1 - Middle Ages Flashcards
Monophonic texture
Music consisting of a single line of melody
No harmony or accomp.
Polyphonic texture
Two or more independent melodic lines heard simultaneously
Aka contrapuntal texture
Modes
Scales patterns distinguished by their own unique order of tones and semitones.
Generally referred to by their greek names, dorian etc.
Neumes
Earliest form of notation in western music.
Small notations symbols indicated direction of line then used squares on staff for actual pitch
A cappella
Latin for in the chapel
Vocal without instrumental accomp.
Plainchant
Aka plainsong
Monophonic texture
Modal melodies
Unmeasured prose rhythm
Gregorian chant
A form of plainchant named after pope Gregory the great who organized chant repertory and standardized litugy
Latin texts, modal and monophonic
Evolved from hebrew chant tradition
Among earliest forms of notated music in western tradition
Moves by step or narrow leap
Unmeasured rhythym
Syllabic text setting
One note for each syllable
Text heard clearly
Neumatic text setting
2-4 notes for each syllable
Melismatic text setting
Many notes for each syllable
Most elaborate form
Responsorial singing
Solo voice alternates with chorus
Verse and respond.
Heterophonic texture
Simultaneous variation
Same melody played in more than one way at the same time
Two or more voices
Added voices often improvised.
Gradual
4th section of mass proper
Texts usually from psalms
Usually melismatic and responsorial
Organum
General term for polyphony based on plainchant
Vocal music in which new melodic lines added to an existing gregorian chant
Early styles mostly per 4,5,8 later styled more varied
Free organum involved wider variety of rhythm and intervals than original
Cantus formus
Latin for fixed song
Serves as structural skeleton for new polyphonic piece
Borrowed material, usually from greg. Chant
Originally in lowest voice
Tenor
Latin meaning to hold
In polyphonic composition it refers to voice that contains the cantus firmus
Counter tenor
High male voice
Falsetto singing
Motet
Vocal composition with or without accomp.
Secular or sacred
Usually anon.
Often polytextual
Polytextual motet
Two or more texts heard at same time
Characteristic feature of 13th century motet
Ostinato
Italian for obstinate, persistent
Rhythmic or melodic pattern repeated for an extended period
Monophonic chanson
Grew from troubadour tradition
Flourished in 12th and 13th centuries
Sometimes performed with improvised accomp
Monophonic, modal, usually strophic
Texts often reflected courtly love in age of chivalry