Chapter 6 Flashcards
The word renaissance comes from a-word meaning-
French, rebirth
This was a rebirth in-,-,-,-, and-and was influenced by the study of–and–, and the-style of the-
Art, literature, theater, science, architecture, Roman architecture, Greek sculpture, writing, Carolingians
They also studied it-and-of the Greeks. In art, the renaissance saw great-, away from-,-, and–pieces done for churches and monasteries to a more-approach
Literature, mathematics, changes, frescoes, mosaics, stained glass, secular
Artist learned how to represent–correctly, and how to use–to show distance and portray space.-Painting on-became the popular-
Human anatomy, linear perspective, oil, canvas, technique
In centuries following the renaissance,-built on the-of the 15th and 16th centuries they learned how to make-appear to-; they created an illusion of–space. They became masters of-different-. They used-to appeal to the-of the viewers
Artists, discoveries, figures, move, three dimensional, portraying, textures, drama, emotions
Artist of the renaissance became primarily–. at the age of-Rafael Sanzio received a large lucrative-to paint-on the walls of the apartment of–. These large paintings were filled with many-of his well known contemporaries including-. Rafael developed the unique ability to-the subjects-presence in the portrait so we feel as if we are-the-of the-and not a-
Portrait painters, 25, commission, frescoes, Pope Julius, portraits, himself, capture, personal, in, presents, person, painting
Another artist who was known for the same ability as–was Hans Holbein, “the -“ Both Rafael and Holbein were sons of-and trained by their-. Rafael was born in and trained in-and worked for the-. Holbein grew up in-but studied and worked in-,-and-. He eventually went to-and became–to Henry VIII. Both painters were skilled in capturing the sitters-but show little–. The–is the invention of a later century
Rafael Sanzio, younger, artists, fathers, Italy, pope, Germany, Switzerland, Italy, France, court painter, personality, facial expression, smiling portrait
During the-period, Most artists were in-and dedicated their work to–. The only paintings of people were of–and–.
medieval, monasteries, glorifying God, traditional saints, biblical characters
Because the church would’ve thought it-, portraits were almost-. One exception was the monk-a calligrapher, included his own-in the book he was copying. When a renaissance artist did do a-it was done in a-view. One example is “a–in a–” done by-. It shows a-,-looking young man in a–. Renaissance portraits always show the-man, an-man of-: the-man.-De-A high renaissance artist painted-men and women in high-. He idealized and-the-, as in the painting of-De-. -Sanzio painted the portrait of–in a three dimensional mass. He uses-to define-and-and the-of-
Blasphemy, nonexistent, Sadwine, picture, portrait, profile, Young man, Scarlet turban, Masaccio, solid, wealthy, red turban, ideal, educated, character, God like, Leonardo, Vinci, noble, society, perfected, face, Ginevra, Benci, Rafael, Bindo Altoviti, chiaroscuro, form, space, feeling, atmosphere
Since the Renaissance began in-, other European artists who wanted to learn to paint more-went there to study. One such Flemish painter Jan-,-the solid–style and used it with a northern style of art based on-as in “the-of a-“. The artwork is full of-carefully painted with-brushes
Italy, realistically, Gossaert, adopted, three dimensional, miniatures, portrait, merchant, details, tiny
Hans-, also a northerner from-, blended in love of-with massive-style as in the portrait of “-the-as a-“ when he was a-painter. “-of-“ A small painting, was thought to be painted by-von-because of its attributes in style and detail that he was-for.
Holbein, Germany, detailed, Italian, Edward, sixth, child, Court, head, Christ, Rembrandt, Rijn, famous
Rembrandts contribution to-was his ability to get a luminous, soft-from light to dark with many-. His faces have the look of real-. He was able to catch the-and-quality of the person
Portraiture, blend, shades, skin, personality, spiritual
-The-: in his self portrait we see a medieval man displaying-not only in what he is-but also in who he-
Eadwine, scribe, Pride, doing, is
Gibevra de-: on the back of this painting,-de-painted a design made of-branch a-branch and a-branch. Palm is a symbol of-, Laurel is used for-. Juniper is a reference to her name meaning-or-is more important than–
Benci, Leonardo, Vinci, Juniper, Palm, Laurel, victory, eternity, virtue, goodness, good looks
Bindo-: from studying-and-, Rafael learned how to paint a solid figure in a-space. In this portrait he shows the man with his shoulders-
Altoviti, Leonardo, Michelangelo, believable, foreshortened
