Appreciation of Fine Arts Midterm Flashcards

1
Q

long melodic phrases on a single syllable (done to emphasize specific words)

A

Melismatic Singing

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2
Q

what are the three types of performance in melismatic singing

A

Responsorial
Antiphonal
Direct

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3
Q

where two or more lines are moving independently from each other

A

Polyphony

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4
Q

New idea of the Late Middle Ages

A

Gothic “Barbarian”

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5
Q

lacks conformity with the Classical Greek and Roman architecture

A

Gothic “Barbarian”

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6
Q

Gothic architecture

A

Pointed Arches
Ribbed Vault
Great expanses of glass
Flying Buttress
Gargoyles
Stained Glass
Rose widows

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7
Q

sculptures were used primarily to decorate the exterior of the cathedral and were long and lean figures

A

Gothic Art: Sculptures

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8
Q

First great Italian painter in a line of great artists who contributed to the Italian Renaissance.
Inspired by Greek art preserved in the Byzantine Empire
Pioneer of the Renaissance

A

Giotto di Bondone

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9
Q

what are ultimately allowed the Italians to leap the barrier that separated sculpture from painting

A

Byzantine

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10
Q

After what point is the history of art also the history of great artist

A

Gothic Art/ Lamentation of Christ

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11
Q

Creation of notation allowed for other voice parts to be created

A

Polyphonic Music

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12
Q

Additional notes written above the chant to embellish it
Music is mostly consonant
Original chant melody becomes called the “Tenor”

A

Polyphonic Music

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13
Q

musical service of the Catholic Church

A

Mass

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14
Q

Two types of Mass

A

Proper Mass and Ordinary Mass

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15
Q

consists of varying chants to “be proper for” specific days of the year

A

Proper Mass

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16
Q

consists of standard chants with unvarying texts

A

Ordinary Mass

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17
Q

Ordinary mass texts:

A

Kyrie
Gloria
Credo
Sanctus
Angus Dei

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18
Q

Lord have mercy

A

Kyrie

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19
Q

Glory to God in the highest

A

Gloria

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20
Q

I believe

A

Credo

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21
Q

Holy, Holy, Holy

A

Sanctus

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22
Q

Lamb of God

A

Angus Dei

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23
Q

Composed by Guillaume de Machaut

A

Messe De Nostre Dame (Mass of our Lady)

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24
Q

One of the best-known works in the entire repertoire of medieval music
Uses the ordinary of the Mass
Three new voices added to the preexisting chant

A

Messe Be Nostre Dame

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25
Q

New voices from Machaut

A

Superius
Contratenor Altus
Tenor
Contratenor Bassus

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26
Q

Superius

A

soprano

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27
Q

Contratenor Altus

28
Q

original Gregorian chant

29
Q

Contratenor Bassus

30
Q

Consisted of thousands of sacred melodies sung in Latin
Named after Pope Gregory I
No regular rhythm
Monophonic
Free of tension or drama
Vocal (no instrumental accompaniment)
Syllabic singing- one syllable per note

A

Gregorian chant

31
Q

developed music notation

A

Early Medieval Music

32
Q

dashes and dotes to indicate vertical direction of a melody

33
Q

Development of notation

A

Church musicians create Western notation
Staff lines were added to represent intervals

34
Q

“Christ in Majesty” relief sculpture images

A

Man/angel
Lion
Ox
Eagle

35
Q

Man/angel

36
Q

Lion

37
Q

Ox

38
Q

eagle

39
Q

functions as the main entrance to the church (Romanesque)

40
Q

where the main alter is placed and the main part of service takes place

41
Q

Architectural features of Romanesque Art

A

Fortress-like
Roman arches and arcades
Small Windows
Barrel Vault
Grain Vault
Massive Piers
Decorated Columns
Towers

42
Q

refers to art developed in the West

A

Romanesque art

43
Q

a series of arches supporting a wall or set along it

44
Q

formed by the continuation of a single cure along a given distance
Most common in Romanesque style

A

Barrel Vault

45
Q

Produced by the intersection of two barrel vaults

A

Groin Vault

46
Q

an upright support that can be square, rectangular or round

A

Massive Piers

47
Q

Round supports
Most often for decor rather than structure

A

Decorated columns

48
Q

Important feature of Romanesque churches

49
Q

commissioned by Emperor Justinian
One of the oldest and longest basilicas in the world
Modeled after the Pantheon
40 window at the base of the dome gives the illusion of weightlessness
Turned into a mosque in 1453 and in 1935

A

Hagia Sophia

50
Q

Cathedral Terminology

A

West End
East End
Nave Aisle
Transept
Crossing
Choir
Apse

51
Q

central long space of the church building
Usually flanked by aisles

52
Q

Open area parallel to nave and separated from it by columns or piers

53
Q

Rectangular area that separates the nave and aisles from the rest of the building

54
Q

Area where the nave and the transept intersect

55
Q

the area just past the crossing
the main or high alter is located in this area

56
Q

a vaulted extension of projection on the east
generally circular or polygonal in shape
not uncommon to find fresco paintings here

57
Q

art that the focus on simplicity and clarity

A

Byzantine art

58
Q

composed of small units of stone, glass, or porcelain set in mortar

59
Q

Iconoclasts

A

image smasher

60
Q

were against all images of a religious nature

A

Iconoclasts

62
Q

Images in the church of the Early Middle Ages

A

early Christians agreed on No statues
Did not want the church to mirror anything of the world

63
Q

function of paintings in the Early Middle Ages

A

was to educate
used to remind the congregation of teachings they had received

64
Q

“Painting can do for the illiterate what writing does for those who can read”

A

Pope Gregory

65
Q

First Roman emperor to convert to Christianity and in 311 established the Christian church as a power in the state

A

Emperor Constantine the Great