4 - Classical Era Flashcards

1
Q

classical era

A

1750-1825
age of enlightenment
characterized by desire for equality among all people
classlcal ideals: proportion, symmetry,balance

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2
Q

sonata cycle

A

multi movement structure
emerged in Classical era
occurs in symphony, sonata and concerto

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3
Q

sonata form

A

a formal structure often used in the first mvmt of a sonata cycle
consists of exposition, development, recapitulation

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4
Q

sturm and drang

A

storm and stress
translated musically into passionate outbursts and emphasis on minor keys
aims to frighten, shock or overwhelm with emotion

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5
Q

symphony

A

multi movement orchestral work, became dominant form

generally 4 constrasting movements

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6
Q

1st movement of symphony(key, tempo, form)

A

establishes tonic key

lively tempo
sonata form
may begin with slow intro

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7
Q

2nd movement of symphony

A

often in subdominant key

slow tempo
forms incl. ternary, theme and var, rondo
lyrical, expressive character

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8
Q

3rd movement of symphony

A

in tonic key
fast of mod. fast tempo
ternary or menuet & trio
or for Beethoven a scherzo and trio

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9
Q

4th movement of symphony

A

in tonic key

fast, lively tempo
forms incl. sonata, rondo theme and var.
lively finale

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10
Q

Viennese school

A

principal composers Haydn, Mozart, Beethoven

Vienna was a place for noted artists ,writers, .architects and musicians

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11
Q

Exposition

A

first main section in sonata form

2 contrasting themes stated…..1st in tonic, 2nd in dom. or rel. minor

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12
Q

Development

A

second main section in sonata form
themes from expo. manipulated using fragmentation, sequences or changes to orchestration
modulations and increased tension
new themes may be introduced

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13
Q

Recapitulation

A

third main section in sonata form

1st and 2nd themes restated in tonic

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14
Q

Coda

A

a concluding section in sonata form that reaffirms tonic key

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15
Q

Monothematic exposition

A

in sonata form, theme 2 is a transposed version of theme 1

used often by Haydn

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16
Q

Oratorio

A

similar to opera but in a concert setting
was allowed even during Lent(opera was not)
sacred vocal genre originally performed in the prayer room(oratory) of a church

17
Q

Oratorio features:

A

large scale choral work
generally based on sacred subjects
includes soloists, chorus and orchestra
no scenery, costumes or acting

18
Q

Opera buffa

A

Italian comic opera
no spoken dialogue
featured down to earth characters, fast paced plots, farce and innuendo
Mozart was the master of this form

19
Q

modified sonata form

A

contains expo and recap but no development

20
Q

terzetto

A

Italian for trio, musical # for 3 voices

21
Q

trouser role

A

male character played by a sop, mezzo sop or cont. alto

22
Q

cadenza

A

solo passage in concertos and arias

displays virtuosity of soloist

23
Q

double exposition

A

used in 1st mvmt of concerto
orchestral expo intros theme and establishes key
solo expo follows during which soloist restates theme and usually modulates key

24
Q

tremolo

A

rapid alternation btwn. 2 notes or chords

25
Q

rondo form

A

ABACA or ABACABA
section A heard min of 3 times in tonic
B and C offer contrast in key and theme

26
Q

musical accomplishments of Beethoven

A

planned and revised compositions in sketchbooks
used accents and extreme dynamics
exploited technical developments of the piano
replaced minuet and trio with scherzo
used cyclical structure
included chorus in a symphony: was an innovator

27
Q

chamber music

A

for small group(2-10)
one player per part
usually without conductor
musical conversation btwn friends

28
Q

string quartet

A

most popular chamber ensemble of classical period

2vln,vla,clo

29
Q

piano quintet

A

piano plus 4 inst. usually string quartet

30
Q

theme and variations

A

work features melody followed by series of transformations
changes to melody, harmony, rhythm or orchestration
often used in slow mvmt of sonata cycle

31
Q

piano concerto

A

dev’d in Baroque
ritornello form from baroque replace with sonata form
began to overtake violin conc. in popularity
3 mvmts: fast slow fast
cadenza usually prepared by soloist

32
Q

piano sonata

A

technical improvement to piano led to inc popularity and many new works
usually 3 or 4 mvmts
1st and 3rd about technical brilliance and 2nd about lyricism