Chapter 4 Flashcards

1
Q

Interval between two notes eight diatonic pitches apart; the lower note vibrates half as fast as the upper and sounds an octave lower.

A

octave

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2
Q

Musical interval smaller than a semitone (half step), prevalent in some non-Western musics and some twentieth-century music.

A

microtone

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3
Q

Musical symbol (♯) that indicates raising a pitch by a half step.

A

sharp sign

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4
Q

Musical symbol (♭) that indicates lowering a pitch by a half step.

A

flat sign

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5
Q

Interval consisting of two half steps

A

whole step

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6
Q

Defines the relationship of pitches with a common center, or tonic. Also a lever on a keyboard or woodwind instrument.

A

key

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7
Q

Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-W-H-W-W-W-H). its third degree is raised half a step.

A

major scale

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8
Q

The fifth scale step, sol.

A

dominant

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9
Q

Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-H-W-W-H-W-W). its third degree is lowered half a step.

A

minor scale

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10
Q

Melody or harmony built from the seven pitches of a major or minor scale. This type of scale encompasses patterns of seven whole steps and half steps.

A

diatonic

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11
Q

Melody or harmony built from many if not all twelve pitches of the octave. This type of scale consists of an ascending or descending sequence of half steps.

A

chromatic

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12
Q

Five-note pattern used in some African, Far Eastern, and Native American musics; can also be found in Western music as an example of exoticism. See also gapped scale.

A

pentatonic scale

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13
Q

Small alteration of the pitch by a microtonal interval.

A

inflection

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14
Q

In the diatonic system, chords that need to resolve to the tonic chord. These include the dominant and subdominant chords

A

active chords

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15
Q

A chord that achieves a sense of resolution or completion, normally the tonic.

A

rest chord

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16
Q

Chord built on the fourth scale step, the IV chord.

A

subdominant cord

17
Q

The process of changing from one key to another.

A

modulation

18
Q

The shifting of a piece of music to a different pitch level.

A

transposition

19
Q

A scale that lacks some pitches of the seven-note diatonic scale; for example, a five-note (pentatonic) scale

A

gapped scale

20
Q

A composition in the key of G major uses harmonies formed from which scale?

A

G major

21
Q

A scale comprised entirely of half steps is called a _________ scale.

A

chromatic

22
Q

T/F: Black keys on the piano can be either “flats” or “sharps” depending on the context of the music.

A

True

23
Q

Common scales used in African, Far Eastern, and Native American music are the _____ scales.

A

pentatonic and tritonic

24
Q

Which of the following is a true statement?
In diatonic music, both the melody and the harmony are firmly rooted in the key.
In diatonic music, composers are firmly rooted in chromaticism.
Music in a major or minor key focuses on pentatonic harmonies.

A

In diatonic music, both the melody and the harmony are firmly rooted in the key.

25
Q

Harmonies built on the dominant (fifth scale degree) gravitate toward the

A

tonic

26
Q

T/F: If a major or minor scale is transposed to a different starting pitch, the pattern of half steps and whole steps changes.

A

False

27
Q

Intervals even smaller than half steps, commonly used in some non-Western music are called

A

microtones

28
Q

In Western music, the octave is divided into twelve equal

A

half steps

29
Q

Shifting an entire work so that it begins on a different pitch but retains the same pattern of intervals is called

A

transposition

30
Q

The tonic is a three-note chord, or triad, built on the ________ scale step

A

first

31
Q

Moving from one key center to another within a composition is called

A

modulation

32
Q

Music of the Baroque and Classical eras is mostly

A

diatonic

33
Q

T/F: The octave is divided the same way in the musical systems of all cultures.

A

False

34
Q

In Western music, the dominant and subdominant are called _______ chords.

A

active

35
Q

The _______ chord is counterposed against active chords.

A

rest

36
Q

The fifth scale step (sol) forms the chief active chord (V), which is called the

A

dominant

37
Q

The key of a piece is determined

A

by the composer

38
Q

What is another name for a half step?

A

semitone

39
Q

Which of the following is NOT an active chord?
tonic
subdominant
dominant

A

tonic