Act II. Scene 1 Flashcards

0
Q

Me? It’s your idea, not mine

A

What difference does that make?

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1
Q

The question is can we get away with it?

A

You’ve got to get away with! You must Sandy!

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2
Q

You get the ideas and I do all the work

A

Sandy!

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3
Q

Okay

A

What you don’t already know about the great Sidney Kidd, you can certainly fill in from Mike’s ravings tonight

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4
Q

I used to have that Dime lingo down pretty pat

A

It’s a chance to write a beauty you know it is

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5
Q

Then I swap it with Kidd for Connor’s piece on us- and where am I?

A

You’ll have the satisfaction of knowing you saved the lot of us single handed

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6
Q

And what if he won’t swap?

A

I’m not worried about that

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7
Q

I suppose there’s a fair chance the post will go for it

A

Of course! You can’t possibly lose. Quick- they’ll be here! How long will it take you?

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8
Q

Holy cats! You get to bed.

A

Have you got a typewriter?

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9
Q

My old Corona upstairs

A

Make it smoke

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10
Q

You bet

A

Suds. I can’t stand it. You won’t fall asleep?

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11
Q

I’ve drunk nothing but black coffee since Connor began his lecture

A

“Sidney Kidd- his habits- his habitat and how to hunt him”

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12
Q

It must have been bottled up in him for years.

A

Waiter, another bottle.

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13
Q

No- I’ve got enough for three

A

-Also rear elevation- mike and Liz- they mustn’t suspect Sandy

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14
Q

Oh no- oh my no

A

They have simply stepped in their own chewing gum.- I suppose Kidd has one of those private numbers the rich and mighty his behind in New York

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15
Q

I’ll dig it out of Liz and give him a buzz

A

What will you say?

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16
Q

I’ll be brief, blunt, belligerent. Hey- lay off that!

A

Why?

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17
Q

You are already in wine sister

A

Me? You lie. I never affects me, not in the slightest

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18
Q

That’s because you never take it

A

Even if I did, it wouldn’t

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19
Q

I have seen people fly in the face of Pommery before

A

I’ve just got a good head I guess

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20
Q

Don’t say it, don’t say it!

A

Sandy, you fool-

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21
Q

George will spank.

A

I could spank George for the way he behaved

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22
Q

You and Connor were gone for two hours, at least

A

You were along

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23
Q

All the same, tongues were wagging like tails. George said-

A

George wanted to leave sharp at twelve- how could we?

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24
Q

They need a lot of sleep, those big fellows

A

They must- then at one, with Father and Mother and Dinah- Then at two, then at three- every hour on the hour. We fought like wolves on the way home

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25
Q

I hope you explained

A

Certainly not. He should have known. He was extremely rude. You’d have thought I’d been out with Dexter.- I wonder where Dext was? I half expected him to- I don’t like the look behind Dexter’s eyes, Sandy. It makes me sad.

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26
Q

Don’t be sad, Tracy

A

Oh, Sandy, if you knew how I envy you and Sue that darling fat creature you’ve just produced-

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27
Q

You’ll probably have four or five of your own any day now

A

Six! Oh, I hope- I do hope- I hope I’m good for something besides knocking out golf balls and putting horses over fences

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28
Q

You’re good for my money any day

A

Thanks! Was I really mean to George, I wonder? I don’t want to be.

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29
Q

You’re in an odd mood, little fellah. What’s amiss- what’s afoot?

A

I guess it’s just that- a lot of things I always thought were terribly important I find now- and the other way around- and- oh, what the hell.

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30
Q

I don’t think I’d spend much more time with Connor tonight, if I were you.

A

Why not?

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31
Q

Writers with wine sauce intoxicate little girls

A

They sort of do, don’t they?- he fascinates me. He’s so violent, Sandy.

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32
Q

He’s fallen Tray. I could hear him bump.

A

Mind your own beeswax, old Nosey Parker

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33
Q

Get thee to bed

A

No!

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34
Q
  • before you have to be carried.
A

No! No! No! I feel too delicious, Sandy. I feel just elegant. Is that my bedroom telephone?

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35
Q

Now you’re hearing things

A

It couldn’t be anyone but George. I was sort of swinish to him. Perhaps I’d better-As for you- get to work, you dog? Stop leaning on your shovel.

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36
Q

Miss not an inflection

A

Is it Connor the poet, or Connor the conspirator?

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37
Q

Champagne, entwining arms

A

That’s pretty is it poetry?

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38
Q

Sample from his own pen: ‘Pittsburgh is a gentle city’”.

A

Sidney is a gentle man

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39
Q

Nimble scrivener, it’s an idea

A

Brilliant I wish I’d thought of it

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40
Q

Baby Giant Tycooness

A

But would it not be a low and dirty deed?

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41
Q

What is this mist before my eyes?

A

I tell you what: let’s all have a quick swim to brighten us up. Go get Liz, Sandy.

42
Q

Not me it’s too cold this early

A

It’s the best hour of the day! Dexter and I always swam after parties.

43
Q

I haven’t got any bathing suit

A

But we won’t need any. It’s just ourselves!

44
Q

Let’s dip into this instead

A

No takers? Go get Liz anyway Sandy

45
Q

If she’s not in bed- or even if she is

A

That was an odd thing you just did

46
Q

Me?

A

You. For a moment you made me- self conscience

47
Q

How? About what?

A

Never mind. Hello, you

48
Q

Hello

A

You look fine

49
Q

I feel fine

A

Quite a fellah

50
Q

They say

A

Did you enjoy the party?

51
Q

The prettiest sight in this fine, pretty world is the Priviledged Class enjoying its priviledges.

A

Also somewhat of a snob

52
Q

How do you mean?

A

I’m wondering.

53
Q

Consider gentle reader they toil not neither do they spin

A

Oh yes they do! They spin in circles

54
Q
  • Tracy you can’t marry that guy
A

George? - I’m going to. Why not?

55
Q

I don’t know, I’d have thought I’d be up for it, but somehow you just don’t seem to match up

A

Then the fault’s with me

56
Q

Maybe so, all the same you can’t do it

A

No? Come around noon tomorrow- I mean today

57
Q

Tracy-

A

Yes, Mr. Connor?

58
Q

How do you mean I’m a snob?

A

You’re the worst kind there is: an intellectual sob. You’ve made up you mind awfully early it seems to me.

59
Q
  • and I’m nothing of the sort, not Mr. Connor
A

The time to make up your mind about people is never. Yes you are, and a complete one

60
Q

You’re quite a girl

A

You think?

61
Q

I know.

A

Thank you, Professor. I don’t think I’m exceptional

62
Q

You are though

A

I know any number like me. You out to get around more

63
Q

In the upper clahss? No, thanks

A

You’re just a mass of prejudices aren’t you? You’re so much thought and so little feeling professor.

64
Q

Oh I am am I?

A

Yes, you am, are you! Your damned intolerance furiates me. I mean infuriates me. I should think that of all people a writer would need tolerance. The fact is- you’ll never- you can’t be a first rate writer or a first rate human being until you learn to have some small regard for - aren’t the geraniums pretty professor? Is it not a handsome day that begins?

65
Q

Lay off that professor

A

Yes professor

66
Q

You’ve got all the arrogance of your class alright haven’t you?

A

Holy suds, what have classes got to do with it?

67
Q

Quite a lot

A

Why? What do they matter- except for the people in them? George comes from the so- called lowered class, Dexter comes from the upper. Well?

68
Q

Well?

A
  • though there’s a great deal to be said about Dexter- and don’t you forget it!
69
Q

I’ll try not to

A

Mac, the night- watchman, is a prince amount men and Joey, the stable boy is a rat. Uncle Hugh is a saint. Uncle Willie’s a pincher.

70
Q

So what?

A

There aren’t any rules about human beings, that’s all!- you’re teaching me thing, Professor; this is new to me. Thanks, I am beholden to you.

71
Q

Not at all

A

“Upper” and “lower” my eye! I’ll take the lower thanks.

72
Q
  • if you can’t get a drawing room
A

What do you mean by that?

73
Q

Mt mistake

74
Q

Okay

A

You’re insulting

75
Q

I’m sorry

A

Oh don’t apologize

76
Q

Who the hells apologizing?

A

I never knew such a man

77
Q

You wouldn’t be likely to dear- not from where you sit

A

Talk about arrogance!

78
Q

Tracy- (2nd one)

A

What do you want?

79
Q

You’re wonderful

A

Professor- may I got out?

80
Q

Miss Lord will please wait

A

Miss Lord is priviledged.

81
Q

I’m telling you

A

I’m-! Now I’m getting self conscience again. I- it’s funny- Mike let’s-

82
Q

What?

A

I-I don’t know- go up, I guess. It’s late.

83
Q

There are fires banked down in you, hearth fires

A

You- I don’t seem to you- made of bronze then-

84
Q

You’ve got tears in your eyes

A

Shut up, shut up! - oh mike - keep talking-keep talking ! Talk will you?

85
Q

I’ve stopped

A

Why? Has your mind taken ahold again dear Professor?

86
Q

You think so?

A

Yes, professor

87
Q

A good thing don’t you agree?

A

No, professor

88
Q

Drop that Professor- you hear me?

A

Yes professor (coy)

89
Q

That’s really all I am to you is it?

A

Of course Professor

90
Q

Are you sure?

A

Why, why, yes- yes of course Profess- golly. Golly Moses.

91
Q

Tracy dear-

A

Mr. Connor- Mr. Connor-

92
Q

Let me tell you something-

A

No don’t- all of a sudden I’ve got the shakes

93
Q

I have too

A

What is it?

94
Q

It must be something like love

A

No, no! It mustn’t be. It can’t-

95
Q

Why? Would it be inconvenient?

A

Terribly. Anyway, it isn’t. I know it’s not. Oh Mike, I’m a bad girl-

96
Q

Not you

A

We’re out of our mind

97
Q

-‘right into our hearts.

A

That ought to have music.

98
Q

It has, hasn’t it?- Tracy, you lovely-

A

They’re coming

99
Q

The hell-

A

It’s-it’s not far to the pool. It’s only over the lawn, in the birch-grove- it’ll be lovely now.

100
Q

Come on-

A

Oh- it’s as - it’s as if my insteps- we’re melting away- what is it? Have I- have I got feet of clay, or something?

101
Q

-quick! Here they are-

A

I- I feel so small all at once

102
Q

You’re immense- you’re tremendous

A

Not me- oh, not me! Put me in your pocket , Mike-