Classics Quiz 3 Flashcards
Julio-Claudians
None of the emperors after Augustus came even remotely close to his success.
The Julio-Claudian dynasty normally refers to the first five Roman Emperors.
They ruled the Roman Empire from its formation, in the second half of the 1st century 27 AD until AD 68
None of the Julio-Claudians were succeeded by his son.
Augustus, Tiberius, Caligula, Claudius, and Nero
Augustus
Took the name Octavian in 27 BC
Was the emperor of Rome from 31 BC- 14 AD
Was often called the living Apollo
Had the Ara Pacis made in his honor in 9 BC
He avoided hubris by calling himself “the first among equals”
Nero
Nero was Roman Emperor from 54 to 68
Was the last emperor in the Julio-Claudian dynasty
Focused much of his attention on diplomacy, trade and enhancing the cultural life of the Empire.
He ordered theatres built and promoted athletic games.
He is infamously known as the Emperor who “fiddled while Rome burned”.
Vespasian
Was Roman Emperor from AD 69 to AD 79
Founded the Flavian dynasty that ruled the Empire for twenty seven years.
Vespasian’s renown came from his military success.
He reformed the financial system at Rome after the campaign against Judaea ended successfully.
He built the Flavian Amphitheatre, better known today as the Roman Colosseum.
Flavian Dynasty
Was a Roman Imperial Dynasty, which ruled the Roman Empire between AD 69 and AD 96
Encompassing the reigns of Vespasian and his two sons
The Flavians rose to power during the civil war of 69, known as the Year of the Four Emperors.
The Flavians initiated economic and cultural reforms.
massive building program was enacted to celebrate the ascent of the Flavian dynasty, leaving multiple enduring landmarks in the city of Rome including the Colosseum
Pompeii
Destruction of Pompeii AD 79
Mount Vesuvius erupted and destroyed the city
Johann Winkelmann was responsible for popularizing Pompeii in the 1750s
People who died at Pompeii left organic materials in the ground that were cast in plaster
population of 10-20,000 that had everything you would want in regards to religious, political, and commercial development
Colosseum
Also known as the Flavian Amphitheatre
Built of concrete and stone, it is the largest amphitheatre ever built
Replaced the pond Nero constructed for his own personal use during his reign
Construction began under the emperor Vespasian in 72 AD
The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators
Pantheon
Dedicated to the worship of every God
Was built by the Emperor Hadrian between 118 and 125 ADA
The building is circular with a portico of large granite Corinthian columns under a pediment
It is one of the best-preserved of all Ancient Roman buildings.
Pantheon is derived from the Ancient Greek “Pantheon” meaning “of, relating to, or common to all the gods”
Reasons fro the decline of the Roman Empire
- such as the rise of Christianity,
- the role of emperor Constantine in moving the capitol from Rome,
- the danger of earthquakes especially in the east,
- the spread of the worst kind of malaria through Italy
colonial period
Can be applied to the House of the Seven Gables (c. 1668) in Salem Mass., with its rambling medieval appearance.
Can be applied to Mount Pleasant (1762) in Philadelphia Pa, which illustrated the restrained adaptation of classical Renaissance forms.
Is also used in modern real estate jargon to describe late 19th and 20th century structures that include such familiar 18th century motifs as exterior shutters, Palladian windows and broken pediment doorways.
Colonial refers to historical and political periods and tell little about the appearance of a building.
Not a useful stylistic designation.
Georgian
Architectural label derived from a historical period.
Georgian period was between 1714 and 1775 when the Georges of England ruled the American colonies.
Reflected Renaissance ideals
The style generally terminated in America with the Revolutionary War
Was made popular in England by architect Sir Christopher Wren.
Andrea Palladio
It was from Palladio, that builders of colonial country estates, especially those in Maryland and Virginia, borrowed the idea of the five-part composition
The five-part composition consisted of a central block with connected dependencies
The Palladian window was a large arched central window flanked by narrower rectangular windows.
Was an Italian architect from the 16th century
The work of Wren and his followers was based on much of Palladio’s work
Robert Adam
The Adamesque style was essentially a creative amalgam of Renaissance and Palladian forms, the delicacy of the French Rococo, and the classic architecture of Greece and Rome.
Lived from 1728-92.
In 1764 he published the first volume of architectural measured drawings of domestic Roman architecture.
The Adamesqueas found in the US is known as the Federal style, for it flowered in the early decades of the new nation.
It was in their decorative interiors that the Adam brothers excelled and differed most pronouncedly from Palladian architectural design.
Jeffersonian Style
Jefferson is remembered for his unique architectural achievement at the University of Virginia in Charlottesville.
He used the Maison Career, a Roman temple, as his inspiration.
He created the first pure temple form in American architecture.
He created the Virginia State Capitol himself, after being asked to find an architect.
To Jefferson, the Roman orders were the first principals of architecture and symbolized the republican form of government he believed was being revived in the New World.
Greek Revival
Benjamin Henry Latrobe (1764-1820) was the architect and engineer responsible for some of America’s most notable structures.
During the 1830s and 40s in the US Greek Revival buildings flourished as nowhere else.
One reason for its appeal was the often expressed sentiment that Americans were the spiritual successors of ancient Greece, with its democratic ideals.
The most easily identifiable features of a Greek-inspired house are columns and pilasters- though not every Greek Revival structure has them.
Hallmarks of the style are bold, simple moldings on both the exterior and the interior, pedimented gables, heavy cornices with unadorned friezes and horizontal torsos above entrances.