Chapter 6 French And Italian Music 14th C Flashcards

1
Q

What is isorhythm in this era?

A

(“equal rhythm”) The tenor is laid out in segments of identical rhythm with the soloist and is now seen as a foundation for the entire structure.

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2
Q

Who was the earliest composer in this era to exemplify Ars Nova? And who was the leading composer of this period (came later)?

A

Philippe de Vitry and Guillaume de Machaut

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3
Q

What are chansons?

A

Chansons- secular song with French words

Rondeau or ballades- French formes fixe (repetitive patterns creating format to songs).

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4
Q

What was the new French style called Ars Nova?

A

“New art”- this new musical style included new rhythmic innovations including duple division of notes, along with triple division offering new meters and greater rhythmic flexibility.

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5
Q

What is a Rondeau?

A

Rondeau- French formes fixe (repetitive patterns creating format to songs) centered on themes of love- polyphonic chansons.

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6
Q

What is a ballade?

A

Ballade- French formes fixes (repetitive patterns creating format to songs) more serious songs centered around historical or philosophical themes for celebrating an event or person.

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7
Q

What are minims? And who invented them?

A

An even smaller division of the original smallest possible note value- the semibreve which allowed syncopation! Jehan des Murs!

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8
Q

What are mensuration signs? And who invented them?

A

The ancestors of modern time signatures Jehan des Murs!

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9
Q

In isorhythm- what the term used when the tenor has a repeating rhythmic unit? And the term used for a recurring segment of the melody?

A

The talea (rhythm) and color (melody)

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10
Q

What is a hocket?

A

(“hiccup”) when two voices alternate in rapid succession, each resting while the other sings.

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11
Q

What is a chanson?

A

A polyphonic French song, the upper voice (called the treble or cantus) carries the text and is supported by a slower-moving tenor without text.

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12
Q

What is a madrigal in this era?

A

An Italian song written for two or three voices without instrumental accompaniment. This type of song was typical a love poem or pastoral and included a closing pair oflines called a ritornello. Voices are EQUAL in this style!

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13
Q

What three types of secular Italian styles became popular in the 14th Century?

A

Madrigal, caccia, and ballata

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14
Q

What is a caccia?

A

(“hunt” referring to one voice chasing after another) a popular-style melody in strict canon to lively, graphically descriptive words.

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15
Q

What is a ballata? And who was the leading composer of this style?

A

(“to dance”) a piece to accompany dancing for two or three voices. Francesco Landini. One solo voice accompianed by two untexted parts

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16
Q

What is musica ficta?

A

A style of chromatic alterations where musicians often raised or lowered notes by a semitone to avoid the tritone in a melody

17
Q

The following treatise contains keyboard versions of ballades by Machaut and ballate and madrigals composed by Landini:

A

The Robertsbridge Codex

18
Q

The most abundant source of Italian secular polyphony is the:

A

Squarcialupi Codex- this book contains 12 composers and 354 pieces