Chapter 6 Flashcards

1
Q

The use of opposing musical elements to emphasize difference and variety.

A

contrast

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2
Q

Song structure in which the same music is repeated with every stanza (strophe) of the poem

A

strophic form

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3
Q

Song structure that is composed from beginning to end, without repetitions of large sections.

A

through-composed

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4
Q

The compositional procedure of altering a preexisting musical idea.

A

variation

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5
Q

The creation of a musical composition while it is being performed, as in Baroque ornamentation, cadenzas of concertos, jazz, and some non-Western musics.

A

improvisation

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6
Q

Two-part (A-B) form with each section normally repeated. Also two-part form.

A

binary form

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7
Q

Three-part (A-B-A) form based on a statement (A), contrast (B), and repetition (A). Also three-part form.

A

ternary form

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8
Q

Melodic idea used as a basic building block in the construction of a piece. Also subject.

A

theme

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9
Q

Musical expansion of a theme by varying its melodic outline, harmony, or rhythm.

A

thematic development/transformation

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10
Q

Restatement of an idea or motive at a different pitch level.

A

sequence

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11
Q

Short melodic or rhythmic idea; the smallest fragment of a theme that forms a melodic-harmonic-rhythmic unit.

A

motive

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12
Q

Performance style with a singing leader who is imitated by a chorus of followers. Also responsorial singing

A

call and response

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13
Q

A short melodic, rhythmic, or harmonic pattern that is repeated throughout a work or a section.

A

ostinato

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14
Q

Complete, self-contained part within a larger musical work.

A

movement

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15
Q

A fragment of a theme that forms a melodic-rhythmic unit is called a

A

motive

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16
Q

A performance practice based on the concept of a singing leader imitated by a chorus of followers is called

A

call and response

17
Q

A principle of form that is based on repeated alterations of a given melody (which is still recognizable) is called

A

variation

18
Q

A short, repeated musical pattern used as a structural device is known as a(n)

A

ostinato

19
Q

Which form features a statement of an idea, a contrasting idea, then a repetition of the first idea?

A

ternary

20
Q

T/F: Even when a performer improvises, the basic elements of repetition, contrast, and variation can be heard.

A

True

21
Q

In musical forms ________ fixes the material in the listener’s mind and satisfies the need for the familiar.

A

repetition

22
Q

In musical forms ________ stimulates our interest and feeds our desire for change.

A

contrast

23
Q

T/F: In through-composed songs, music from previous stanzas is repeated.

A

False

24
Q

Independent parts of a large-scale work (a symphony, for example) are called

A

movements

25
Q

T/F: Movements in a large-scale musical work can be compared to chapters in a novel.

A

True

26
Q

Music that is made up spontaneously in performance is called improvised.

A

True

27
Q

T/F: Ostinato is particularly prevalent in blues, rock, and rap.

A

True

28
Q

The basic elements of form are

A

repetition, contrast, and variation.

29
Q

A _____ can be a building block in the construction of a musical work.

A

theme

30
Q

Themes are comprised of smaller units known as motives.

A

True

31
Q

Varying the pitches, harmony, or rhythm of a theme is known as

A

thematic development.

32
Q

When a melodic idea is immediately restated at a lower or higher pitch level, this is known as

A

a sequence

33
Q

Which form features a statement followed by a departure that ends the piece?

A

binary

34
Q

Which is true of strophic form?
It is a form found only in popular music.
No main section of music or text is repeated.
It is a form created spontaneously in performance.
The same melody is repeated with each stanza of text

A

The same melody is repeated with each stanza of text.