Act 1-5 After Daphne Before Maule Flashcards

1
Q

She’s not your cup of tea.

A

Who isn’t?

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2
Q

Joanna.

A

She’s not bad. A bit predatory perhaps, but as far as I can see everybody’s a bit predatory — everybody’s stalks their game as far as I can see.

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3
Q

Liz: I shall give it up for Lent.

A

Good morning, darling, where is my present?

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4
Q

Liz: on the piano.

A

It’s not another one of those damn glass horses, is it?

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5
Q

Liz: no, it’s a dressing gown for Africa.

A

Oh, Liz, it’s wonderful. Just what I wanted — it’s absolutely charming — thank you, darling, I’m mad about it. It really is the perfect taste, the best Sort of colonial propaganda! Say some thing about it, Monica.

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6
Q

Mr. mole will be here in a minute

A

Who’s he?

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7
Q

A great success that you promised him an appointment.

A

I can’t see him — you ought to protect me from things like that.

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8
Q

Serves you right for snatching the telephone when I wasn’t looking.

A

I’ve noticed a great change in you lately, Monica. I don’t know whether it’s because you’ve given up cramming yourself with potatoes or what it is. But you’re getting nastier with every day that passes. Go away.

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9
Q

I am going. I shall be in the office if you want me.

A

Of course you’ll be in the office, spinning awful plots and intrigues against me.

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10
Q

I will if I can think of any.

A

Shut the telephone off.

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11
Q

All right.

A

Now then, tell me all about your trip and everything. What did you think of the play?

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12
Q

Liz: I thought it was wonderful.

A

That good?

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13
Q

Quite willing to let us do what we like as long as you play it.

A

How right!

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14
Q

Now that I want to talk to you about something.

A

I don’t like that tone at all. What’s on your mind?

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15
Q

Don’t you think it’s time you started to relax?

A

I don’t know what you’re talking about.

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16
Q

Who is that poor little creature I saw here this morning and evening dress?

A

She’d lost her latchkey.

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17
Q

They often do.

A

No listen to me Liz —

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18
Q

You’re over 40, you know.

A

Only just.

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19
Q

And in my humble opinion all those casual scampering about is rather undignified.

A

Scampering indeed! You have a genius for putting things unpleasantly.

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20
Q

Don’t misunderstand me, I’m not taking a moral view, I gave that up as hopeless years ago.

A

It’s all very fine for you to come roaring back from Paris where are you been up to God knows what, and start to bully me —

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21
Q

I’m not bullying you.

A

Yes, you are. You’re sitting smug as be damned on an awful little cloud and blowing down on me.

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22
Q

Don’t bluster.

A

Who left my bed and Board — deserted me — left me a pray to everybody? Answer me that!

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23
Q

I did, thank God.

A

Well then.

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24
Q

Would you have liked me to have stayed?

A

Certainly not, you drove me mad.

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25
Q

Well, stop shilly-shallying about that and pay attention.

A

This is, to date, the most irritating morning of my life.

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26
Q

You have reached a moment in your life what a little restraint would be becoming.

A

La de da.

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27
Q

You’re an eminent man advancing, with every sign of reluctance, into middle-age.

A

May God forgive you.

28
Q

We’ve watched it going on monotonously for 20 years.

A

I met you for the first time exactly 11 years ago next August, And you were wearing a very silly hat.

29
Q

Think what fun would be to be unattractive for a minute or two. Why, you might take to it like a duck to water.

A

Dear Liz, you really are very sweet.

30
Q

Oh dear, I might as well have been talking Chinese.

A

I admit I’m a trifle reckless every now and then, but I really don’t do much harm to anybody.

31
Q

You do harm to yourself into the few, the very few, who really mind about you.

A

I suppose you’ve discussed all this with Monica and Maurice and Hugo?

32
Q

I haven’t yet, but I will unless I see some side of improvement.

A

Blackmail, hey?

33
Q

You know how you hate it when we all make a concerted pounds.

A

The thing that astonishes me in life is peoples arrogance! It’s fantastic. Look at you all! Gossiping in corners, whispering behind your fans, telling me what to do and what not to do. It’s downright sauce, that’s what it is. What happens if I relax my loving hold on any of you for a minute? — disaster! I happen to go to New York to play a three month season. Hugo immediately gets pneumonia, goes to Biarritz to recover, meets Joanna and marries her! I go away for a brief holiday in the south of France, and when I come back what do I find? You and Morris between you had bought the Dullest Hungarian play ever written and produced it with Phoebe Lucas in the leading part. Phoebe Lucas, playing a glamorous courtesan with a bat as much sex appeal as a smoked haddock! How long did it run? One week! And that was only because the press said it was lascivious.

34
Q

Isn’t this is a little beside the point?

A

Certainly not. 20 years ago Hugo put all his money into that lousy play, the lost Cavalier,. And who played it for 18 months to capacity with extra matinees? I did. And who started his whole career as a producer in that play? Maurice!

35
Q

I wish you’d stop asking questions and answering them yourself, it’s making me giddy.

A

Where would they have been without me? Where would Monica be now if I hadn’t snatched her away from that sinister old out of hers and given her a job?

36
Q

With the sinister old aunt.

A

And you! Dear! You! One of the most depressing melancholy actresses on the English stage. Where would you be if I hadn’t forced you to give up acting and start writing?

37
Q

Acting.

A

Good God! I even had to marry you to do it.

38
Q

Yes and a fine gesture that turned out to be.

A

You adored me, you know you did.

39
Q

I still do, dear. You’re so chivalrous, rubbing it in how dependent we are on you for every breath we take.

A

I didn’t say that.

40
Q

….. we stopped you in the nick of time, from playing peer Gynt.

A

I still maintain I should’ve been magnificent as peer Gynt.

41
Q

Above all, we stop you from over acting.

A

You have now gone too far, Liz, I think you had better go away somewhere.

42
Q

I’ve only just come back.

A

Monica!— Monica! Come here at once.

43
Q

Mon:

What on earth’s the matter?

A

Have you or have you not seen me over act?

44
Q

Frequently.

A

It’s a conspiracy! — I knew it!

45
Q

As a matter of fact you’re over acting now.

A

Very well — I give in — everybody’s against me — it doesn’t matter about me — oh no — I’m only the breadwinner. It doesn’t matter how much I am wounded and insulted! It doesn’t matter that my timorous belief in myself should be subtly undermined.

46
Q

Your belief in yourself is about as timorous as napoleons.

A

And look what happened to him, poor chap. He died forsaken and alone on a lousy little island all surrounded by water.

47
Q

Islands have that in common.

A

You’re trying to be funny now because you’re ashamed. I doubt if any of you would care a Fig if I were exiled forever tomorrow. You’d probably be delighted. I expect that’s why I’m being forced to go to Africa.

48
Q

Now that about Morris I want you to concentrate for a minute.

A

How can I concentrate? You come here and say the most awful things to me, tear the heart out of me and jump up and down on it and then say calmly — “now then about Maurice,” as though you’d been discussing the weather.

What about Maurice? What’s wrong?

49
Q

I think you’ll have to do a little of your famous finger wagging it’s it’s Joanna.

A

Joanna?

50
Q

Maurice is in love with her.

A

How do you know?

51
Q

I don’t know how far it’s gone, or any details, but I do know that if it’s true some thing out to be done about it and at once.

A

Does Hugo suspect anything?

52
Q

I don’t think so, but then he never would, would he? Until it was shoved under his nose.

A

He ought never to have married that stereotyped diamond-studded siren. I always said it was a grave mistake.

53
Q

I don’t think she’s a stereotype is all that, but she’s dangerous all right.

A

Oh God, it’s too tired some, really it is — it’ll upset all my plans for Africa.

54
Q

If Hugo finds out it might bust up everything.

A

It might stop the whole trip. What are we to do, Liz?

There’s that beastly young man from Uckfield and here I am trembling like a leaf. I can’t face him, I can’t!

55
Q

You’ve got to if you promised.

A

My life is one long torment and nobody even remotely cares.

56
Q

It might not be the young man at all, it might be Maurice.

A

To hell with Morris. To hell with everybody.

57
Q

Don’t be idiotic.

A

It isn’t Maurice. He isn’t coming until 1 o’clock.

58
Q

I shall be in until 115, telephone me when he’s gone.

A

I’m lunching with him. He won’t go. I can’t give you a detailed report of his love life over the telephone with him in the room.

59
Q

Well dial my number and when I answer just say, I’m sorry — wrong number, then I shall know.

A

What were you know?

60
Q

That everything’s all right. But if you say I’m so terribly sorry it’s a wrong number, I’ll know that everything’s all wrong and be round in a flash to back you up.

A

Intrigue! My whole existence is enmeshed in intrigue.

61
Q

Sorry it’s a wrong number everything all right, so terribly sorry it’s a wrong number everything wrong.

A

Yes

62
Q

Will you promise to do it?

A

Yes! I’ll tell you another fascinating thing about my life here if you care to hear it. Nobody in this house ever answers a bell under a half an hour. Miss Erickson — Fred —

63
Q

I’m going now, remember I shall be in until I hear from you.

A

Miss Erickson! — Fred! Monica! The front doorbell, Miss Erickson, has been peeling incessantly for 20 minutes.

64
Q

Alas yes, but there’s a woman at the back door with a tiny baby.

A

What does she want?

65
Q

I do not know, there was no time to ask her.

A

Most of the silver is gone by now, I expect.

66
Q

Monica:

did you call?

A

Monica, there’s a woman at the back door with a tiny baby! Go and deal with her.

67
Q

What does she want?

A

That can only be discovered by asking her. Kindly do so.