Chapter 13 - Step 7.4: Promotion Flashcards

1
Q

Promotion

A

Persuasive communications designed and delivered to inspire your priority audience to action, highlighting the desired benefits for performing the behaviour (core product)

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2
Q

3 appeals in persuasive communications (REM)

A

Rational appeal
Emotional appeal
Moral appeal

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3
Q

Rational appeal

A

Relates to the audience’s self-interest

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4
Q

Emotional appeal

A

An attempt to stir up positive or negative emotions to motivate a purchase

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5
Q

Moral appeal

A

Directed at the audience’s sense of right and proper

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6
Q

5 parts of promotion (OBMMA)

A

Objectives setting
Budget decisions
Message decisions
Media decisions
Advertising evaluation

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7
Q

Message strategy

A

What you want to communicate, inspired by what you want your priority audience to do/know/believe

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8
Q

Communication objective

A

Specific communication task to be accomplished with a specific target audience during a specific period of time

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9
Q

Message strategy for precontemplators

A

Emphasize on making sure your prio audience is aware of the costs of competing behaviours and benefits of the new one

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10
Q

Message strategy for contemplators

A

Include encouraging them to at least try the new behaviour and/or restructure their environment to make adoption easier

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11
Q

Message strategy for those in action

A

Make them start to see the benefits of the action, acknowledge them on their milestone

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12
Q

Message strategy for those in maintenance

A

Congratulate, recognize, reward behaviour change

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13
Q

How to break through the clutter in terms of messaging (MBDD)

A

Craft a message that is:
Meaningful (points out benefits that make the product more desirable to prio audience)
Believable
Distinctive (should tell how the product is better than competing brands)
Develop a compelling creative concept

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14
Q

Creative concept

A

The BIG idea that will bring the message strategy to life and guide specific appeals to be used in an advertising campaign

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15
Q

Using humour appeal in messaging strategy

A

Well-executed can enhances recollection, evaluation, and intent

Wrongly executed can question seriousness of message

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16
Q

Using fear appeal in messaging strategy

A

Emphasize negative consequences that can occur unless consumer changes behaviour/attitude

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17
Q

Framing choice of message

A

Positive - focuses on positive outcomes (live long healthy life)
Negative - focuses on negative consequences (avoid illness and death)

18
Q

Messenger strategy (source)

A

Who the target audience perceives as the sponsoring and supporting effort

Major messenger options:
Sole sponsor
Partners
Spokespersons
Endorsements
Midstream audiences
Mascots

19
Q

Creative message strategies

A

Logos, typeface, taglines, headlines, copy, visuals, scripts, actors, scenes, sounds

20
Q

9-point creative strategy format

A
  1. what are we selling
  2. who is our target and what makes them unique
  3. what is our target’s problem-do they recognize their behaviour as problematic
  4. do we face competitive pressure
  5. what is our most important benefit
  6. what parts or features of our intervention offer the benefits most likely to be valued by the target
  7. what is our personality
  8. what else can help encourage sustained behaviour change
  9. what do we want our target to do and have we made it easy for them to do so
21
Q

12 creative tips for promotion

A
  1. Keep it simple and clear
  2. Focus on audience benefits
  3. When using fear, follow up with solutions and credible sources
  4. Messages that are vivid, concrete, and personal
  5. Make messages easy to remember
  6. Have a little fun sometimes
  7. Try for a “big idea”
  8. Consider a question instead of a nag
  9. Make norms (more) visible
  10. Tell real stories about people
  11. Try crowdsourcing
  12. Appeal to psychographic characteristics
22
Q

On-sided messages

A

Praises your offer

23
Q

Two-sided message

A

Points out a behaviour’s shortcomings as well

24
Q

Pretesting

A

Assess ability of messages and creative executions to deliver on strategies and objectives and highlighted in the creative brief

Primary purpose:
Assess ability to deliver
Identifying red flags
Message and concept testing

25
Q

Audience-centric approach

A

Marketing strategies must be integrated (clear, concise, consistent, compelling)

26
Q

Paid communication channels

A

Advertising (video, audio, newspaper, etc)
Product integration (behaviour integration in toys, curriculum)

27
Q

Owned communication channels

A

Materials (brochures, booklets)
Websites
Special promotional items
Signage and displays
Popular entertainment media (plastic-made exhibits, etc)

28
Q

Earned communication channels

A

Public relations
Public service announcements
Special events

29
Q

Shared communication channels

A

Social media (facebook, youtube, twitter, text, instagram)

30
Q

Factors guiding communication channel decisions

A
  1. Campaign objectives and goals
  2. Set reach, frequency, impact, and engagement
  3. Your priority audience
  4. Being there just in time
  5. Being there “in the event of”
  6. Integrated marketing communications
  7. Advantages and disadvantages of media types
  8. Your budget
31
Q

Factor 1: campaign objectives and goals

A

Media decisions - choosing requires consideration of medium’s impact, message, effectiveness and cost

eg: magazines have high geographic and demographic selectivity etc

32
Q

Specific media vehicles

A

Each media type includes specific vehicles

eg: magazines have high geographic and demographic selectivity etc -> but what magazine vehicle (brand) should I choose?

33
Q

Factor 2: Set reach, frequency, impact, and engagement

A

Reach (% of people in target market seeing campaign)
Frequency (# of times person is exposed to campaign)
Media impact (qualitative value of a message exposure through a given medium)
Engagement (impressions, expressions)

34
Q

Media timing

A

Media schedules (vary from seasonal to same coverage all year)
Ad patterns (continuity - scheduling ads evenly within a given period such as 52 ads once a week, pulsing - scheduling ads unevenly over a given period of time)

35
Q

Factor 3: Your priority audience

A

Consider profile, media habits of priority audience

36
Q

Viral marketing

A

The digital version of WoM

37
Q

Factor 4: Being there just in time

A

Message and product should be there at the time of decision

38
Q

Factor 5: Being there “in the event of”

A

Motivating events

eg: a timely message on earthquake preparedness

39
Q

Factor 6: integrated marketing communications

A

Benefits of the IMC generated from a mix of promotional tools

eg: friends don’t let friends drive drunk

40
Q

Factor 7: Advantages and disadvantages of media types

A

Nature and format of messages (complexity, length, etc)

41
Q

Factor 8: Your budget

A

Depends on your resources and funding from public and private sources

42
Q

Creative briefs

A

Are templates for public relations projects that helps ensure meaningful, believable, and distinctive creative strategy
Greatest contribution is it helps ensure alignment of the team
Components include:
Purpose and focus
Target audience and insights
Communication objectives
Benefits to promise
Supports to promise
Style and tone
Openings
Positionings