Act 2 Scene 3 Flashcards

1
Q

Scene 3 Summary

A
  • Iago gets Cassio drunk and encourages him to start a fight
  • Cassio fights Montano
  • Othello overhears and comes to figure out the problem
  • Iago feigns innocence and care for Cassio
  • Cassio is dismissed from his position
  • Iago advises Cassio in a way that benefits his scheme
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2
Q

‘Iago is most honest’

A

Othello - Dramatic Irony

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3
Q

‘She’s a most exquisite lady’/’And I’ll warrant her full of game’

A

Cassio/Iago - Emphasises the differences between their attitudes towards women

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4
Q

‘I have a very poor and unhappy brain for drinking’

A

Cassio - Self aware of his limits and sensible enough not to jeopardise his position

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5
Q

‘My sick fool Roderigo’

A

Iago - Uses possessive pronouns as if he is a weapon that belongs to Iago

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6
Q

‘If I can fasten but one cup upon him’

A

Iago - Villainy and awareness of his limits

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7
Q

‘Do not think gentlemen I am drunk, this is my ancient, this is my right hand, and this is my left hand’

A

Cassio - His drunken state is supposed to be comedic at first before it turns sinister as the audience realise how intelligent Iago has been with this scheme

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8
Q

‘I do love Cassio well and would do much to cure him of this evil’

A

Iago - Façade that everyone immediately believes because of his reputation

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9
Q

‘Zounds, you rogue, you rascal’

A

Cassio - Authorial Method; uses Iago’s vulgar language when he is drunk

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10
Q

‘I’ll knock you over the mazzard’

A

Cassio - Violence and a real sense of aggression; character flaw

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11
Q

‘Go out and cry a mutiny’

A

Iago - To Roderigo, desperate for Othello’s attention (Authorial Method; the bell is used to emphasise this and add chaos to the scene)

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12
Q

‘Hold for your lives’

A

Othello - Contrasts his original calm demeanour in the face of chaos

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13
Q

‘For Christian shame put by this barbarous brawl’

A

Othello - Constant attempt to assimilate into the religion

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14
Q

‘Honest Iago that looks dead with grieving, speak. Who began this? On thy love I charge thee!

A

Othello - emphasises to the audience the sheer trust Othello places into Iago and the success of his acting

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15
Q

‘I cannot speak’/’Give me answer to it’

A

Iago/Othello - Iago lets himself be dominated by Othello to add to the image he is presenting

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16
Q

‘I had rather have this tongue cut from my mouth than it should do offence to Michael Cassio’

A

Iago - Imitates the respect with which Cassio speaks about people; it is almost comical the way Iago has fun with his scheme which makes the eventual tragedy all the more shocking

17
Q

‘Yet surely Cassio, I believe, received from him that fled some strange indignity which patience could not pass’

A

Iago - Attempts to excuse Cassio for the sake of formalities

18
Q

‘Cassio I love thee, but never more be officer of mine’

A

Othello - Effective leadership as he no longer trusts Cassio to properly fulfil his duty

19
Q

‘I have lost the immortal part of myself, my reputation Iago’

A

Cassio - Highly values reputation and Iago’s response to this shows his deceptive nature

20
Q

‘Reputation is an idle and most false imposition’

A

Iago - Says what the individual wants to hear for his own personal gain considering the fact that he puts his personal quests first

21
Q

‘I remember a mass of things but nothing distinctly’

A

Cassio - His hazy memory at how everything happened works in Iago’s favour as Cassio will still respect him

22
Q

‘I will ask him for my place again, he shall tell me I am a drunkard’

A

Cassio - Iago appears trustworthy as everyone reveals their insecurities to him at some point which he can then exploit

23
Q

‘I think you think I love you’

A

Iago - Duplicitous nature

24
Q

‘Our general’s wife is now the general’

A

Iago - Reinforces Desdemona’s position but also uses it to put Cassio in a compromising position for the scheme

25
'You advise me well'
Cassio - Naivety
26
'And what's he then that says I play the villain when this advice is free I give and honest'
Iago; Authorial Method; Soliloquy, speaks in mock seriousness as what he said, by technicality, wasn't true
27
'Divinity of Hell'
Iago - Juxtaposition in his metaphor shows his appearance vs reality
28
'I'll pour this pestilence into his ear'
Iago - Mind poison, cowardly method of killing and often seen as the female method
29
'So will I turn her virtue into pitch and out of her own goodness make the net that shall enmesh them all'
Iago - Removes blame from himself as their undoing will be the consequences of each others actions
30
'I'll set her on'
Iago - Regarding Emilia; controlling