3 - Baroque Flashcards

1
Q

figured bass

A

musical shorthand
performed by basso continuo
provides structure for guided improvisation

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2
Q

basso continuo

A

usually done by two players

  1. plays notated bass line
  2. plays harmonies indicated by fig. bass
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3
Q

monody

A

“one song”
single vocal melody with simple accomp.
allowed clarity of text

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4
Q

the “Affections”

A

refers to emotional states of the soul
one clear emotions usually used through an entire baroque piece
reaction against complex polyphony of renaissance

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5
Q

terraced dynamics

A

baroque style of changing dynamics abruptly

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6
Q

opera

A

Italian for “work”
sung drama
combines music with drama and sometimes dance
first ones written by group in Florence trying to recreate ancient Greek drama
invented around 1600

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7
Q

stile rappresentativo

A

representational style
describes monadic style
melody moves freely over simple chords

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8
Q

castrato

A

male soprano or alto(kept that way by surgery)
generally used in heroic roles
prominent in 17th and 18th centuries

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9
Q

libretto

A

text of opera, oratorio or cantata

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10
Q

aria

A

lyrical song for solo voice with orchestra accomp.

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11
Q

recitativo secco

A

“dry recitative”
speech like style of singing
supported only by continuo

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12
Q

recitativo accompagnato

A

speech like singing supported by ensemble or orchestra

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13
Q

opera seria

A

serious opera
sung throughout
usually based on historical or mythological subjects

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14
Q

stile concitato

A

agitated style
expresses “hidden tremor of the soul”
achieved through tremolo and pizzicato and rapid repeated notes

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15
Q

ground bass

A

continuous repetition of a short melody over which free variations occur

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16
Q

cantata

A
multi movement choral work
for solos, chorus and orchestra
secular or sacred
German Lutheran church played major role in its development, adopted into church service in 18th cent.
from Italian" to sing"
Bach wrote over 300!
17
Q

chorale

A

hymn tune assoc. with German Protestantism
intended for congregational singing
mostly moved by step or narrow leap
SATB voices

18
Q

canon

A

from Greek word for law
strict polyphonic composition
each voice enters in succession with same melody
if each voice enters on same pitch then it is a round

19
Q

fugal texture

A

a theme is seen through an entire work

enter in one voice and then another

20
Q

ritornello

A

recurring theme that functions as a refrain in Baroque pieces

21
Q

concerto grosso

A
Baroque orchestral work
usually 3 mvmts(fast-slow-fast)
group of solo instruments showcased
comes from latin" to collaborate"
developed in 17th century italy
22
Q

concertino

A

the small group of solo instruments featured in a concert grosso

23
Q

ripieno

A

Italian for full or complete

also called “tutti”

24
Q

ritornello form

A

structure often used in first and third movement of Baroque piece
opening passage restated throughout movement

25
Q

hornpipe

A

lively dance in triple meter
English origin
originally assoc with sailors

26
Q

menuet

A

elegant dance in triple meter
French origin
moderate tempo

27
Q

clavier

A

German word for any keyboard inst. other than the organ

28
Q

clavichord

A

small rectangular keyboard

sound made by small metal tangents that strike the strings

29
Q

harpsichord

A

sound generated by small quills that pluck the strings

Italians called it gravicembalo

30
Q

Baroque

A

1600-1750
major-minor system provided harmonic backbone of Baroque style
led to development of fig bass and importance of basso continuo
instr. music received same attention as vocal for first time

31
Q

orchestral suite

A

took dance music to new level, grouped pieces together in a formal suite
generally binary form
contrasting dances in same key grouped together
standard groups: allemande, courante, sarabande, gigue

32
Q

keyboard music

A

Baroque was era that had organ, harpsichord and clavichord emerge as prominent instruments with their own repertoire

33
Q

Le nuove musiche

A

Publication from 1602
Contains musical examples and prose descriptions of monody
Composers often gave advice on ornamentation etc
Many songs had new expressive style