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ART APP Flashcards

1
Q

HUMANITIES CAME FROM THE LATIN WORD

A

HUMANUS

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2
Q

HUMANUS MEANS….

A

HUMAN, CULTURED, AND REFINED

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3
Q

STUDIES HUMAN EXPERIECE THROUGH PHILOSOPHY, LITERATURE, RELIGION, ART, AND HISTORY

A

HUMANITIES

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4
Q

DIFFERS FROM PHYSICAL, BIOLOGICAL, AND SOCIAL SCIENCE BY FOCUSING ON HUMAN EXPRESSIONS

A

HUMANITIES

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5
Q

IN HERENTLY GOOD

FREE TO MAKE CHOICES

LIMITLESS POTENTIAL

SELF-CONCEPTION

REALITY IS DEFINED BY EACH PERSON

A

FUNDAMENTAL PRINCIPLES OF HUMANITIES

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6
Q

ART ORIGINATED FROM

A

THE ARYAN ROOT AR

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7
Q

TO JOIN OR PUT TOGETHER

A

THE ARYAN ROOT AR

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8
Q

FORM OF EXPRESSION THAT USES PERCEPTION, INTUITION, AND FEELINGS

A

ART

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9
Q

SUBJECTIVE AND REPRESENTS HUMAN EMOTIONS AND EXPERIENCES

A

ART

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10
Q

3 FUNCTIONS OF ART

A
  1. PERSONAL EXPRESSION
  2. SOCIAL FUNCTION
  3. PHYSICAL FUNCTION
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11
Q

THREE FUNCTIONS OF ART:

ALLOWS INDIVIDUALS TO EXPRESS EMOTIONS

A

PERSONAL EXPRESSION

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12
Q

THREE FUNCTIONS OF ART:

USED FOR CELEBRATION, COMMUNICATION, AND DISPLAY

A

SOCIAL FUNCTION

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13
Q

THREE FUNCTIONS OF ART:

MEETS FUNCTIONAL NEEDS (E.G., AECHITECTURE, FURNITURE)

A

PHYSICAL FUNCTION

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14
Q

3 PHILOSOPHERS ON ART

A

PLATO
ARISTOTLE
IMMANUEL KANT

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15
Q

PHILOSOPHER WHO SAID ART IS LIMITATION AND CAN BE DANGEROUS AS IT INFLUENCES CHARACTER

A

PLATO

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16
Q

PHILOSOPHER WHO SAID ART PRESENTS NATURE AND FOLLOWS BEAUTY PRINCIPLES LIKE ORDER AND SYMMETRY

A

ARISTOTLE

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17
Q

PHILOSOPHER WHO SAI BEAUTY ISA BASED ON HUMAN PERCEPTION; TASTE IS BOTH SUBJECTIVE AND UNIVERSAL

A

IMMANUEL KANT

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18
Q

A PERSON SKILLED IN VISUAL AND PERFORMING

A

ARTIST

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19
Q

A SKILLED CRAFTSPERSON WHO MAKES OBJECTS BY HAND

A

ARTISAN

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20
Q

7 ART FORMS

A
  1. PAINTING
  2. SCULPTURE
  3. ARCHITECTURE
  4. MUSIC
  5. DANCE
  6. LITERATURE
  7. THEATRE
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21
Q

FILIPINO WORKS OF ART DEVELOPED FROM EARLY CIVILIZATION TO THE PRESENT. CULTURAL INFLUENCES FROM OTHER COUNTRIES THROUGH HISTORICAL INTERACTIONS.

A

PHILIPPINE ART HISTORY

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22
Q

EARLY STONE TOOLS (FLAKE TOOLS)

A

ANCIENT TOOLS AND ARTIFACTS

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23
Q

USED FOR STORAGE AND PRACTICAL PURPOSES

A

RECEPTACLES AND TEXTILE WEAVING

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24
Q

6 CLASSIFICATIONS OF POTTERY

A
  1. SHAPE
  2. METHOD OF DECORATIONS
  3. IMPRESSED DESIGNS
  4. INCISED DESIGNS
  5. ABSTRACT DESIGNS
  6. REPRESENTATIONAL DESIGNS
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25
2 SCULPTURES AND ARCHITECTURE
1. BAHAY KUBO 2. IFUGAO HAOUSE AND MARANAO HOUSE
26
TRADITIONAL FILIPINO HOUSE
BAHAY KUBO
27
DISTINCT NATIVE DWELLINGS
IFUGAO HOUSE AND MARANAO HOUSE
28
IN MUSLIM, WHAT IS THE MOST IMPORTANT ELEMENT
COLOR
29
IN MUSLIM, COLOR
HIGH-INTENSITY COLORS LIKE GREEN, YELLOW, RED, VIOLET, AND BLUE
30
CURVILINEAR MOTIFS FROM MARANAO AND TAUSUG
OKIR
31
A DESIGN TECHNIQUE FROUN IN THE SULU PENINSULA
UKKIL
32
2 FAMOUS SYMBOLS
SARIMANOK NAGA
33
MYTHICAL BIRD
SARIMANOK
34
SERPENTINE DESIGN
NAGA
35
ART OF MOUNTAIN PROVINCE
WOOD
36
CONSIDERED AN IMPORTANT SKILLS IN ALL TRIBES
WOOD CARVING
37
OTHER SKILLS OF THE IFUGAOS AND ITNEG
IRON MELTING AND BRONZE-CASTING
38
2 KINDS OF MOUNTAIN ART
1. RITUALISTIC 2. DECORATIVE
39
RICE GRANARY GUARDIAN
BULOL
40
WOOD CARVING
PINANGPANGA
41
6 ELEMENTS OF ART
LINE COLOR SHAPES TEXTURE SPACE MOVEMENT
42
MADE BY MOVING A POINT
LINE
43
INTENDED MARK AND BEYOND ITS PHYSICAL DESCRIPTION
LINE
44
SERIES OF DOTS
LINE
45
2 KINDS OF LINES
STRAIGHT LINES CURVED LINES
46
4 STRAIGHT LINES
1. HORIZONTAL 2. VERTICAL 3. DIAGONAL 4. ZIGZAG
47
ADDS BEAUTY AND MEANING TO ALL FORM OF ART
COLOR
48
EXPRESSES MOODS, FEELINGS, AND PERSONALITY
COLOR
49
3 PROPERTIES OF COLOR
HUE VALUE INTENSITY
50
NAME GIVEN TO THE COLOR
HUE
51
LIGHTNESS OR DARKNESS OF COLOR
VALUE
52
BRIGHTNESS OR DULLNESS OF COLOR
INTENSITY
53
FOUR COLOR HARMONY
1. MONOCHROMIC HARMONY 2. COMPLEMENTARY HARMONY 3. ANALOGOUS HARMONY 4. COLOR TEMPERATURE
54
2 COLORS TEMPERATURE
WARM AND COOL
55
SINGLE COLOR IS VARIED IN INTENSITY AND VALUE
MONOCHROMIC HARMONY
56
TWO COLORS THAT ARE OPPOSITE EACH OTHER
COMPLEMENTARY HARMONY
57
HUES THAT ARE ADJACENT OR BESIDE EACH OTHER
ANALOGOUS HARMONY
58
TWO ENDS OF LINE MEET TO ENCLOSE AREA
SHAPES
59
COULD BE FLAT (TWO-DIMENSIONAL) OR (THREE-DIMENSIONAL)
SHAPES
60
ANY FLAY SURFACE IN WHICH THE ARTWORK IS CREATED
PICTURE PLANE
61
4 CLASSIFICATION OF SHAPES
1. NATURAL OR ORGANIC 2. ABSTRACT SHAPES 3. NON-OBJECTIVE OR BIOMORPHIC 4. GEOMETRIC SHAPES
62
SHAPES THAT SEEN IN NATURE
NATURAL OR ORGANIC
63
SHAPES HAVE LITTLE OR NO RESEMBLANCE TO NATURAL OBJECTS
ABSTRACT SHAPES
64
SELDOM HAVE REFERENCE TO RECOGNIZE OBJECTS
NON-OBJECTIVE OR BIOMORPHIC
65
TRIANGLES, RECTANGLES, SQUARES, CYLINDERS, AND CUBES
GEOMETRIC SHAPES
66
FEEL OR TACTILE QUALITY OF THE SURFACE
TEXTURE
67
COULD BE ROUGH OR SMOOTH, FINE OR COARSE, POLISHED OR DULL, AND PLAIN OR IRREGULAR
TEXTURE
68
CAN BE PERCEIVED BY THE EYE IS CALLED VISUAL TEXTURE
TEXTURE
69
AN ILLUSION IN THE GRAPHIC ARTS
SPACE
70
CREATED BY TECHNIQUES THAT ADD DEPTH AND DEPTH AND DISTANCE
SPACE
71
NATURALLY USING WIND AND WATER OR MECHANICALLY THROUGH AN ENERGY SOURCE
ACTUAL MOVEMENT
72
USED TOGETHER, REPEATED, CHANGED IN POSITION, OR DECREASED/INCREAWSED IN SIZE
IMPLIED MOVEMENT
73
6 ELEMENTS OF MUSIC
RHYTHM MELODY HARMONY TIMBRE FORM DYNAMICS
74
ELEMENTS OF MUSIC: RECURRENCE OF ACCENTED AND ACCENTED BEAT
RHYTHM
75
ELEMENTS OF MUSIC: SUCCESSION OF TONES ARRANGED TO GIVE IT A MUSICAL SENSE
MELODY
76
ELEMENTS OF MUSIC: SOUNDING OF A SERIES OR GROUP OF TONES AT THE SAME TIME
HARMONY
77
ELEMENTS OF MUSIC: TONAL QUALITY PRODUCED BY AN INSTRUMENT OR HUMAN VOICE
TIMBRE
78
ELEMENTS OF MUSIC: STRUCTURE OR FRAMEWORK OF A COMPOSITION
FORM
79
ELEMENTS OF MUSIC: 3 VOCAL FORMS
1. OPERA 2. CANTATA 3. MORO
80
ELEMENTS OF MUSIC: 2 INSTRUMENTAL FORMS
1. SONATA 2. SYMPHONY
81
ELEMENTS OF MUSIC: LOUDNESS AND SOFTNESS OF THE SOUND BY SYMBOLS
DYNAMICS
82
8 ELEMENTS OF DANCE
MUSIC MOVEMENT CHOREOGRAPHY TECHNIQUE THEME DESIGN PATTERN IN TIME COSTUME
83
ELEMENTS OF DANCE: SHOULD BE MELODIC AND HARMONIOUS TO MOTIVATE DANCERS TO MOVE IN-TUNE WITH RHYTHM
MUSIC
84
ELEMENTS OF DANCE: HOW DANCERS USE THEIR BODIES TO MOVE
MOVEMENTS
85
ELEMENTS OF DANCE: STEPS AND MOVEMENTS ARE CONNECTED TO BE PERFORMED IN ORGANIZED MANNER
CHOREOGRAPHY
86
ELEMENTS OF DANCE: SKILL OF THE DANCER IN EXECUTING THE MOVEMENTS
TECHNIQUE
87
ELEMENTS OF DANCE: THE CONTENT OR THE MAIN INGREDIENT OF THE DANCE
THEME
88
ELEMENTS OF DANCE: PLANNED ORGANIZATION
DESIGN
89
ELEMENTS OF DANCE: PROVIDED BY RHYTHM
PATTERN IN TIME
90
ELEMENTS OF DANCE: ENCHANCES THE EFFECT OF THE DANCE
COSTUME
91
5 ELEMETS OF DRAMA
PLOT SETTING CHARACTERS DIALOGUE THEME
92
ELEMENTS OF DRAMA: OVER-ALL STRUCTURE OF THE PLAY
PLOT
93
ELEMENTS OF DRAMA: LOCALE AND PERIOD STORY TAKES PLACE
SETTING
94
ELEMENTS OF DRAMA: PEOPLE INVOLVED IN THE STORY (PROTAGONIST AND ANTAGONIST)
CHARACTERS
95
ELEMENTS OF DRAMA: WORDS UTTERED BY THE CHARACTERS IN THE STORY
DIALOGUE
96
ELEMENTS OF DRAMA: WHAT THE STORY MEANS
THEME
97
4 ELEMENTS OF THEATRE
PLAYWRIGHT PERFORMERS DIRECTOR PRODUCTION DESIGN
98
ELEMENTS OF THEATRE: PLOT IN TERMS OF THE ACTION AND DIALOGUE
PLAYWRIGHT
99
ELEMENTS OF THEATRE: THE ONES WHO PORTRAY THE CHARACTERS
PERFORMERS
100
ELEMENTS OF THEATRE: WORKS WITH THE PLAYWRIGHT
DIRECTOR
101
ELEMENTS OF THEATRE: THE SCENERY, PROPS, MAKE-UP, COSTUMES, MUSIC, SOUND, AND ALL OTHER
PRODUCTION DESIGN
102
4 ELEMENTS OF CINEMA
ACTING AND STARS SET AND ART DIRECTORS MUSIC AND MUSICAL DIRECTOR COLOR
103
ELEMENTS OF CINEMA: PORTRAYING CHARACTERS IN A STORY
ACTING AND STARS
104
ELEMENTS OF CINEMA: WELL-RESEARCHED, REALISTIC SETTING MAKES THE STORY AUTHENTIC
SET AND ART DIRECTORS
105
ELEMENTS OF CINEMA: IN-CHARGE WITH THE MUSIC AND SOUNDS TO BE USED
MUSIC AND MUSICAL DIRECTOR
106
ELEMENTS OF CINEMA: INNOVATION IN CINEMATOGRAPHY
COLOR
107
REFERS TO "WHAT THE WORK REPRESENTS"
ART SUBJECT
108
8 INSPIRATIONS
1. NATURE 2. PEOPLE 3. HISTORY 4. LEGENDS 5. RELIGION 6. MYTHOLOGY 7. DREAMS AND FANTASY 8. TECHNOLOGY
109
8 INSPO: MOST POPULAR SOURCE OF OBJECTIVE ART
NATURE
110
8 INSPO: HUMAN OBJECTS THAT COULD BE REAL OR IMAGINED. MOST INTERESTING
PEOPLE
111
8 INSPO: DEPICT REAL LIFE EVENTS. OCCURED IN THE PAST
HISTORY
112
8 INSPO: BASED ON LEGENDS. TANGIBLE EVEN WHEN UNVERIFIED
LEGENDS
113
8 INSPO: BASED ON THE SACRED TEXTS. CONVEY THE BELIEFS OF EACH RELIGION
RELIGON
114
8 INSPO: BASED ON THE STORIES OF THE GODS AND GODDESSES
MYTHOLOGY
115
8 INSPO: UNCONSCIOUS MIND TO KNOW AND UNDERSTAND
DREAMS AND FANTASY
116
8 INSPO: CITYSCAPES, AIRPLANES, CARS, SHIPS, MOTORCYCLES, AND ROBOTIC TECHNOLOGY
TECHNOLOGY

1st yr (15 decks)

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