Chapter 4 Flashcards
Wave fronts
The shape/configurations of the component compressions and rarefactions as they diffuse through a medium
The further one is from a sound source, the (louder/softer) the sounds are
softer
Diffusion
dissipation of sound energy or weakening of wave trains as they travel through a medium
Sounds above 1000 Hz lose energy (faster/slower) than low frequencies
faster
Sound travels (faster/slower) in warmer air
faster
Concave surfaces (focus/diffuse) sound
focus
Convex surfaces (focus/diffuse) sound
diffuse
the angle at which a wave front hits a smooth, flat surface will be (less than/greater than/equal to) the angle of its echo or reflection
equal to
Refraction
Bending of wave fronts as they pass through media having unequal or varying density
A cool, dry evening will bend sound (upward/downward). Explain
Downward. Sound meets warmer air lying about the cool evening air
A hot, moist afternoon will bend sound (upward, downward). Explain
Upward. Sound travels faster in warmer air & tend to lift away from earth
Wind bends sound (in/against) the direction it is blowing and (toward/away) from the ground
in, away
Diffraction
The spreading out of wave fronts into areas behind and around physical barriers
The higher the frequency the (more/less) sound will be diffracted
less
The frequency and amplitude of a sound source moving towards you will (increase/decrease)
increase
Compressions and rarefactions that coincide in multiple sound sources will (increase/decrease) overall amplitude
increase (reinforcement)
A compression that coexists with a rarefaction in multiple sound sources will (increase/decrease) overall amplitude
decrease (cancelation)
Dead spots occur when reflected echoes (reinforce/cancel) the primary sound
cancel
Beats are only perceived when the two sources are within __ Hz of each other
20
Describe the combination of two tones about 20 Hz apart
rough and raspy
Difference tone
two tones >20 Hz apart will create a third tone that is the difference between frequencies of the original tones
Summation tones
Subjective tones produced by the ear that are perceived as the sum of two external frequencies
Summation tones are heard best at the (top/middle/bottom) of the audible spectrum
middle
Subjective tones
Tones that do not exist in the environment, but by forcing parts of the ear into non-linear vibration, are created within the ear itself