Chapter 14- Principle of hair design Flashcards

1
Q

Horizontal Lines

A

Create width in the hair design
-Parallel to the floor and relative to the horizon
-Maintain a distance apart and are parallel

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2
Q

Vertical Lines

A

Create length in the hair design
-Makes the hairstyle appear longer and narrow; the eye follows the lines up and down

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3
Q

Diagonal Lines

A

Positioned between horizontal and vertical lines
-Often used to minimized and emphasize facial features
*these lines can create interest in a hairstyle

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4
Q

Curved lines

A

Moving in a circular direction, soften a design

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5
Q

Single lines

A

-Used in one length hairstyles
-clients wanting low maintenance

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6
Q

Parallel lines

A

-Repeating lines in a hairstyle
-repeating lines create more interest

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7
Q

Contrasting lines

A

-Horizontal and vertical lines that meet at a 90 degree angle
-Hard edges
-distinct look, for clients that are able to pull off a unique hairstyle

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8
Q

Transitional lines

A

-Curved lines used to blend and soften horizontal and vertical lines
-Texturizing haircut, color placing, and color blending

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9
Q

Directional lines

A

Are lines with a definite forward or backward movement

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10
Q

Form

A

Is the mass of general outline of a hairstyle
-Three dimensional; length, width, and depth
-Minimal texture
-Should be proportional to the shape of the head and face, the length of the neck, and shoulder line

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11
Q

Shape

A

The area surrounding the form or the area of the hairstyle occupies
-Every movement the relationship of the form and space change
-The space may contain curls, curves, straight, hair, or any combination

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12
Q

Design texture

A

Refers to the directional wave pattern or illusion of motion in the hair
-Straight hair, reflects light better
-Curly hair, more coiled and grows compact together; reflects less light
-Wavy hair, combed directionally to create horizontal lines

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13
Q

Proportion

A

Is the comparative of one this to another.
-Understanding facial and proportion is important
-very small chin and very wide forehead; head shape that is not in proportion
-Hair styles can create the illusion of better proportion for such a client

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14
Q

Balance

A

Is establishing qual or appropriate proportions to create symmetry
-Proportion of height to width
-Symmetrical or asymmetrical
-Measure symmetry- divide the face into four equal parts

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15
Q

Symmetrical balance

A

occurs when an imaginary line is drawn through the center of the face and the two resulting halves form a mirror image to one another
-Both sides of the hairstyle and the same distance form the center, same length, have the same volume when viewed from the front.

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15
Q

Asymmetrical balance

A

-When two imaginary halves of a hairstyle have an equal visual weight, but are positioned unevenly
-Opposite side of the hairstyle are different lengths or have a different volume
-Can be horizontal or diagonal

16
Q
A
17
Q

Rhythm

A

-Regular pulsation or recurrent pattern of movement in a design
-Fast rhythm move quickly, tight curls are a example

18
Q

Emphasis

A

“Focus”
-A design is what draws the eye first, before it travels to the rest of the design
-Well balanced, good rhythm, and good harmony; yet still be boring
-Create interest with an area of emphasis or focus by using; wave patterns, color, change in form, ornamentation.
-Less is more

19
Q

Harmony

A

Creation of unity in a design and is the most important of the art principles
-Holds the element of design together
*form with interesting lines
*pleasing color or combination of colors and texture
* balance and rhythm that together strengthen the design

20
Q

Physical characteristics

A

1.Shape of the head, including the front view (face shape) profile, and back view
2. Length of the neck
3. Facial features (perfect as well as imperfect features)
4. Body shape and posture

21
Q

Straight, fine hair

A

This combination usually hugs the head shape due to the lack of body or volume, and marginal elasticity

22
Q

Straight, medium hair

A

this type of hair offers more versatility in styling.

23
Q

Straight, coarse hair

A

This hair is hard to curl and carried more volume than the previous two types.

24
Q

Wavy, fine hair

A

This type of hair can appear fuller when diffused with heat and the appropriate haircut and style

25
Q

Wavy, medium hair

A

This type of hair offers the most versatility in styling as it has the most uniformity of pattern

26
Q

Wavy, coarse hair

A

This hair type can produce a silhouette that is very voluminous if it is not shaped properly

27
Q

Curly, fine hair

A

When this type is worn long, it often separates, revealing the clients scalp unless the hair is very dense

28
Q

Curl, medium hair

A

This hair type creates a silhouette with subliminal volume

29
Q

Curly, coarse hair

A

This hair type usually represents a mixture of coiled to extremely coiled hair strands

30
Q

Very curly, fine hair

A

The most flattering shape for the client must be determined before you begin styling

31
Q

Extremely curly, medium hair

A

This silhouette can promote horizontal lines of volume, as it tends to widen as it grows longer because of the amount of curls

32
Q

Extremely curly, coarse hair

A

This silhouette will be extremely wide.

33
Q
A