Chapter 2 Flashcards
Timbre
Difference in quality of sound between two tones
Fundamental frequency
The frequency at which the sound source vibrates as a whole
The fundamental frequency is the (highest/lowest) pitch a sound source is capable of producing
lowest
Overtone
One of the frequencies produced by the complex vibration of a body
Any overtone will be (higher/lower) than fundamental and a whole-number multiple of it
higher
(T/F) The fundamental counts as an overtone
False
Harmonics
A series of tones caused by the complex vibration of a body.
(T/F) The fundamental can be called the first harmonic
True
Partial
Any component of the harmonic series including the fundamental
(T/F) The fundamental can be called the first partial
True
(T/F) our modern tuning system allows all overtones to be in tune
False
Formant
Frequencies that are more resonant than others
Two important parts of determining timbre are…
relative intensity of each overtone, formants
Envelope
The temporal shape of a tone
Four parameters of sound
frequency, amplitude, timbre, envelope
Noise
Complex sounds which are not periodic and contain overtones which are not part of harmonic series
Inharmonic overtones
Those frequencies above a fundamental tone which are not a whole-number multiple of the fundamental
White noise
The random occurrence of all pitches at equal amplitude within the audible frequency spectrum
Ambience
The composite of sound in a particular environment; all sounds present except the sounds to which one is trying to attend
Masking
Effect of one set of sounds impinging on the perception of another set of sounds
Standing waves
Regular displacement of a string that causes waves to appear motionless
Nodes
Points of minimum displacement in sound waves
Loops
Points of maximum displacement in soundwaves
Loops are sometimes called ______
antinodes