Additional Flashcards
Audience
The receivers or intended receivers of a text (written, spoken or multimodal). The concept of an ideal audience/reader/narratee is often found in critical discourse. Texts might also have multiple audiences.
Foregrounding
The way in which texts emphasise key events or ideas through the use of attention-seeking devices (in terms of lexis, semantics, phonology or grammar) that either repeat content (parallelism) or break established patterns (deviation.)
Genre
The way of categorising and classifying different types of texts according to their features or expected shared conventions or functions.
Literariness
The degree to which a text displays qualities that mean people see it as literary. It is best to see this as a continuum.
Mode
The way in which language is communicated between text producer and receiver (image/writing/speech/logo).
Semiotics
The study of signs and symbols and their uses or interpretations.
Medium
How messages are mediated (e.g. paper or digital text)
Channel
(from communication studies) - the physical means of transmission (auditory/visual/olfactory)
Olfactory
Relating to the sense of smell
Narrative
A type of text or discourse that functions to tell a series of events.
Narrative part: story
The events, places, characters and time of action that act as the building blocks of the narrative
Narrative part: narrative discourse
The particular shaping of the story who specific choices in language and structure.
Poetic voice
The way in which a sense of identity is projected through language choices so as to give the impression of a distinct persona with a personal history and a set of beliefs and values. Grammatical voice is different.
Point of view
The way in which events and experiences are filtered through a particular perspective to provide a particular version of reality.
- Space and time distortion: e.g. time frames/flashbacks/deixis
- Ideological distortion: e.g.: modal verbs/adjectives/adverbs (to stress belief), ideosyncratic words and phrases
- Distinguishing between who tells/who sees
Positioning
how a text producer places or orientates him/herself to the subject being presented and towards the audience or reader being addressed