Chapter 22 (Paintings/Book) Flashcards

1
Q

What do romanticism paintings depict

A

Yearning for things of the past and faraway places. Tales of chivalry.

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2
Q

What is the royal pavilion building by John Nash

A

It is a heavily stylized building made to look like the Taj Mahal.

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3
Q

How is the Brighton pavilion made

A

It is a building made out of a cast iron frame which then has latte and plaster covering it

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4
Q

What does the painting the raft of Medusa depict. What is the medium. Who painted it.

A

It depicts a group of survivors on a raft after a shipwreck. There were 149 of them and they had to survive for 13 days, only 15 survived. It is based on real events. The medium is oil on canvas. Gericault.

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5
Q

What does Delacroix’s liberty leading the people depict. What is it’s medium.

A

It depicts a topless woman holding the French flag leading troops over dead bodies. It is a romanticized version of war. It is oil on canvas.

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6
Q

What does Goya’s 1808 firing squad depict. What is the medium.

A

It is a painting of a firing squad executing people. The people being executed are Spaniards and the executioners are French soldiers. The story is that 2 Spanish rebels killed 15 soldiers so napoleon had 1000 innocent people gunned down. The faces of the executioners is hidden but the people being executed isn’t. The raised arms of one of the people being executed is like jesus. It is an oil on canvas.

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7
Q

What does Frederich’s two men contemplating the moon depict. What is the medium.

A

It shows two men depicting a romanticized mystical moon and their clothes show a yearning for the past. It exemplifies the merging of human form with nature as the viewer looks past the two faceless men who are mesmerized with the moon. They embody the romantic aesthetic of the sublime.

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8
Q

What is turners burning of the House of Commons and what does it depict.

A

It depicts the House of Commons on fire, it is a real event. Turner frantically sketched in watercolor and later made the final painting with oil on canvas. Turners take on romanticism is shown with the dynamic sweeping brushstrokes and colors that blur the forms.

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