ARTS Flashcards

1
Q

an art movement that emerged in the second half of the 19th century among a group of Paris-based artists.

A

IMPRESSIONISM

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2
Q

The term Impressionist was used as a first
impression and an insult by someone who hated
this painting all because it did not follow with the
traditional way of painting at that time. This
certain painting is called “____________”
by French painter,___________

A

Impression Sunrise, Claude Monet

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3
Q

Characteristics of Impressionism Art

A

▪ Color was more of a visual effect
▪Emphasizes the value of light on objects
▪Texture is composed of broken strokes and visible brush strokes
▪Pure unmixed colors and not smoothly blended

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4
Q

” Everyday Subjects “

A

▪Paintings were about scenes of normal life instead of mythical or religious subjects ;
▪Presented ordinary people doing everyday tasks

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5
Q

” Painting Outdoors “

A

▪ Painters paint outside of the studio to see the actual
effect of objects
▪ Many of them focused on landscapes as their subjects.

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6
Q

was one of the founders of the Impressionist movement along with his friends in the French Academy of Art.

A

Claude Monet (1840-1926)

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7
Q

The most influential figure in Impressionism Art
movement. It was his painting “Impression, Sunrise”
that started the movement after it was criticized.

A

Claude Monet (1840-1926)

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8
Q

Along with Monet, was one of the central figures
in the Impressionist movement. His works were mostly about
snapshots of real-life, full sparkling color and light

A

Pierre Auguste Renoir (1841-1919)

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9
Q

Most of the time, his paintings include portraits of women and
children and groups of people celebrating together

A

Pierre Auguste Renoir ( 1841 - 1919 )

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10
Q

.One of the 19th century artists to depict everyday
modern-life subjects. His artworks are considered
turning point paintings that marked the start of modern
art

A

Édouard Manet

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11
Q

He was known to be the first one who started painting
using the impressionism style.

A

Édouard Manet

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12
Q

He liked to paint people on various places and as
if they are painted unknowingly, in common
terms, candid pose

A

Édouard Manet

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13
Q

After the last art exhibition of Impressionist
Paintings, around 1885, the art movement
_________ began.

A

Post-Impressionism

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14
Q

Post-Impressionist painters aim to use art as an_________ rather than a depiction of a real-life scenery.

A

emotional experience

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15
Q

CHARACTERISTICS OF POST IMPRESSIONISM

A

▪ Emotional Symbolism
▪ Artworks should be able to communicate the artist’s message from his mind.
▪ It is a way to express the feelings and emotions of the artist instead of showing a real-life picture
▪ Masterpieces are symbols of the artists emotions.

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16
Q

Not like the Impressionist who tries to capture the natural light of each scenery, Post-Impressionists use bright colors to express their emotions of the world around them not following the natural color of objects.

A

BRILLIANT COLORS

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17
Q

Brushstrokes of post-impressionist artwork; some are very pointy, wide, broad, short, and rough. It is like this since it is not intended to be a realistic picture but an expression of the artist’s emotion.

A

UNIQUE BRUSHSTROKES

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18
Q

is French painter and one of the greatest Post-Impressionists. His works were influential in the development of
many 20th-century artists and art movements.

A

Paul Cézanne (1839-1906)

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19
Q

Father of Post-Impressionism

A

Paul Cézanne (1839-1906)

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20
Q

was a Dutch Post-influential figures in the
history of Western art

A

Vincent Van Gogh

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21
Q

In just over a decade, he created about
2,100 artworks, including around 860 oil
paintings, most of which date from the last
two years of his life.

A

Vincent Van Gogh

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22
Q

are examples of painters who use their artworks as reflections of their own lives and expressions of their emotions.

A

Paul Cezanne and Vincent Van Gogh

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23
Q

The _________ Art Movement started in Germany.

A

EXPRESSIONISM

24
Q

It is an art style in which the image of reality is distorted and
exaggerated to express the artist’s inner feelings or ideas. It
could be anger, anxiety, fear, or peacefulness

A

EXPRESSIONISM ART

25
Q

This is the name given to the works produced by a group of artists led by French artists- Henri Matisse and André Derain, from around 1905 to 1910, which is characterized by strong colors and fierce
brushwork.

A

FAUVISM

26
Q

An art movement formed during 1916
-1924 as a negative reaction to the First World War in Zurich,
Switzerland. It includes visual, literary, and sound media, such as collage, sound poetry, cut-up writing, and sculpture.

A

DADAISM

26
Q

An art movement formed during 1916
-1924 as a negative reaction to the First World War in Zurich,
Switzerland. It includes visual, literary, and sound media, such as collage, sound poetry, cut-up writing, and sculpture.

A

DADAISM

27
Q

do not follow a certain art style in making their artworks,
instead they use their own imagination and emotions in creating
one.

A

DADAIST

28
Q

A revolutionary art movement developed in Europe around the 1920s to the 1950s after World War I by its
leader Andre Breton.

A

SURREALISM

29
Q

It was largely influenced by Dadaism, creating artworks with strange creatures from everyday objects as if
you are looking into a dream.

A

SURREALISIM

30
Q

Here, artists used their works to protest against the injustices, inequalities, immorality and ugliness of
the human condition.

A

SOCIAL REALISM

31
Q

In different periods of history, social realists have addressed different issues: war, poverty, corruption, industrial
and environmental hazards, and more – in hope of raising people’s awareness and pushing society to seek reforms.

A

SOCIAL REALISM

32
Q

has the same spirit of freedom of expression and
openness that characterized life in the 20th century but it differed from Expressionism in
certain ways.

A

Abstractionism or Abstract Art

33
Q

It does not attempt to represent an accurate depiction of a visual reality or the natural appearance of objects. Instead it uses geometrical shapes, lines, colors, forms, and gestural marks to achieve its effect.

A

Abstractionism or Abstract Art

34
Q

depicting still recognizable subjects

A

Representational Abstractionism

35
Q

where no recognizable subject could be
detected

A

Pure Abstractionism

36
Q

a three-Dimensional geometric figure composed of strictly measured lines, planes, and angles.

A

CUBISM

37
Q

a Filipino of Chinese descent from Davao City. He often chose dynamic or disturbing subject matter, frequently depicting
rabid dogs, crucifixions, and screaming figures
in an abstracted geometric style.

A

Ang Kiukok ( 1931-2005)

38
Q

Consistently tackling issues of social injustice and
the plight of the working classes.

A

Cesar Legaspi

39
Q

was an artistic and social movement that
originated in Italy in the early 20th century.

A

FUTURISM

40
Q

It aimed to capture in art the dynamism
and energy of the modern world
emphasizing speed, technology, youth,
violence, and objects such as cars,
airplanes, and the industrial city.

A

FUTURISM

41
Q

Leading Furturistic artist is ____

A

Gino Severini

42
Q

This style is characterized by
recurring interchangeable geometric
elements—among them, the cone,
the cylinder, and the disk —that
seemed suspended in a completely
flat or shallow, relief-like space.

A

MECHANICAL STYLE

43
Q

Works in this style did not make use of figures
or even with presentations of figures. They did not refer to recognizable objects or forms in the outside world. Lines shapes and colors were used aiming for balance, unity, and stability.

A

NON - OBJECTIVISM

44
Q

Foremost among the non-objectivists was
Dutch painter _______

A

Piet Mondrian

45
Q

the term applied to new forms of abstract art developed
by American painters such as Jackson Pollock, Mark Rothko and Willem de Kooning in the 1940s and 1950s.

A

ABSTRACT EXPRESSIONISM

46
Q

It is often characterized by gestural brushstrokes or mark-making, and the impression of spontaneity.

A

ABSTRACT EXPRESSIONISM

47
Q

Within abstract expressionism were two broad groupings: the so-called _________ who attacked their canvases with expressive brush strokes; and the ______who filled their canvases with large areas of a single color.

A

action painters, color field painters

48
Q

They were deeply interested in
religion and myth and created
simple compositions with large
areas of intended to produce a
contemplative or meditational
response in the viewer.

A

COLOR FIELD PAINTING

49
Q

Art of today, it reflects the complex issues that shape our diverse, global, and rapidly changing world.

A

CONTEMPORARY ART

50
Q

Intended as a reaction to the
previous modern art movements,

A

POP ART

51
Q

Much like artists working in the Pop Art
style sought to artistically reproduce
objects, aimed to create hyper realistic drawings
and paintings.

A

PHOTOREALISM

52
Q

often worked from photographs,
which enabled them to accurately reproduce
portraits, landscapes, and another iconography

A

PHOTOREALISM

53
Q

Concepts and ideas of the artists are the most important aspects. The meaning and message of the artwork may vary from one person to another. It may also differ in art form (mostly sculptures or arrangement of objects) depending on the concept of the artist.

A

CONCEPTUAL

54
Q

Beginning in the 1960s and retaining its popularity
today, ______ is a drama-inspired approach to art. While the art form is performed by artists, it is not solely intended as entertainment. Instead, its goal is to convey a message or idea.

A

PERFORMANCE ART