Act 1 Scene 1 Flashcards
Scene 1 Summary
- Roderigo finds out Othello and Desdemona are married
- Iago reveals his lieutenancy has been usurped by Cassio
- Iago vows revenge
- Roderigo and Iago wake Brabantio and reveal the news to him
‘Thou Iago who hast had my purse as if the strings were thine’
Roderigo - Iago exploits Roderigo (the fool) for money by promising him he will eventually marry Desdemona
‘Three great ones of the city in personal suit to make me his lieutenant’
Iago - It was fated he would get the position but was betrayed by Othello’s choice
‘I know my price, I am worth no worse a place’
Iago - Self assured character (Authorial method; dominates the scene)
‘Forsooth a great arithmetician, one Michael Cassio, a Florentine, a fellow almost damned in a fair wife’
Iago - Cassio doesn’t fit the expectations of a typical lieutenant and Iago resents him for this
‘Mere prattle without practice’
Iago - Cassio is inexperienced and it is unfathomable why he was chosen over someone as experienced as Iago
‘I of whom his eyes had seen the proof at Rhodes and Cyprus’
Iago - Qualified for the position; justifiable anger (Authorial Method; foreshadowing and irony as Othello later relies on proof over his own judgement in his madness)
‘By heaven I rather would’ve been his hangman’
Roderigo - Very keen to follow the lead of anyone else in the scene (Authorial Method; role of the fool and lets Iago dominate the scene)
‘Tis the curse of service’
Iago - Authorial Method; semantic field of curses throughout the play being linked to things going wrong
‘Be judge yourself whether I in any just term am affined to love the Moor’
Iago - Two interpretations;
1 - A false show of insecurity needing someone else’s judgement to appear more human
2 - A true display of insecurity because he truly is only human, fitting his rage at this betrayal
‘I follow him to serve my turn upon him’
Iago - He has always openly admitted his villainy
‘In following him I follow but myself’
Iago - He keeps his personal interests at the forefront of everything he did
‘Heaven is my judge, not I for love and duty’
Iago - Lies to himself and others; unusual for a villain to rely on heaven but suggests he truly believes he is correct and justified in his actions
‘But I will wear my heart upon my sleeve for daws to peck at, I am not what I am’
Iago - Makes it abundantly clear that he will adopt a villainous pretence to enact revenge
‘What a full fortune does the thick-lips owe’
Roderigo - Negative racial stereotyping before the audience is even introduced to the character of Othello
‘Proclaim him in the street’
Iago - On rousing Brabantio from his sleep; it is the middle of the night showing his disregard for others
‘Signior Brabantio ho!’
Roderigo - Authorial Method; volume. Roderigo uses his correct title whereas Iago doesn’t showing their attitudes
‘Thieves, thieves!’
Iago - Perpetuation that the marriage is a crime and not just a personal betrayal; Authorial method = proximity as Brabantio appears above them to represent the hierarchy and Iago hides on stage
‘For shame put on your gown’
Iago - Despite being assigned a low ranking position he still orders people around
‘An old black ram is tupping your white ewe’
Iago - Racial tensions and comparing it to bestiality; removes the purity from the love that Othello and Desdemona actually share
‘The devil will make a grandsire of you’
Iago - Links the marriage to a spiritual crime alongside legal
‘My daughter is not for thee’
Brabantio - Speaks to Roderigo once he figures out it is him; very particular about who his daughter marries and contrasts the irony at the end of the scene of rewarding him
‘We come to do you service’
Iago - Irony considering the service is more for Iago’s scheme
‘You’ll have your daughter covered with a Barbary horse, you’ll have your nephews neigh to you, you’ll have coursers for cousins, jennets for Germans’
Iago - Racial insults towards Othello