Art and appreciation Flashcards
dapat ma memorize tanan :( (133 cards)
1
Q
is the study of objects or art in their historical
development and stylistic context; that genre,
design, format and style.
A
Art History
2
Q
is thinking about something
whether it is an object, place, time, etc. that
is not physically present while creativity is
doing something meaningful with your
imagination.
A
Imagination
3
Q
assumption is a thing
as true or as certain to happen, without proof.
A
Basic-assumption
4
Q
what are the Basic-assumption of art:
A
Art involves experience
Art is not nature
. Art is cultural
Art is a form of creation
5
Q
make use of five
senses.
A
Art involves experience
6
Q
art is made by man and
nature is by God.
A
Art is not nature
7
Q
depicts people’s way of life,
religious practices and traditions.
A
Art is cultural
8
Q
art is something
created with imagination an skill that is
beautiful.
A
Art is a form of creation
9
Q
depends on the person’s imaginative or technical
skill.
A
Art is a diverse range of human activities
10
Q
uses signs that stand in for
and take place of something else to show realistic
scenarios in the environment
A
Art represents reality
11
Q
translates the unnamed and
the unknown, understandin
A
Art is an expression
12
Q
expressing feelings, thoughts and observations of human
conditions
A
Art serves as a means of communication of emotions
13
Q
art allow us to express ourselves and illustrates
the world around us in a different light, helping us to gain
understanding of people and society.
A
Art matters
14
Q
art can be found in any corners of the world.
A
aArt is universal
15
Q
combinations of existing material elements
into forms which become the realization of a preconceived
idea.
A
Art is creation
16
Q
depend on its context, the
said functions of art normally fall into three
categories.
A
Functions of Arts
17
Q
These are personal, social and
physical functions.
A
1.The Personal Function
2.The social function
3. The Physical Function
4. Community Planning
5. Function and Beauty
18
Q
an artist may
create out of a need for elf-expression, or
gratification.
A
The Personal Function
19
Q
art that go beyond
personal intrinsic value to art’s social
benefits
A
The social function
20
Q
works of art that are
created to perform some service
A
The Physical Function
21
Q
function of an object is
generally essential in the basic form that it
takes
A
Form and Function
22
Q
the design of the building is
determined primarily by its operational works.
(how it works)
A
Form and Function
23
Q
efficient organization and building
establishments and space for the aesthetic needs of the
community.
A
Community Planning
24
Q
things remain the same in shape throughout the
years because their functions and forms.
A
Function and Beauty
25
The visual arts also include a
number of modern art forms,
such as: assemblage, collage,
mixed-media, conceptual art,
happenings and performance art
and film-based disciplines such
as photography, video art and
animation
Contemporary Arts
26
was an idea that governed
the creation of works of art, in
particular, with correspondence to the
physical world understood as a model
for beauty, truth, and the good.
According to Plato, all artistic creation
is a form of imitation: that which really
exists, in the “world of ideas.
Art as mimesis (Plato)
27
Similar to Plato’s writings about
mimesis, Aristotle also defined
mimesis as the perfection, and
imitation of nature.
Art as
representation
(Aristotle)
28
The eighteenth century philosopher
states that the beauty could be
nothing less that to create beauty.
The beautiful, for Emmanuel Kant he
stated “that which without any
concept is recognized as the object
of necessary satisfaction
Art for Art Sake
(Kant)
29
This are the art forms that
represents objects or
events in the real world,
usually looking easily
recognizable.
Representational or
Objective
30
These are those arts without
any reference to anything
outside itself (without
representation).
Non-representational of
Non-objective
31
These are groups
of inanimate
objects arranged in
an in-door setting.
STILL LIFE
32
Artist have
always been
fascinated with
their physical
environmental.
LANDSSCAPE, SEASCAPES AND
CITYSCAPES
33
They have been
represented by artists
from almost ages and
places
ANIMALS
34
People have always
been intrigued by the
human face as an
index of the owner’s
character
POTRAITS
35
The sculpture's’ chief
subject has
traditionally been the
human body, nude or
clothed.
FIGURES
36
Artists have
always shown
a deep
concern about
life around
them
EVERYDAY
LIFE
37
History consists
of verifiable
facts, legends,
of unverifiable
ones
HISTORY AND LEGEND
38
Art has been a hand
maiden of religion.
Most of the world’s
religions have used
the arts to aid in
worship, to instruct,
to inspire feelings
and devotions.
RELIGION AND
MYTHOLOGY
39
artists , especially the
surrealists have tried
to depict dreams and
wild imaginations.
DREAMS AND
FANTASIES
40
Different Levels of Meaning
Factual Meaning
Conventional Meaning
Subjective Meaning
41
is dedicated only to the creative side, making
visually pleasing work only foe the enjoyment and
appreciation of the viewer, but with no functional
value.
An artist
42
is essentially a manual worker who makes
items with his or her hands, and who through skill,
experience and talent can create things of great
beauty as well as being functional.
An artisan
43
is the material used by an artist to
express his/her feelings or thoughts.
An medium
44
also known as hot wax painting, is a form of painting that involves a heated wax medium to
which colored pigments have been added.
1.Encaustic painting
45
is a wall painting technique where pigments mixed with an organic binder
and/or lime are applied onto dry plaster.
Fresco secco
46
this is also known as “Buon Fresco” or True Fresco, which entails painting on
freshly spread moist plaster, layers of plaster are applied earth to the surface.
Fresco
47
this is also known as “Buon Fresco” or True Fresco, which entails painting on
freshly spread moist plaster, layers of plaster are applied earth to the surface.
Tempera
48
The design is created by small pieces of colored glass, stone or ceramic called
tesserae embedded in wet mortar which has been spread over the surface to be decorated
.their slightly irregular placement on a surface creates a very, reflective surface when
viewed at a distance.
Mosaic
49
prior to the 15th century oil paints were thick and hard to control so they were
initially used only for utilitarian purposes.
oil paint
50
Pigments are mixed with gum arabic and applied to paper using water and
soft brushes.
Water color
51
paints, developed in the 20th century, are made from artificial
compounds.
Acrylic
52
The word "_______ " comes from the French "coller,
" meaning "to paste." In this
technique, various materials like photographs, news clippings, or objects are pasted onto
the painting surface and may be combined with painted elements.
Collage
53
is a fundamental art form, using any medium (paint, stone, steel, fabric, etc.)
to envision work.
Drawing
54
THE FIVE MAJOR TYPES OF PRINTS ARE
RELIEF
INTAGLIO PRINTS
STENCIL PRINTS
WOODCUT
ENGRAVING
55
This award is given to Filipino folk and indigenous artists
who maintain traditional practices despite modern
influences. GAMABA was initially a project by the Rotary
Club of Makati-Ayala in 1992 and was later
institutionalized by the government under Republic Act No.
7355. The
THE GAWAD SA MANLILIKHA
NG BAYAN AWARD
(GUMABA)
56
SOME OF THE GUMABA AWARDEES
Darhata Sawabi
Eduardo Mutuc
Haja Amina Appi
Alonzo Saclag
Federico Caballero
Uwang Ahadas
Lang Dulay
Salinta Monon
Ginaw Bilog
Masino Intaray
57
a time-based art form that typically features a
live presentation to an audience or to
onlookers (as on a street) and draws on such
arts as acting, poetry, music, dance, and
painting.
PERFORMANCE ART
58
PERFORMANCE ART
Music
drama
opera
dance
59
is a form of art that uses silence and sound. It can be
organized or improvisational.
Music
60
is a form of performing arts that combines text and music. It
originated in Italy in the 16th century and spread throughout
Europe.
Opera
61
is a form of performing arts that involves moving the body
rhythmically, often to music. It can be social, participatory, or
competitive.
Dance
62
is a mode of fiction represented in a performance,
originating from the Greek word "drao" which means action.
Drama
63
are the basic components of
art-making
The Element of Art
64
PRINCIPLES DESIGN
Balance
Emphasis
Repetition
Proportion
Rhythm
Variety
Unity
65
THE ELEMENT OF ART THE BUILDING
BLOCKS OF ALL ART.
line
Shape
Space
Value
Color
Texture
Form
66
is a mark made upon a surface. It must be longer than its width and can be horizontal, vertical, wavy,
diagonal, and more. Lines can be two or three-dimensional, descriptive, implied, or abstract.
Line
67
are areas of enclosed space that are two-dimensional. Shapes are flat and can only have height and
width.
Shape
68
in art deals with the illusion of depth on a flat surface. By overlapping shapes, artists can make some objects
appear closer or farther away.
Space
69
refers to the lightness and darkness of areas in a work of art. White is the lightest value, black is the darkest,
and the value halfway between these extremes is called middle gray.
Value
70
is the most prominent element of design and is one of the most powerful and yet subjective elements in art
color is an element of art made up of three properties: hue, value, and intensity.
Color
71
refers to the way things feel or look as if they might feel if touched. It can be rough or smooth, wet or dry,
sticky or slick, hard or soft, brittle or flexible.
Texture
72
is an element of art that is three-dimensional and encloses volume. It includes height, width, and depth.
Form
73
is an element of art that is three-dimensional and encloses volume. It includes height, width, and depth.
Balance
74
is the part of the design that catches the viewer's attention.
Emphasis
75
is the part of the design that catches the viewer's attention.
Pattern
76
works with pattern to make the work of art seem active.
Repetition
77
is the feeling of unity created when all parts (size, amounts, or numbers).
Prportion
78
is created when one or more elements of design are used repeatedly to create a feeling of organized
movement.
Rhythm
79
is the use of several elements of design to hold the viewer attention and to guide the viewers eye through and
around the work of art.
Variety
80
is the feeling of harmony between all parts of the work of art, which ceates a sense of completeness.
Unity
81
PRINCIPLES DESIGN OF PLANE
The Basic Semiotic Plane
The Iconic Plane
The Contextual Plane
82
According to the acclaimed art critic Alice Guillermo the basic semiotic plane covers the
elements and the general technical and physical aspect of the work their semantic meaning conveying potential the
term semiotic has something to do with signs.
The basic Semiotic Plane
83
According to Guillermo while the semiotic plane deals with the material elements of the image ,
the iconic plane is concerned with its particular features.
The Iconic Plane
84
- For Guillerno resituating the work in its context will bring out the meaning of the work in
terms of its human and social implications this is where the contextual plane comes into the picture.
The Contextual Plane
85
The rule of thirds is a “rule of thumb “ or guideline which appliers to the process of composing visual images such as
design, films , paintings and photographs (Meech 2007).
THE RULE OF THE THIRD
86
is a captivating journey through the
ages, exploring the creative expressions and cultural influences that have
shaped our visual world.
The History and
Development of Art
87
The Renaissance period, from the 14th to
the 17th century, marked a resurgence of
interest in the art, literature, and philosophy
of ancient Greece and Rome.
Rebirth of Classicism
88
The flourishing of the Renaissance was
fueled by the patronage of wealthy families
and the Church, who commissioned artists
to create masterpieces that celebrated their
power and prestige.
Patronage and Artistic Innovation
89
As the Renaissance gave way to the Age of
Enlightenment, a greater emphasis on
observation and scientific inquiry led to the
emergence of Realism in art.
The Birth of Realism
90
The Age of Symbolism and Expressionism
The Birth of Abstraction
Expressionism
Symbolism
91
Emerging in the late 19th century, the Symbolist movement sought to convey
abstract ideas, emotions, and the subconscious through the use of symbolic
imagery.
Symbolism
92
As Expressionism continued to evolve, it paved the way for the rise of abstract art,
which completely abandoned the representation of the physical world in favor of
pure form, color, and composition.
The Birth of Abstraction
93
In the early 20th century, the Expressionist movement arose as a reaction against
the perceived coldness and detachment of Realism. Pioneered by artists such as
Edvard Munch and Ernst Ludwig Kirchner, Expressionism emphasized subjective,
emotive interpretations of the world, often using distorted forms and vivid colors to
convey intense psychological states.
Expressionism
94
The Age of Cubism and Beyond
Cubism
Futurism
Installation Art
Dada and Surrealism
95
Pioneered by Pablo Picasso and Georges Braque, Cubism revolutionized
the way artists approached representation, breaking down objects and
figures into geometric shapes and multiple perspectives.
Cubism
96
Embracing the dynamism and technological advancements of the modern
age, the Futurist movement, led by artists like Umberto Boccioni and
Giacomo Balla, sought to capture the energy and movement of the
industrial world.
Futurism
97
Emerging in the aftermath of World War I, the Dada and Surrealist
movements rejected the perceived rationality and order of the modern
world, embracing the absurd, the irrational, and the subconscious.
Dada and Surrealism
98
In the latter half of the 20th century, the rise of Installation Art marked a
radical departure from traditional media and exhibition formats.
Installation Art
99
The Evolution of Contemporary Art
Pop Art
Conceptual Art
Performance Art
Digital Art
100
Emerging in the 1950s and 1960s, Pop
Art embraced the imagery and
aesthetics of popular culture, mass
media, and consumer society.
Pop Art
101
prioritized the idea or
concept behind a work over its
physical manifestation.
Conceptual Art
102
Art broke down the
barriers between the artist, the
artwork, and the audience, often
involving the artist's body or the active
participation of the viewer.
Performance art
103
The rise of d_______ technology has
profoundly impacted the world of
contemporary art, opening up new
frontiers for artistic expression.
Digital Art
104
His music is characterized by its
contrapuntal texture, intricate
harmonies, and use of the
harpsichord.
Pachelbel (1653-1706) was a German
composer who is best known for his
"Canon in D Major".
Johann Pachelbel
105
He wrote numerous operas, including "The Four Seasons" and "Orlando
furioso".
Antonio Vivaldi
106
1
The Four Seasons
A set of four violin
concertos, each inspired by
a different season.
2
Concerto in G Minor
"La Notte"
A concerto that depicts the
night.
3
Concerto in E Major for Strings "La Stravaganza"
A concerto that showcases Vivaldi's virtuosic writing for strings.
Antonio Vilvadi
107
One of the most important composers of the Baroque era.
Wrote organ works, concertos, sonatas, cantatas, and the
Brandenburg Concertos.
Characterized by complex counterpoint, intricate
harmonies, and a focus on the fugue.
Johann Sebastian Bach
108
Early Life
Handel (1685-1759) was
born in Germany and
studied music in Italy.
2
Operas
He wrote many operas,
including "Rinaldo" and
"Julius Caesar in Egypt".
3
Oratorios
Handel's most famous
works are oratorios, such
as "Messiah" and "Judas
Maccabaeus".
4
Influence
Handel's music had a
profound impact on the
development of English
opera.
George Frideric Handel
109
1
Father of the
Symphony
Haydn (1732-1809) is
considered the "father of the
symphony" for his
innovative and influential
works.
2
String Quartets
He composed over 100
string quartets, which are
considered masterpieces of
the genre.
3
Influence
Haydn's music had a profound influence on later composers,
including Mozart and Beethoven.
Josef Haydn
110
Large-scale orchestral works typically
consisting of four movements.
Large-scale orchestral works typically
consisting of four movements.
111
Chamber music for two violins, a viola,
and a cello.
String Quartets
112
Concertos for piano and orchestra.
Piano Concertos
113
is a period of Western classical music that
began in the late 18th or early
19th century.
Romantic music
114
-born on November 18, 1786, in Holnstein, Germany, was a
significant composer and opera director during the transition
from Classical to Romantic music. He is best known for
operas such as *Der Freischütz
* (1821),
*Euryanthe* (1823),
and *Oberon* (1826), with *Der Freischütz
* establishing
German Romantic opera.
Carl Maria von Weber
115
born on March 1, 1810, in Zelazowa Wola, near Warsaw, was a
Polish-French composer and pianist of the Romantic period. He is
renowned for his solo piano pieces and piano concertos.
Frédéric Chopin
116
-born on June 8 1810(1810–1856) was a German Romantic
composer known for his piano music, songs, and orchestral
works. He composed many pieces for his wife, Clara
Schumann, a pianist.
Robert Schumann
117
(1811–1886) was a Hungarian piano virtuoso and composer known
for his 12 symphonic poems, piano concerti, sacred choral works, and
numerous solo piano pieces.
Franz Liszt
118
(1813–1883) was a German composer born in Leipzig. Raised in a
large family, he showed early interest in poetry rather than music.
His formal musical training began at age 18 with Theodor Weinlig
in Leipzig.
Richard Wagner
119
(1833–1897) was a German composer and pianist, recognized as a
master of symphonic and choral music in the Romantic era.
Johannes Brahms
120
(1840–1893) was a Russian composer known for his
emotionally resonant melodies, colorful orchestration, and
prolific output.
Pyotr Ilyich Tchaikovsky
121
(1844–1908) was a Russian composer from an aristocratic family.
Nikolai Rimsky-Korsakov
122
in music, spanning from the late 19th to the
mid-20th century, revolutionized instrument music.
The Modern Period
123
are about
learning to listen to the voice of our
soul, to trust our intuition, and to
follow our own unique path.
The soulmaking arts
124
is an
alternative venue for knowing ourselves
and looking into the depths and real
meaning of what we are doing for our
everyday life (Narciso, 2012).
Soulmaking (artmaking)
125
begins with sketching,
grid-lining, drawing, or filling in
under paintings.
Phase One
126
includes adding
multiple layers of tone, color, or
paint within an artwork.
Phase Two
127
ends with students
adding final detail and craftsmanship
showcasing their finished projects.
Phase Three
128
It is the use of pre- existing
objects or images with little or
no transformation applied to
them.
APPROPRIATION
129
generally pertains to the general
right of a person or an individual to controll an
object purchased or in his posession.
Ownnership
130
the person who created the work
exclusive rights to display publicly, to make
and distribute copies based on the original
artwork.
Copyright
131
will merely
result in the transfer of ownership .
Purchase of a created artwork
132
is a
traditional cloth woven by the
T’boli women of Lake Sebu
and to them this uniques fabric
represents birth, life, union in
marriage and death.
T’nalak Process
133
