Chapter 12 Flashcards
The design process begins by analyzing the entire person and using the design elements and principles to:
A. enhance positive features
B. maximize negative features
C. develop contrasting lines
D. create transitional lines
A. enhance positive features
The foundation for all artistic applications is:
A. space
B. design
C. design wave patterns
D. design of parallel lines
B. design
In the hair design process, when deciding to take calculated risks, it is important to have a strong foundation in:
A. confidence and balance
B. fashion design
C. techniques and skills
D. form and space
C. techniques and skills
In the principles of design, line defines:
A. form and space
B. less volume
C. texture and form
D. form and elements
A. form and space
Lines that extend in the same direction and maintain a constant distance apart are:
A. design lines
B. extended lines
C. horizontal lines
D. vertical lines
C. horizontal lines
Lines positioned between horizontal and vertical, used to emphasize or minimize facial features, are:
A. curved lines
B. movement lines
C. design lines
D. diagonal lines
D. diagonal lines
An example of a hairstyle created using a single line is a:
A. contrasting style
B. curved-line style
C. monotone style
D. one-length style
D. one-length style
Curved lines that are used to blend and soften horizontal or vertical lines are:
A. transitional lines
B. styling lines
C. contrasting lines
D. parallel lines
A. transitional lines
The three-dimensional mass or general outline of a hairstyle is referred to as its:
A. wave
B. form
C. weight
D. line
B. form
In hairstyling, the area that surrounds the form is the:
A. space
B. line
C. volume
D. texture
A. space
Natural wave patterns are described as straight, wavy, curly and:
A. three dimensional
B. very straight
C. combination
D. extremely curly
D. extremely curly
In hair design, with every movement, the relationship of form and what other design element change?
A. space
B. volume
C. texture
D. mass
A. space
Hair texture changes can be created or changed temporarily with styling tools and permanently with:
A. thermal styling
B. chemicals
C. zigzag partings
D. flat irons
B. chemicals
Smooth wave patterns accent the face and can be used to narrow:
A. a square jaw
B. rectangular features
C. a square chin
D. a round head shape
D. a round head shape
Illusions of dimension or depth are created when lighter and warmer colors are alternated with colors that are:
A. darker and cooler
B. smaller and closer
C. larger and darker
D. smaller and cooler
A. darker and cooler
For a client with gold skin tones, a flattering hair color tone would be:
A. warm
B. cool
C. contrasting
D. toned
A. warm
In the principles of art and design, the comparative relationship of one thing to another is called:
A. space
B. volume
C. proportion
D. harmony
C. proportion
In designing for clients with large or broad shoulders, the stylist would create styles with:
A. volume
B. length
C. classic
D. shape
A. volume
Balance is described as creating equal or appropriate proportions to create:
A. width
B. symmetry
C. structure
D. space
B. symmetry
In designing, when the two sides are the same distance from the center, have the same length and volume, the balance is considered to be:
A. symmetrical
B. even
C. asymmetrical
D. similar
A. symmetrical
In designing, when opposite sides have different lengths or different volume and appear to have equalvisual weight, it is referred to as:
A. rhythm balance
B. positioned evenly
C. symmetrical balance
D. asymmetrical balance
A. rhythm balance
A recurrent pattern of movement in design is referred to as:
A. rhythm
B. diagonal
C. shapings
D. balance
A. rhythm
The area of a design where the eye is drawn to first before traveling to the rest of the design is called the:
A. balance
B. axis
C. emphasis
D. diagonal
C. emphasis
The most important art principle that holds a design together is:
A. harmony
B. balance
C. volume
D. emphasis
A. harmony
The facial type that is about one and a half times longer than its width across the brow is the:
A. oval face
B. oblong face
C. facial contour
D. diamond face
A. oval face
To offset or round out the features of a square ffacial shape, the aim would be to:
A. create the illusion of width in the forehead
B. add volume to top and closeness at the sides
C. elongate the shape of the face
D. create volume between the templates and jaw
D. create volume between the temples and jaw
The facial shape with a narrow forehead and wide jaw and chin line is considered to be:
A. concave
B. circular
C. straight
D. convex
D. convex
To give the illusion of proportional eyes to a client with wide set eyes, the hair should be:
A. slightly darker at the sides than top
B. styled using a middle part
C. straight lines at the jawbone
D. full and below jaw
A. slightly darker at the sides than top
The triangular section that begins at the apex or high point of the head and ends a the front corners is called the:
A. crown area
B. bang area
C. line area
D. convex area
B. bang area
The face profile with a receding forehead and chin is generally referred to as:
A. concave
B. circular
C. straight
D. convex
convex
