Chapter 6 Flashcards
The word renaissance comes from a-word meaning-
French, rebirth
This was a rebirth in-,-,-,-, and-and was influenced by the study of–and–, and the-style of the-
Art, literature, theater, science, architecture, Roman architecture, Greek sculpture, writing, Carolingians
They also studied it-and-of the Greeks. In art, the renaissance saw great-, away from-,-, and–pieces done for churches and monasteries to a more-approach
Literature, mathematics, changes, frescoes, mosaics, stained glass, secular
Artist learned how to represent–correctly, and how to use–to show distance and portray space.-Painting on-became the popular-
Human anatomy, linear perspective, oil, canvas, technique
In centuries following the renaissance,-built on the-of the 15th and 16th centuries they learned how to make-appear to-; they created an illusion of–space. They became masters of-different-. They used-to appeal to the-of the viewers
Artists, discoveries, figures, move, three dimensional, portraying, textures, drama, emotions
Artist of the renaissance became primarily–. at the age of-Rafael Sanzio received a large lucrative-to paint-on the walls of the apartment of–. These large paintings were filled with many-of his well known contemporaries including-. Rafael developed the unique ability to-the subjects-presence in the portrait so we feel as if we are-the-of the-and not a-
Portrait painters, 25, commission, frescoes, Pope Julius, portraits, himself, capture, personal, in, presents, person, painting
Another artist who was known for the same ability as–was Hans Holbein, “the -“ Both Rafael and Holbein were sons of-and trained by their-. Rafael was born in and trained in-and worked for the-. Holbein grew up in-but studied and worked in-,-and-. He eventually went to-and became–to Henry VIII. Both painters were skilled in capturing the sitters-but show little–. The–is the invention of a later century
Rafael Sanzio, younger, artists, fathers, Italy, pope, Germany, Switzerland, Italy, France, court painter, personality, facial expression, smiling portrait
During the-period, Most artists were in-and dedicated their work to–. The only paintings of people were of–and–.
medieval, monasteries, glorifying God, traditional saints, biblical characters
Because the church would’ve thought it-, portraits were almost-. One exception was the monk-a calligrapher, included his own-in the book he was copying. When a renaissance artist did do a-it was done in a-view. One example is “a–in a–” done by-. It shows a-,-looking young man in a–. Renaissance portraits always show the-man, an-man of-: the-man.-De-A high renaissance artist painted-men and women in high-. He idealized and-the-, as in the painting of-De-. -Sanzio painted the portrait of–in a three dimensional mass. He uses-to define-and-and the-of-
Blasphemy, nonexistent, Sadwine, picture, portrait, profile, Young man, Scarlet turban, Masaccio, solid, wealthy, red turban, ideal, educated, character, God like, Leonardo, Vinci, noble, society, perfected, face, Ginevra, Benci, Rafael, Bindo Altoviti, chiaroscuro, form, space, feeling, atmosphere
Since the Renaissance began in-, other European artists who wanted to learn to paint more-went there to study. One such Flemish painter Jan-,-the solid–style and used it with a northern style of art based on-as in “the-of a-“. The artwork is full of-carefully painted with-brushes
Italy, realistically, Gossaert, adopted, three dimensional, miniatures, portrait, merchant, details, tiny
Hans-, also a northerner from-, blended in love of-with massive-style as in the portrait of “-the-as a-“ when he was a-painter. “-of-“ A small painting, was thought to be painted by-von-because of its attributes in style and detail that he was-for.
Holbein, Germany, detailed, Italian, Edward, sixth, child, Court, head, Christ, Rembrandt, Rijn, famous
Rembrandts contribution to-was his ability to get a luminous, soft-from light to dark with many-. His faces have the look of real-. He was able to catch the-and-quality of the person
Portraiture, blend, shades, skin, personality, spiritual
-The-: in his self portrait we see a medieval man displaying-not only in what he is-but also in who he-
Eadwine, scribe, Pride, doing, is
Gibevra de-: on the back of this painting,-de-painted a design made of-branch a-branch and a-branch. Palm is a symbol of-, Laurel is used for-. Juniper is a reference to her name meaning-or-is more important than–
Benci, Leonardo, Vinci, Juniper, Palm, Laurel, victory, eternity, virtue, goodness, good looks
Bindo-: from studying-and-, Rafael learned how to paint a solid figure in a-space. In this portrait he shows the man with his shoulders-
Altoviti, Leonardo, Michelangelo, believable, foreshortened
Portrait of a-: the details Jan-included show as the ordinary-of his-. He uses a clear center of-.
Merchant, Gossaert, activities, profession, interest
-VI as a-: flemish painter Hans-“the Younger”, captures the-and-of a–year-old boy. This boy-the-at age-. Being-in health, he died at age-
Edward, child, Holbein, delicacy, innocence, two, inherited, throne, 10, weak, 15
Rembrandt is known for his ability to make a form look–. He had a number of students to learn to imitate to style by-his work. These were not done two-as forgeries but strictly to learn. Because some of his students got a really good anti-sometimes didn’t-his work, it is hard for art-to distinguish from theirs and his. Attributions of Rembrandts work include his Quality of-expression and-, how he gradually modeled-and-and the amount of-he puts even into-backgrounds
Three-dimensional, copying, sell, sign, historians, emotional, introspection, light, shade, color, neutral
Artist historians also use a technique called-like a standard medical x-ray. Sometimes a tiny chip of paint was examined under a-to determine how many-of paint has been applied. Rembrandt often-up his paintings with mini-to get his characteristic-middle tones and-. His students would often just use-thin layers
X-radiology, microscope, layers, built, layers, textured, highlights, two
Identification of a certain artist who created a work of art based on his style and other factors
Attribution
A picture of the head and shoulders of the person
Portrait bust
Color such as gray, tan, or brown
Neutral
The lightest value where the light is shining most directly on the form
Highlight
A part of a picture to which your attention is drawn
Center of interest
To portray an object shorter than it really is to create the feeling that it is receding in space
Foreshortening
Darker than normal values of any color
Shade
A small picture painted in great detail in an illuminated manuscript
Miniature
Literally from clear to obscure; using soft transitions of value to create the illusion of form and atmosphere
Chiaroscuro
Solid form; three-dimensional or appearing to be three dimensional
Mass
Those mentioned in the Bible as followers of Christ
Biblical characters
Those canonized or declared worthy of worship by the Catholic Church; they may be historical characters, but they are not mentioned in the Bible
Traditional saints
A young man in a scarlet turban
Masaccio
Ginevra de Benci
Leonardo da Vinci
Edward the VI as a child
Hans Holbein, “the younger”
Bindo Altoviti
Raphael
Portrait of a merchant
Jan Gossaert
Head of Christ
Rembrandt
