy and can give a home laid-back tropical vibe, as a bonus, it can last a
lifetime too.

A

Bamboo

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4
Q

or window pane oyster is a highly asymmetrical bivalve with a characteristically thin, translucent shell often used in handicraft. This can be used also as wall art, décor, and even lighting fixtures.

have been used for thousands of years as a glass substitute because of their durability
and translucence

A

Capiz Shell

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4
Q

belongs to
the banana family.
Its fiber has a natural
luster with colors
ranging from pure
white to ivory and
dark brown.

initially used
as material for rope.
Furniture makers and designers choose this material for their
works because of its
durability and
availability.

A

Abacca

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4
Q

also called as
coconut fibre, is
a natural fibre
extracted from
the outer husk of
coconut.

It is considered
as a natural waste
product of the
coconut growing
industry and is
perhaps the most
versatile of all
organic mediums.

A

Coconut coir

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4
Q

is a fine
Philippine fibre from
the stalks of the
unopened leaves of
the Talipot Palm and
is commonly used in
making hats

is a
cylindrically shaped
fibers. The supple
ivory white strands
are quite durable,
and have good
dyeing qualities.

extracted
from matured
leaves of buri
plant. The fiber is
durable and
resistant to
moisture

A

Buri

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5
Q

are the
hard outer layer of
husk of a mature
coconut fruit. They
are typically brown
and have woody
texture.

became canvasses
for the majestic
depiction of
Philippine culture
particularly its
indigenous people.

A

COCONUT
SHELL

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5
Q

is a large
deciduous reddish
hardwood tree that is native to most Asian countries particularly in
the Philippines. Its strong hardwood is used to make furniture, flooring,
and decorative items.

A

Narra Wood

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6
Q

is a
plant belonging to
fern family that
grows abundantly
in some parts of
the country

is commonly
found in open
areas, disturbed
secondary forest
at low to medium
elevation.

A

Nito

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7
Q

is a naturally
renewable vine-like
palm that grows in the
tropical regions or
forests particularly in
the Philippines. It is
commonly used
for weaving

A

Rattan

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7
Q

is a
tropical plant
recognized by the
distinctive scent of its
leaves. It has a slender
stem with long thin
leaves and have small
spines along the
edges and under the
mid-rib.

They grow in
thickets along
seashores throughout
the country, as well
as in various habitats,
from sandy beaches,
mangroves, and
primary forests.

A

Pandan

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7
Q

is
mostly known for its
fruit that is popularly
consumed and used
as an ingredient

A

Santol Wood

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8
Q

is a large
and aquatic or
marshy herb plant. It
is found in Central
Luzon to Mindanao. It
abounds in fresh
water swamp, and in
newly opened rice
land at low tides.

A

Tikiw

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8
Q

is made of long
leaves that can
attain 60 feet,
each palm branch
is made of nearly
100 leaflets.

A

Raffia Palm

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8
Q

is a
special reed grass
which grows in
swampy areas
along rice fields and
has solid, jointless,
and usually
triangular stems.

It belongs to
sea grasses. It is
a native reed
plant used as
raw material for
mat weaving.

A

Tikog

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9
Q

it means to
IMPROVE, UPGRADE, or ENHANCE an
acquired skill.

A

Enhancement

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10
Q

Its goal is to increase
performance and efficiency, in other words,
it is to master a Skill or Technique in Arts.

A

Skill Enhancement

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10
Q

it means to
ACQUIRE, LEARN, or GAIN a new skill or
technique in Art.

Similar to sports, skills are acquired by studying and practicing (training) theories, skills, and techniques until the artist learns.

A

Acquisition

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10
Q

Includes knowledge and skills in the use of the basic vocabularies, materials, tools, techniques, and intellectual methods of that art discipline.

A

TO BE ABLE TO COMMUNICATE AT A BASIC LEVEL IN ANY OF THE ARTISTIC DISCIPLINES

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11
Q

Includes the ability to define and solve artistic
problems with insight, reason, and technical
proficiency.

A

TO BE ABLE TO COMMUNICATE
PROFICIENTLY IN AT LEAST ONE ART FORM.

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11
Q

Includes the ability to understand and evaluate
work in the various art disciplines

A

DEVELOP AND PRESENT BASIC ANALYSES OF THE WORK OF ART

11
Q

Includes basic understanding of historical
development in the arts disciplines, across the arts
as a whole, and within cultures

A

TO HAVE AN INFORMED ACQUAINTANCE
WITH EXEMPLARY WORKS OF ART

11
Includes mixing and matching competencies and understandings in art-making, history and culture, and analysis in any arts-related project.
RELATE VARIOUS TYPES OF ARTS KNOWLEDGE AND SKILLS WITHIN AND ACROSS THE ARTS DISCIPLINES.
12
A good artist continuously develops this ability to further his natural, creative skills. "Openness" to new trends and techniques in artistic expressions.
ARTISTIC ABILITY
12
A good artist knows how to make the most use out of his imagination. Come up with original ideas and have the courage to be different in his artistic expressions.
CREATIVITY
13
A good artist always allots time for practicing his skills. Artists' techniques differ in the manner in which he makes coordinated hand and finger movements
MANUAL DEXTERITY
13
A good artist keeps up with technology and exerts effort to gain computer literacy. Equip himself with the ability to handle computer graphics ad other multimedia files.
COMPUTER EDITING
14
A good artist should be able to convey information to people clearly and simply. Ability to transmit and receive messages clearly aids him in being able to read and understand his audience.
COMMUNICATION SKILLS
14
A good artist should learn how to publicly relate oneself to people for the purpose of selling his products and services. Being an artist is a career that sustains one's lifestyle
SELF PROMOTION OR MARKETING SKILLS
14
The background of the artist may affect the artwork that he creates. The culture, traditions, economic status, gender, age, and other external factors may inspire the artist when it comes to artistic production.
THE ARTIST
14
While one's environment (be in the quiet nature or the busy city streets) can be a great source of inspiration in creating an artwork, it may also be the very reason why the artwork is created in the first place.
THE ENVIRONMENT
15
Culture and tradition of the community may affect the work of art. Further, the value and possible functions of the artwork may be the reason why it was created.
THE WAY OF LIFE
15
The current situation in the society may take part on why an artwork is created. It may depict the current scenarios and even significant historical affairs.
THE SOCIETY
15
The perception of an artwork may also vary according to the outlook of the audience. This may come from the image of the artwork and their depiction of the used technique and medium.
THE AUDIENCE
16
The process of making works of art through drawing, painting, printmaking, and, sculpting. Generally, means the creation of products from an artistic effort. It is the work of art based on the artist’s understanding of how a concept or an expression is going to be represented. It is the artist’s internal representation being manifested externally through the use of any act of materialization.
ART PRODUCTION
16
The artist always begins with an idea that he wants to express or communicate with his audience. It may not necessarily be fully formulated, and so some form of exposure, research, and other approaches may be explored to get the idea long before actually making the artwork The artist begins with an idea that he wants to express or communicate to the audience:  Where do the artists get idea?  Exposure/Experience  Research  Communication  Inspiration
PRE-PRODUCTION
16
Artists however, birth their ideas when material manipulation is already underway. The execution of the art may take a variety of forms such as painting, sculpture, tapestry, photograph, a routine (dance), or a track or composition (music).
PRODUCTION
16
Once an artwork is finished, it will then be decided on how it will be circulated not only in the art world, but the many publics. Since the creation of the artwork requires to be seen, touched, and/or experience in a variety of ways. Sometimes inside the domain of museums, galleries, performance halls, and art spaces where interaction can take place
POST-PRODUCTION
16
It is the technique of an art production used in the visual arts where the artwork is made from on assemblage of different forms, thus creating a new whole. may sometimes include magazines and newspaper clippings, ribbons, paints, bits of colored or handmade papers, portions of other artwork or texts photographs, and other found objects, glued to a piece of paper or canvas.
COLLAGE
16
opposite of collage; instead of an image is being built up all or parts of existing images, it is created by cutting, treating away or otherwise removing pieces of an original image.
DECOLLAGE
16
The French word "Decollage" in English means _____
take-off or to become unglued or to become unstuck
16
Are writing or drawings that have been scribed, scratched, or painted illicitly on a wall or other surface, often in a public space. may express underlying social and political messages, and a whole genre of artistic expression is based spray paint graffiti styles
GRAFFITI
17
Earth works, or earth arts is an art movement in which landscape and the work of art are inextricably linked. It is also an art form that is created in nature, using natural materials such as soil, rock, organic media (logs, branches, leaves), and water which introduced materials such as concrete, metal asphalt, or mineral pigments.
LAND ARTS
17
It is an artistic work or practice that uses digital technology as an essential part of the creative or presentation process. Digital art is work made with digital technology or presented on digital technology. This includes images done completely on computer or hand-drawn images scanned into a computer and finished using a software program. can also involve animation and 3D virtual sculpture renderings as well as projects that combine several technologies.
DIGITAL ARTS
18
It refers to a work of visual art that combines various traditionally distinct visual art. For example, work on canvas that combines paint, ink and collage.
MIXED MEDIA
18
It is the process of making artworks by painting, normally in the paper. Prints are created by transforming ink from a matrix ink from a matrix or through a prepared screen to a sheet of paper or other material.
PRINTMAKING
19
It is the technique of rubbing with crayon on a piece of paper which has been placed over an object or an image. The impression of the image can be created using leaves, woods, wire screen, or metal with embossed image or words
FROTTAGE
19
It is the process of applying gouache to paper or glass then transferring a reversal of the image onto canvas or other flat materials.
DECALCOMANIA
20
It is done by adhering cut-outs of paper and then coating these with one or transparent coating of varnish.
DECOUPAGE
21
It is an artistic technique that uses tiny parts of eggshell to create a whole image or object. Mosaics are usually assembled using small tiles that are square, but they can also be round or randomly shaped.
EGG SHELL MOSAIC
22
will determine the standard procedure of a production. This is the stepby-step procedure of the production. This provides the structure or framework which will be its foundation. We also call it the production plan.
METHODS
23
This refers to the artwork to be produced and presented to the audience such as the script, playwright, music, and choreography. A material must have a concept. A concept is the main idea, message, context, or story that needs to be conveyed.
MATERIALS
24
These are the tools, machines, or equipment to be used in the production. These may refer to the physical materials in a production design such as the stage, lighting, sound systems, or any technological medium.
MACHINES
25
Refers to the production team. Each will be assigned to specific activities in the plan.
MANPOWER