Chapter 2 Flashcards

Perceptual Maps & Perception

1
Q

Market segmentation

A

Similarities and differences are the building blocks of segmenting consumers.

  • based on demographics, and lifestyles/psychographics.
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2
Q

Perceptual maps

A

Positioning a brand on a visual page based on two different criteria and how well they meet his criteria.

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3
Q

Sensation

A

The immediate response of our sensory receptors to basic stimuli, such as light, color, sound, odors, and textures.

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4
Q

Perception

A

The process by which sensations are selected, organized, and interpreted.

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5
Q

The study of perception

A

Focuses on what we add to raw sensations to give them meaning

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6
Q

The sensory thresholds

A
  • psychophysics
  • absolute threshold
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7
Q

Psychophysics

A

Designs that focusses on how the physical environment is integrated into a personal subjective world.

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8
Q

Absolute threshold

A

The minimum amount of stimulation that can be detected on a given sensory channel

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9
Q

Size

A
  • ensure that product improvements are noticeable when you increase quantity or reduce price.
  • make sure it’s a substantial change and compare the old and new product or price.
  • spell it out for consumers
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10
Q

Selective exposure

A

Deliberately avoiding exposure to certain stimuli

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11
Q

Selective perception

A

Personal selection factors such as perceptual vigilance, perceptual defence, and adaptation.

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12
Q

Colour

A

Colour can influence our emotions directly.

Consider the use of colours and ads, product, packaging, and store design.

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13
Q

Marketing applications for colour

A
  • use the right colour in ad to get the desired reaction, but be aware of cultural differences, as well as as individual differences.
  • in webpages design use saturated colours like green, yellow, orange and cyan.
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14
Q

Shape and size

A
  • the size of boxes, plates and glasses can make you consume more
  • markers to adjust the size of plates and use measures for pouring drinks.
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15
Q

Smell

A
  • odors can start powerful emotions
  • disperse, fragrances, and stores and offices
  • however, be careful of the legal environment (scent-free cities)
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16
Q

Hearing

A
  • background, music create desired mood and influences behaviour
  • markers to select the right piece of functional music in commercials, stores, restaurants, or coffee shops, waiting rooms, phone/music, and in offices.
  • advertising jingles create brand awareness
17
Q

How to name a brand

A
  • sound symbolism: front vowels give the impression of some soft, small light or fragile; while back vowels, give the impression of something hard, big, heavy, dark or strong; and continents, I believe to communicate efficiency through the Z. (Tiffany’s, Ford, Prozac)
  • sound repetition: positive positive feelings, increased likelihood of choice/trial/purchase (Hubba Bubba)
  • include an attribute/benefit in the product name (Energizer Batteries)
  • username that describes/suggest the companies domain of activity (microsoft)
18
Q

Touch

A
  • the texture of fabrics and other surfaces can indicate product quality to some consumers
  • perceived richness or quality of the material in the clothing is linked to, whether rough or smooth.
19
Q

Taste

A

Taste can be influenced by ingredient knowledge, brand label, or being told something tastes not bitter when it is bitter.

20
Q

Stimulus organization

A
  • principle of similarity (grouping)
  • principle of closure (complete an image)
  • figure ground principle (one part of the stimulus will dominate, and the rest will fade to the background).