Act 1 Scene 1 Flashcards

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1
Q

How does Lucentio establish the fact that he trusts/respects Tranio within his introductory soliloquy?
(Quote)

A

“My trusty servant well approved in all”

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2
Q

How does Shakespeare present Lucentio as virtuous?

A

“That treats of happiness by virtue specially to be achieved”

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3
Q

Why has Lucentio travelled to Padua?

A

to study- “i study virtue, and that part of philosophy”

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4
Q

Where does Lucentio come from?

A

Pisa

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5
Q

How is Tranio presented as slightly more mischievous?

A

“While we do admire this virtue and this moral discipline, let’s not be stoics nor no stocks”

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6
Q

Who enters the scene after Tranio and Lucentio?

A

Baptista, Katherina, Bianca, Gremio and Hortensio

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7
Q

How does Baptista refuse the two suitor’s proposals to marry Bianca? (Quote)

A

“(I am firmly resolved) Not to bestow my youngest daughter, before I have a husband for the elder”

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8
Q

What quote involves Gremio comparing Kate to a prostitute?

Give the quote, the contextual reference and how this reflects his commedia del arte character

A

“to cart her, rather: She’s too rough for me.”
Carting was the practice of whipping and publicly flogging prostitutes, whilst being dragged around on a horse and cart through public squares. It was considered a humiliating experience.
This reflects the bitterness expected in his character of the Pantalone

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9
Q

What flaw does Hortensio point out in Kate, that he says will cause there to be “No mates for you”?

A

“No mates for you, unless you were of GENTLER MILDER MOULD”

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10
Q

What is Kate’s iconic insult (involving violence towards her mean “suitors”)

A

“To comb your noddle with a three legged stool, And paint your face, and use you like a fool”

Translation- “I’ll beat you over the head with a stool and then smear the blood all over your face”

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11
Q

What does Tranio warn Lucentio about Katherina?

A

“That wench is stark mad”

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12
Q

What does Lucentio say he admires in Bianca (“m” consonance)

A

“Maid’s (Bianca’s) MILD BEHAVIOR and SOBRIETY”

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13
Q

How does Katherina suggest that Bianca is a fake?

A

“A pretty Peat! it is best put finger in the eye and she knew why”

Translation- “Liar! She might as well poke herself in the eye to make herself FAKE cry, and SHE KNOWS she’s a fake”

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14
Q

When discussing finding a wife for Katherina, what Gremio quote foreshadows petruchio being a nasty character?

A

“(I say, a husband) I say a devil. Thinkst thou, Hortensio, though her father be very rich, any man is so very a fool to be married to hell?”

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15
Q

What 2 quotes of Lucentio’s suggest that his love for Bianca is genuine, and not driven by greed or ulterior motive (making him fit the innamorati better than Petruchio)?

A

“I found the effect of love in idleness”

“Tarnio, I burn, I pine, I perish, Tranio, if I achieve not this young, modest girl”

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16
Q

What does Lucentio ask Tranio for, that shows they are not the typical servant and master (include quote that shows Lucentio’s trust in Tranio)

A

He asks Tranio for his advice on how to handle his sudden infatuation with Bianca
“For thy counsel’s sound”

17
Q

What is one quote that suggests that Lucentio was only drawn to Bianca because of her beauteous looks and modest behavior?

A

“Sacred and sweet was all I saw in her”

18
Q

What is one side comment of Tranio’s that suggests he is a more sensible/serious character than Lucentio?

A

“(aside) Then tis time to stir him from his trance” Referring to Lucentio’s maddening, love-at-first-site pining for Bianca

19
Q

What prop-oriented event happens during Tranio and Lucentio’s dialogue?

A

They switch outfits

20
Q

Name one quote that suggests that Bianca has the upper hand over Lucentio, as he submits himself to her?

A

“let me be a slave to achieve that maid”

21
Q

What does Lucentio call Biondello, that suggests he may be the runt of the pack, or a comic fool?

A

“the rogue”

22
Q

Biondello and Grumio are both servants and both often presented as comic fools, what are two elements of dialogue they both show (give 2 quote that support this)

A

They both argue back against their masters, creating hilarity, as this seems petty, childish and/or unexpected
- “Where have I been? Nay, how now, where are YOU”
They both use confusion to create comicality- Biondello is confused the outfit swap between the two characters
- “Master, has my fellow Tranio stolen your clothes? Or you stolen his, or both?”

23
Q

Give two quotes that show obliviousness/ stupidity in Biondello?

A
  • “(Lucentio- you undertand me?” I sir, Ne’er a whit!”
  • “(Lucentio- Tranio is changed into Lucentio) The better for him, would I were so too!”
  • Basically insulting Tranio to his face*
24
Q

What is unusual about the ending of Act 1 scene 1?

A

It ends with commentary from Sly and his party, watching the Play’s events, and stating that he is beginning to “nod” (fall asleep) and wishes that the play was over.

25
Q

What comic method is used by Sly at the end of Act 1 scene 1?

A

he brings attention to the play’s own artifice, bringing attention to the play-within-a-play structure.