4- Samba Em Preludio - from Esperanzo Flashcards
Context
Composer: Roberto Baden Powell Aquino
Lyrics: Vinicius de Morase
Bossa Nova
Written in 1962
style is a mix of Brazilian Samba with jazz.
lyrics in Portuguese
Melody
2 main melodies in this part
Verse 1
8 bar idea, repeated
first note of each phrase descends by a semitone in a long downwards sequence
Vocal line descends below female voice range to a low E
Rising Arpeggios bar 4
All phrases have a span of a seventh
bar 18 - jazzy flattened 5th
Verse 2
note values doubled
16 bar idea repeated
conjunct/ stepwise movement
Bar 23 - descending to leading note
Sequences
Harmonics, glissandos, portamento
Vocal range of a 10th low tessitura
Ornamented notes performed like acciaccatura but not written
Articulation
-
Dynamics
-
Texture
intro - monophonic
double stopping
mostly homophonic
bar 89-104 polyphonic
Voice and bass duet verse is polyphonic
Bass part complicated which gives a polyphonic feel Contrapuntal
Structure
- Two main part vocal sections (verse 1 and 2) plus solos
Full structure: intro, verse, link, verse 2, guitar solo, verse 1 and 2 voice and bass duet, coda (outro)
Harmony
tonal
complex - jazz and American popular song music influenced
Chord extensions 7th, 9th, 11th and 13th
Diminished 7ths and flattened 5th chord
Chromatic chords
Substitution chords
Descending chromatic movement (bar 30)
descending chromatic bassline
Cadences, perfect cadence
Instruments
Female voice, acoustic guitar, acoustic bass guitar
Vocal line low in female range (using chest register)
- Double stopping in bass
- The song uses a female voice, acoustic bass guitar and acoustic guitar
- The vocal part is low in pitch for a female singer
- The acoustic bass uses double stopping (playing multiple strings together)
- It also uses harmonies
- The acoustic bass is tuned just like the electric bass or double bass.
In verse 1 the bass sounds like it is playing 2 parts, with a bass notes and alternating chords, like a ragtime piano.
Rhythm, tempo, metre
syllabic
complex rhythms- triplets and semiquavers and rests
rubato used
free tempo
bossa Nova
4/4 quadruple time
syncopation
triplets and rests
longer note value in vocals
off beat
verse 1 slow tempo
verse 2 - faster tempo and rubato
cross rhythms
Tonality
In B minor
Chest register
Using the lower range of the voice
Free time
no sense of time signature or beat
Rubato
technique where the performer can pull back the tempo for expressive effect
Leading note
the seventh note of a scale