Chapter 12

Question 0

The design process begins by analyzing the entire person and using the design elements and principles to:

A. enhance positive features
B. maximize negative features
C. develop contrasting lines
D. create transitional lines

Answer 0

A. enhance positive features

Question 1

The foundation for all artistic applications is:

A. space
B. design
C. design wave patterns
D. design of parallel lines

Answer 1

B. design

Question 2

In the hair design process, when deciding to take calculated risks, it is important to have a strong foundation in:

A. confidence and balance
B. fashion design
C. techniques and skills
D. form and space

Answer 2

C. techniques and skills

Question 3

In the principles of design, line defines:

A. form and space
B. less volume
C. texture and form
D. form and elements

Answer 3

A. form and space

Question 4

Lines that extend in the same direction and maintain a constant distance apart are:

A. design lines
B. extended lines
C. horizontal lines
D. vertical lines

Answer 4

C. horizontal lines

Question 5

Lines positioned between horizontal and vertical, used to emphasize or minimize facial features, are:

A. curved lines
B. movement lines
C. design lines
D. diagonal lines

Answer 5

D. diagonal lines

Question 6

An example of a hairstyle created using a single line is a:

A. contrasting style
B. curved-line style
C. monotone style
D. one-length style

Answer 6

D. one-length style

Question 7

Curved lines that are used to blend and soften horizontal or vertical lines are:

A. transitional lines
B. styling lines
C. contrasting lines
D. parallel lines

Answer 7

A. transitional lines

Question 8

The three-dimensional mass or general outline of a hairstyle is referred to as its:

A. wave
B. form
C. weight
D. line

Answer 8

B. form

Question 9

In hairstyling, the area that surrounds the form is the:

A. space
B. line
C. volume
D. texture

Answer 9

A. space

Question 10

Natural wave patterns are described as straight, wavy, curly and:

A. three dimensional
B. very straight
C. combination
D. extremely curly

Answer 10

D. extremely curly

Question 11

In hair design, with every movement, the relationship of form and what other design element change?

A. space
B. volume
C. texture
D. mass

Answer 11

A. space

Question 12

Hair texture changes can be created or changed temporarily with styling tools and permanently with:

A. thermal styling
B. chemicals
C. zigzag partings
D. flat irons

Answer 12

B. chemicals

Question 13

Smooth wave patterns accent the face and can be used to narrow:

A. a square jaw
B. rectangular features
C. a square chin
D. a round head shape

Answer 13

D. a round head shape

Question 14

Illusions of dimension or depth are created when lighter and warmer colors are alternated with colors that are:

A. darker and cooler
B. smaller and closer
C. larger and darker
D. smaller and cooler

Answer 14

A. darker and cooler

Question 15

For a client with gold skin tones, a flattering hair color tone would be:

A. warm
B. cool
C. contrasting
D. toned

Answer 15

A. warm

Question 16

In the principles of art and design, the comparative relationship of one thing to another is called:

A. space
B. volume
C. proportion
D. harmony

Answer 16

C. proportion

Question 17

In designing for clients with large or broad shoulders, the stylist would create styles with:

A. volume
B. length
C. classic
D. shape

Answer 17

A. volume

Question 18

Balance is described as creating equal or appropriate proportions to create:

A. width
B. symmetry
C. structure
D. space

Answer 18

B. symmetry

Question 19

In designing, when the two sides are the same distance from the center, have the same length and volume, the balance is considered to be:

A. symmetrical
B. even
C. asymmetrical
D. similar

Answer 19

A. symmetrical

Question 20

In designing, when opposite sides have different lengths or different volume and appear to have equalvisual weight, it is referred to as:

A. rhythm balance
B. positioned evenly
C. symmetrical balance
D. asymmetrical balance

Answer 20

A. rhythm balance

Question 21

A recurrent pattern of movement in design is referred to as:

A. rhythm
B. diagonal
C. shapings
D. balance

Answer 21

A. rhythm

Question 22

The area of a design where the eye is drawn to first before traveling to the rest of the design is called the:

A. balance
B. axis
C. emphasis
D. diagonal

Answer 22

C. emphasis

Question 23

The most important art principle that holds a design together is:

A. harmony
B. balance
C. volume
D. emphasis

Answer 23

A. harmony

Question 24

The facial type that is about one and a half times longer than its width across the brow is the:

A. oval face
B. oblong face
C. facial contour
D. diamond face

Answer 24

A. oval face

Question 25

To offset or round out the features of a square ffacial shape, the aim would be to:

A. create the illusion of width in the forehead
B. add volume to top and closeness at the sides
C. elongate the shape of the face
D. create volume between the templates and jaw

Answer 25

D. create volume between the temples and jaw

Question 26

The facial shape with a narrow forehead and wide jaw and chin line is considered to be:

A. concave
B. circular
C. straight
D. convex

Answer 26

D. convex

Question 27

To give the illusion of proportional eyes to a client with wide set eyes, the hair should be:

A. slightly darker at the sides than top
B. styled using a middle part
C. straight lines at the jawbone
D. full and below jaw

Answer 27

A. slightly darker at the sides than top

Question 28

The triangular section that begins at the apex or high point of the head and ends a the front corners is called the:

A. crown area
B. bang area
C. line area
D. convex area

Answer 28

B. bang area

Question 29

The face profile with a receding forehead and chin is generally referred to as:

A. concave
B. circular
C. straight
D. convex

Answer 29

convex