Appreciation of Fine Arts Midterm Flashcards

1
Q

long melodic phrases on a single syllable (done to emphasize specific words)

A

Melismatic Singing

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2
Q

what are the three types of performance in melismatic singing

A

Responsorial
Antiphonal
Direct

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3
Q

where two or more lines are moving independently from each other

A

Polyphony

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4
Q

New idea of the Late Middle Ages

A

Gothic “Barbarian”

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5
Q

lacks conformity with the Classical Greek and Roman architecture

A

Gothic “Barbarian”

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6
Q

Gothic architecture

A

Pointed Arches
Ribbed Vault
Great expanses of glass
Flying Buttress
Gargoyles
Stained Glass
Rose widows

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7
Q

sculptures were used primarily to decorate the exterior of the cathedral and were long and lean figures

A

Gothic Art: Sculptures

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8
Q

First great Italian painter in a line of great artists who contributed to the Italian Renaissance.
Inspired by Greek art preserved in the Byzantine Empire
Pioneer of the Renaissance

A

Giotto di Bondone

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9
Q

what are ultimately allowed the Italians to leap the barrier that separated sculpture from painting

A

Byzantine

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10
Q

After what point is the history of art also the history of great artist

A

Gothic Art/ Lamentation of Christ

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11
Q

Creation of notation allowed for other voice parts to be created

A

Polyphonic Music

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12
Q

Additional notes written above the chant to embellish it
Music is mostly consonant
Original chant melody becomes called the “Tenor”

A

Polyphonic Music

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13
Q

musical service of the Catholic Church

A

Mass

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14
Q

Two types of Mass

A

Proper Mass and Ordinary Mass

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15
Q

consists of varying chants to “be proper for” specific days of the year

A

Proper Mass

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16
Q

consists of standard chants with unvarying texts

A

Ordinary Mass

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17
Q

Ordinary mass texts:

A

Kyrie
Gloria
Credo
Sanctus
Angus Dei

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18
Q

Lord have mercy

A

Kyrie

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19
Q

Glory to God in the highest

A

Gloria

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20
Q

I believe

A

Credo

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21
Q

Holy, Holy, Holy

A

Sanctus

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22
Q

Lamb of God

A

Angus Dei

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23
Q

Composed by Guillaume de Machaut

A

Messe De Nostre Dame (Mass of our Lady)

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24
Q

One of the best-known works in the entire repertoire of medieval music
Uses the ordinary of the Mass
Three new voices added to the preexisting chant

A

Messe Be Nostre Dame

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25
New voices from Machaut
Superius Contratenor Altus Tenor Contratenor Bassus
26
Superius
soprano
27
Contratenor Altus
Alto
28
original Gregorian chant
Tenor
29
Contratenor Bassus
Bass
30
Consisted of thousands of sacred melodies sung in Latin Named after Pope Gregory I No regular rhythm Monophonic Free of tension or drama Vocal (no instrumental accompaniment) Syllabic singing- one syllable per note
Gregorian chant
31
developed music notation
Early Medieval Music
32
dashes and dotes to indicate vertical direction of a melody
Numes
33
Development of notation
Church musicians create Western notation Staff lines were added to represent intervals
34
"Christ in Majesty" relief sculpture images
Man/angel Lion Ox Eagle
35
Man/angel
Matthew
36
Lion
Mark
37
Ox
Luke
38
eagle
John
39
functions as the main entrance to the church (Romanesque)
West End
40
where the main alter is placed and the main part of service takes place
East End
41
Architectural features of Romanesque Art
Fortress-like Roman arches and arcades Small Windows Barrel Vault Grain Vault Massive Piers Decorated Columns Towers
42
refers to art developed in the West
Romanesque art
43
a series of arches supporting a wall or set along it
arcades
44
formed by the continuation of a single cure along a given distance Most common in Romanesque style
Barrel Vault
45
Produced by the intersection of two barrel vaults
Groin Vault
46
an upright support that can be square, rectangular or round
Massive Piers
47
Round supports Most often for decor rather than structure
Decorated columns
48
Important feature of Romanesque churches
towers
49
commissioned by Emperor Justinian One of the oldest and longest basilicas in the world Modeled after the Pantheon 40 window at the base of the dome gives the illusion of weightlessness Turned into a mosque in 1453 and in 1935
Hagia Sophia
50
Cathedral Terminology
West End East End Nave Aisle Transept Crossing Choir Apse
51
central long space of the church building Usually flanked by aisles
Nave
52
Open area parallel to nave and separated from it by columns or piers
Aisle
53
Rectangular area that separates the nave and aisles from the rest of the building
Transept
54
Area where the nave and the transept intersect
Crossing
55
the area just past the crossing the main or high alter is located in this area
Choir
56
a vaulted extension of projection on the east generally circular or polygonal in shape not uncommon to find fresco paintings here
apse
57
art that the focus on simplicity and clarity
Byzantine art
58
composed of small units of stone, glass, or porcelain set in mortar
Mosaics
59
Iconoclasts
image smasher
60
were against all images of a religious nature
Iconoclasts
61
62
Images in the church of the Early Middle Ages
early Christians agreed on No statues Did not want the church to mirror anything of the world
63
function of paintings in the Early Middle Ages
was to educate used to remind the congregation of teachings they had received
64
"Painting can do for the illiterate what writing does for those who can read"
Pope Gregory
65
First Roman emperor to convert to Christianity and in 311 established the Christian church as a power in the state
Emperor Constantine the Great
66