Chapter 8 English Music 15th C Flashcards

1
Q

What was the Cantus-Firmus?

A

An existing melody often taken from a Gregorian chant on which a new polyphonic work is based. This is where the terms “bass” “alto” and “soprano” were created- composers needed more harmonic stability.

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2
Q

What three famous composers were thriving in this century and what styles of music did they write?

A

John Dunstable- three part sacred works and other biblical works

Binchois- chanson’s (love poems during this time) creating hemiola type feels

Guillaume du Fay- chansons with meter changes and rapid notes in various divisions, and many sacred works. Known to be the most famous composer of his time

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3
Q

What style was contenance angloise?

A

“English quality” consisted of the frequent use of harmonic thirds and sixths often in parallel motion resulting in pervasive consonance with few dissonances.

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4
Q

What is faburden?

A

Improvised polyphony in which plainchant in the middle voice was joined up an upper voice a perfect fourth above it and the lower voices a third below

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5
Q

What is Cantilenas?

A

More sophisticated genre of improvised polyphony with homorhythmic settings not based on chant

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6
Q

What is a carol?

A

A monophonic dance song with alternating solo and choral sections- all on religious subjects which consists of a number of stanzas and a refrain with its own musical phrase sung at the beginning then repeated after every stanza.

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7
Q

What is a paraphrase in English music?

A

A technique used by John Dunstable where the top voice is elaborated in chant. The melody is given a rhythm and ornamented by adding notes around the chant.

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8
Q

What is fauxbourdon?

A

A technique where only the tenor and the cantus were written out moving mostly in parallel sixths ending each phrase on an octave.

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9
Q

What is plainsong mass?

A

When a composer composes new music for a mass services and bases each movement off of a preexisting chant

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10
Q

What is a motto mass?

A

whats a motto you!?!?!
When a composer composes a piece for mass using the same thematic material in all movements and uses a head-motive at the beginning (beginning each movement with the same old melodic motive)

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11
Q

The addition of a fourth voice below the tenor was introduced by the anonymous English composer of the following mass:

A

Missa Caput

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12
Q

Before the 1440s, cantus-firmus masses were written for how many voices?

A

three voices

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13
Q

Recent scholarship suggests that the cantus-firmus mass was developed and gained widespread popularity because:

A

the use of a cantus firmus could refer to the saint to whom the mass was addressed or to the institution, family, or individual for whose benefit the mass was composed

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14
Q

The cantus-firmus mass usually derived its name from:

A

the borrowed melody

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15
Q

The following composer was employed by the court of Phillip the Good and was highly regarded for his chanson compositions:

A

Gilles de Bins

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