Chapter 11: Auditory Brain Flashcards

1
Q

The Auditory Nerve

A
  • 50, 000 fibers
  • 95% from the 3500 inner hair cells
  • 5% from the 12,000 outer hair cells
  • like other cells we have learned about, each fiber has a limited range of frequencies that will evoke a response (tuning curve)
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2
Q

characteristic frequency

A

preferred frequency

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3
Q

Auditory Pathway: Right ear to Right Brain

A

Auditory nerve–> R. cochlear nucleus–>
R. superior olivary nucleus
–> R. inferior colliculus
R. medial geniculate nucleus (MGN)

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4
Q

Auditory Pathway: Right ear to Left Brain

A

Auditory nerve–>R. cochlear nucleus–>L. Trapezoid body–>
L. superior olivary nucleus
–>L. inferior colliculus
–> L.medial geniculate nucleus (MGN)

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5
Q

Descending pathways

A

Carry signals between auditory cortex
Modulate motile response
Protect ear from damage through acoustic reflex activation
Block task-irrelevant ascending auditory signals and pass task-relevant ones
feedback-related MGB activity correlates with the ability to discriminate different syllables

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6
Q

Auditory cortex

A

Coding within the cortex is tonotopic
shows “frequency magnification”
damage does not affect detection or discrimination of pure tones

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7
Q

Ventral Stream

A
  • What or ventral stream starts in the anterior portion of the core and belt and extends to the prefrontal cortex
  • It is responsible for identifying sounds
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8
Q

Dorsal Stream

A
  • Where or dorsal stream starts in the posterior core and belt and extends to the parietal and prefrontal cortices
  • It is responsible for locating sounds
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9
Q

3 Coordinantes

A
Azimuth coordinates 
-position left to right
Elevation coordinates 
-position up and down
Distance coordinates 
-position from observer
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10
Q

Binaural cues

A

location cues based on the comparison of the signals received by the left and right ears

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11
Q

Interaural intensity (or level) difference

A
  • difference in sound pressure level reaching the two ears
  • Reduction in intensity occurs for high frequency sounds for the far ear
  • The head casts an acoustic shadow
  • This effect is minimal for low frequency sounds
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12
Q

Interaural time difference

A
  • difference between the times sounds reach the two ears
  • When the source is to the side of the observer, the times will differ
  • This effect is minimal for high frequency sounds
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13
Q

Monaural Cue for Sound Location

A
  • The pinna and head affect the intensities of frequencies
  • The difference is called the head-related transfer function (HRTF)
  • This is a spectral cue since the information for location comes from the spectrum of frequencies
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14
Q

Judging Distance

A

Loudness/amplitude
-familiarity
-inverse square law (Amplitude of sound decreases in proportion to the square of the distance to the source)
.
.
Spectral Cues
-“blurring” (reduction in relative loudness of higher frequency components of sound)
-Proportion of sound reflected from surfaces
-Doppler effect (The frequency of a sound emitted by a moving sound source is higher in front of the sound source than behind it)

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15
Q

Auditory Scene

Auditory Scene Analysis

A
  • the array of all sound sources in the environment

- process by which sound sources in the auditory scene are separated into individual perceptions

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16
Q

Auditory Grouping

A

-Heuristics that help to perceptually organize stimuli
>Location - a single sound source tends to come from one location and to move continuously
>Similarity of timbre and pitch - similar sounds are grouped together
>Auditory stream segregation - separation of stimuli into different perceptual streams

17
Q

Interactions Between Vision and Sound

A
  • Visual capture or the ventriloquist effect - an observer perceives the sound as coming from the seen location rather than the source for the sound
  • Balls moving without sound appeared to move past each other
  • Balls with an added “click” appeared to collide
18
Q

Simultaneous Sounds: 4

A

Grouping by Temporal Proximity
Grouping by Frequency Similarity
Grouping by Harmonic Coherence
Grouping by Synchrony or Asynchrony